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Viral Interstitiality and Unlikely Resources: Gender and Labour in Turkish Public Theatre During the Covid-19 Pandemic

Published online by Cambridge University Press:  26 February 2024

Extract

The growing literature on Covid-19 and theatre has demonstrated how the pandemic has intensified gendered precarities in theatrical labour.1 However, the pandemic has also provided feminist theatre makers with unexpected or unlikely resources, albeit with limitations. The Istanbul Municipal Theatre's (İstanbul Büyükşehir Belediyesi Şehir Tiyatroları or İBBŞT) production of Melek that premiered in 2020 is an indicative example of such rare and largely invisible cases of pandemic theatre. Critically engaging with the archives and repertoires of tuberculosis (TB) melodrama and the Turkish lives of the genre, Melek conducts an experiential mapping of the performativity of death and the porous borders between everyday performance and artistic performance. The production offered independent feminist theatre practitioners, who otherwise maintain a precarious existence in Turkey's theatre world, access to new spaces, resources and audiences. Combining archival with ethnographic research, I will demonstrate how, in the case of Melek, the intersections between actual and fictive viral contagion – what I define as viral interstitiality – constitute inclusive economies amidst the Covid-19 pandemic. In somatics, the interstitial is theorized and enacted as suspensions of static schisms that shape relational empowerment.2 Drawing upon this grasp of the interstitial as connective thresholds, viral interstitiality sheds light on the practices and the economies of care that emerge from the porous dynamism between the viral and the theatrical.

Type
Dossier
Copyright
Copyright © The Author(s), 2024. Published by Cambridge University Press on behalf of International Federation for Theatre Research

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References

NOTES

1 Pietrzak-Franger, Monika, Liedke, Heidi Lucja and Radak, Tamara, ‘Editorial: Presence and Precarity in (Post-)Pandemic Theatre and Performance’, Theatre Research International, 48, 1 (March 2023), pp. 28CrossRefGoogle Scholar; and Jeziński, Marek and Lorek-Jezińska, Edyta, ‘The Response of Polish Performance Artists to Cultural Policies During the Pandemic: Liminality, Precarity, and Resilience’, International Journal of Cultural Policy, 28, 5 (July 2022), pp. 607–20CrossRefGoogle Scholar.

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5 Interview, Altınay, 7 March 2023.

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8 Interview, Altınay, 7 March 2023.

9 Erdem, ‘A Feminist Tuberculosis Melodrama’.

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12 Interview, Altınay, 7 March 2023.

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15 Zeynep Miraç ‘Women Take Over Istanbul's City Theatre’, YetkinReport, 8 March 2020, at https://yetkinreport.com/en/2020/03/08/women-take-over-istanbuls-city-theatre/.

16 Interview, Koçak, 10 March 2023.

17 Interview, Karabekir, 10 March 2023.

18 Interview, Karabekir and Koçak, 10 March 2023.