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Published online by Cambridge University Press: 01 June 2023
The controversial performances of Jonathan Meese and the duo Vegard Vinge and Ida Müller uncouple the presumed alliance between fascist politics and aesthetics. Provocatively repurposing fascist iconography and thought, Meese and Vinge/Müller defend art’s autonomy against the contamination of reality and reimagine how contemporary artists grapple with Germany’s past.