The backstory to Siddiq Hasan's publications

Siddiq Hasan's early life brings home the largely unappreciated liveliness of the intellectual world of Islamic thought in his day and the transnational world that shaped it. He came by education honestly. Men of his family had long staffed the bureaucracies of princes and large landlords as secretarial munshis.Footnote ²⁷ They had mastered the ‘Persianate’ cultural skills of penmanship, accountancy, and formalised rhetoric for bureaucratic, diplomatic, and epistolary documents, and they had learned forms of behaviour and sentiment that marked them as cultivated and ethically informed.Footnote ²⁸ His grandfather had risen to high rank in Hyderabad. But his father broke the pattern in ways that took his intellectual and social world in new directions. He abandoned the family's Shi`ism, so important in this region, to join the lively Sunni reformist circles of Delhi. He even participated in an abortive jihad on the frontier in the 1820s that imagined an ideal Muslim community free of what was seen as oppressive Sikh control. Sayyid Aulad Hasan survived the crushing defeat of that undertaking in 1831, but he died soon thereafter, leaving an isolated and impoverished widow behind. His colleagues stepped in to see to his sons’ education.

Siddiq Hasan, in the age-old style, moved among teachers from Qanauj to Farukhabad, on to Kanpur, and then Delhi.Footnote ²⁹ He learned both the skills to become a munshi as well as the disciplines essential for participating in the Islamic scholarship of his day. In Delhi, Siddiq Hasan became a student of none other than Mufti Sadru'ddin Azurda who was part of the second generation of the scholarly circles launched by Shah Waliullah Mohaddis (1703–1762), one of the leading luminaries of the cultural efflorescence in Islamic thought of the long eighteenth century. Azurda had studied with two of his sons, Shah `Abd ul-`Aziz and Shah `Abd ul-Qadir. He also had been a student of the celebrated scholar of ‘rational’ Islamic disciplines, Fazl-i Imam Khairabadi (d. 1827), whose son, Fazl-i Haqq (1796–1861), continued his tradition and was an intimate part of Azurda's circles. Azurda was central to the city's social and literary life, opening his beautiful haveli for regular poetry soirées where he welcomed the great poets of the day like Ghalib and Momin.Footnote ³⁰ Azurda represented the pinnacle of what a person trained in bureaucratic skills could achieve in the new regime of the East India Company, which had taken control of Delhi in 1803, since he had risen to the post of principal sadr amīn, the highest judicial position then open to Indians. In his biographical dictionary Siddiq Hasan honoured Azurda as ustād-i muharrir, the teacher of scribes.Footnote ³¹

Persian was key. It had been a language of governance, aesthetic standards, personal formation, science, and literature across vast domains of the old world, with India a premier part of what is sometimes called a ‘Persian Republic of Letters’.Footnote ³² Even after the British replacement of Persian as the official administrative language in the 1830s (in favour of English and the vernaculars), many literati of Siddiq Hasan's generation knew Persian well; even the less expert knew the great Persian poets as well as texts on ethics and deportment. Persian continued as an official language in the princely state of Hyderabad until 1884, as it did until the late 1850s in Bhopal and several other princely states. In the mid-century, when the prince Dyce Sombre travelled across India, he used Persian to communicate in elite circles and to record his intimate thoughts in a diary.Footnote ³³

It was Siddiq Hasan's formation in Arabic disciplines, however, that would most profoundly shape his intellectual career, including early exposure to the controversies roiling intellectual circles. The foundational reformist Urdu tract, the Taqwiyyatul Īmān, written by a scion of the Waliullahi family, Shah Isma`il Shahid (1779—1831), had made the preservation of God's unity (tauhīd) its central theme. The text had argued that since God was bound by no precedent or law, his incomprehensible power and unity could extend even to acts that were unthinkable, like lying (imkān-i kazb), or even creating a prophet equivalent to Muhammad in this or some other cosmos (imkān-i nazīr).Footnote ³⁴ God's power stood in contrast to the highly limited power of all created beings, and the text called for an end to intercessory saint and imam-oriented practices seen to compromise divine omnipotence. The debate over divine ‘ability’ became a cause célèbre in early nineteenth-century Delhi, calling for skills in the ‘rational’ disciplines of logic and philosophy. Azurda was deeply engaged with this debate, whose premier exponents on the ‘inability’ side were the Khairabadi scholars, father and son. Even the poet Ghalib was pulled in.Footnote ³⁵ The innovative and complex logical syllogisms of the ‘inability’ protagonists, Asad Q. Ahmed suggests, provide evidence of the continued originality of Islamic thought in this setting. Siddiq Hasan, of course, held firmly to the ‘ability’ argument that clarified God's transcendence and deplored the elevation of holy intercessors that hindered fidelity and personal responsibility.

Siddiq Hasan was a stellar student, gifted in languages, quick to learn, clever with words, and a fluent writer, but the issue of employment loomed. In 1854, he found his way to Bhopal, occasionally teaching and preaching, but primarily supporting himself by selling the perfume (itr) sanctioned by Prophetic example. The Bhopal prime minister, Munshi Jamaluddin (d. 1881), who himself had been deeply influenced by the Waliullahi reformist perspective in Delhi, saw in him a kindred thinker (and fellow awadhī) and soon offered the young munshi a modest appointment at court.

In an episode that made clear Siddiq Hasan's self-confidence as well as the moral urgency he brought to his work, however, he was soon back on the street after defying a senior official over a point of Islamic behaviour. Not without struggle, he survived the reprisals that fell so hard on Muslims after the Mutiny. After an abortive stay in Tonk, he returned to an appointment in Bhopal in 1859 where Jamaluddin now arranged for him to marry his widowed daughter, many years his senior. This was at once a statement of reformed practice and, at last, a secure niche for a much-buffeted young scholar.

In Bhopal Siddiq Hasan found a setting that would enrich his scholarship, above all by opportunities to immerse himself in the work of the Yemeni, Muhammad ibn `Ali al-Shaukani (1759–1834), another luminary of the intellectual efflorescence of the long eighteenth century. Siddiq Hasan already knew something of Shaukani since one of his teachers in Delhi, Maulana `Abdul Haqq Banarsi, had sat at Shaukani's feet in the 1820s, copied his writings, and then returned to Hindustan as a proponent of his ideas.Footnote ³⁶ In 1863, Jamaluddin, accompanying the ruling begum on hajj, met, and invited to Bhopal, two brilliant young scholars who had been students of Shaukani's son. These were Zainul `Abidin b. Mohsin and his brother, Muhammad Shaikh Husain. Siddiq Hasan and Zainul `Abidin, who was appointed state qāzī, became inseparable companions, bound not only by their immersion in the Islamic disciplines, but in Arabic poetry and linguistic studies—to say nothing of a love of words and word play. Siddiq Hasan secured ijāza (authorisation to teach) for several of Shaukani's texts from Muhammad Shaikh Husain. The brothers were, moreover, a link to other prominent Yemeni hadith scholars.Footnote ³⁷ In 1868, Siddiq Hasan himself undertook his own hajj and used the occasion for extensive copying of manuscripts and interaction with Arab scholars as well as members of the Indian diaspora in the Hijaz, including scholars who had left Delhi during the state violence of the immediate post-Mutiny period.Footnote ³⁸

Siddiq Hasan continued to be deeply engaged with Waliullahi scholarship, but Shaukani's thought was particularly important in shaping what was increasingly known as Ahl-i Hadith thought.Footnote ³⁹ Shaukani opposed following a single law school in favour of direct engagement with the Quran and sunna. That Shaukani made use of hadith traditions acceptable to Sunnis and Zaydi Shi`a alike must have been especially important for scholars like Jamaluddin and Siddiq Hasan, whose origins were in the Shi`a world of Awadh.Footnote ⁴⁰ Might not the abandonment of a Sunni law school allow the achievement of the elusive goal of unity with the Shi`a, whose presence was so personal for these North Indian reformers? Shaukani also dramatically narrowed the use of jurisprudential principles that extended sanction to ever-wider domains of human experience. What could be better in the quest for agreement than putting forward only a limited range of teachings that were explicitly under the purview of religious guidance? The resultant focus on an ethical life conforming to the Prophetic model fit well in the context of colonial rule. It made, effectively, for a de facto separation between governance, on the one hand, and religious or moral guidance, on the other. The majority of Shaukani's teachings were on ritual law, not on the body of law entailing human transactions, and, in this regard, his stringent limitations on the use of analogy (qiyās) was central. Why, he wrote in regard to usury, for example, ‘[enlarge] the scope of the believers’ duties which is only increasing their burden?’Footnote ⁴¹

Siddiq Hasan had found his intellectual and personal niche. As he took on additional responsibilities, he established himself as tutor to the widowed Shah Jahan Begum, who had ascended to rule in 1868. In 1871 she proposed marriage. No one would have predicted the flood of publications that would soon flow from this now wealthy and secure scholar. He had the resources, and he had, he believed, transcendent signs of approval. In a world where dreams of the learned and holy are understood to be authentic communications, starting in the early 1880s he had had dreams of the Prophet himself, as well as of Shaukani.

Siddiq Hasan was meant to write and meant to publish, and he did, disseminating text after text in the diverse languages of his milieu.

Persian and the multiple goals of publication: reputation, sociality, contestation

Siddiq Hasan produced at least two dozen works in Persian, and among them were works characteristic of the full range of genres with which he engaged.Footnote ⁴³ These publications identified him as part of a princely elite participating in an expansive world of translocal literati for whom fluency in Persian had a particular cachet. He made it clear in his poetry that he belonged to this class by taking as his poetic takhallus ‘the Nawab’.Footnote ⁴⁴ Siddiq Hasan's Persian publications enhanced Bhopal's claims as heirs to Mughal glory. The Bhopal rulers from the mid-nineteenth century aspired to nothing less than recognition as successors to the now-defunct Mughals. They built in Mughal architectural style and they welcomed dislocated scholars, musicians, and artists to their court.Footnote ⁴⁵ This was a style that resonated with British self-presentation as heirs to the Mughals on occasions like their own post-Mutiny durbars. Siddiq Hasan's assignment in 1859 was to create a Persian chronicle for Bhopal in princely style.Footnote ⁴⁶ But religious writings were also a component of Persianate culture, read and created alike well into the colonial period, and there too Siddiq Hasan played a part.Footnote ⁴⁷

Most enduring among Siddiq Hasan's Persian projects, however, was a biographical dictionary, a tazkira, of Persian poets that is still in print today. The tazkira was a capacious form, variously including biography, regional descriptions, poetic excerpts, and literary criticism. These dictionaries served in part as ‘libraries’, incorporating examples of each poet's oeuvre for creative reuse and deployment on the part of other poets, compilers, and cultivated readers generally. During the 1870s and 1880s a full half-dozen Persian tazkiras were published from Bhopal, outdoing Qajar Iran at the time and making Bhopal the last major centre to produce such texts in South Asia.Footnote ⁴⁸ Siddiq Hasan's Sham`-i Anjuman (1875) was ambitious, a tribute in part to his success in assembling a team of scholars, including his sons, to make such work possible. It covered poets throughout history and across periods, and its alphabetical arrangement made it democratic, nestling a contemporary unknown poet from a small country town in Awadh alongside a great classical poet like Sa`di or Hafiz. Supplements provided more entries as material came to light. The Bhopal tazkira was a remarkable contrast to contemporaneous volumes produced by the princely state of Arcot, limited to the poets and literary debates of its own court and surroundings, as well as those with a similar purview produced in these years in Qajar Iran.

Late tazkiras can be seen as efforts to conserve an Indo-Persian literary tradition at risk of loss.Footnote ⁴⁹ The same impulse was at play in the collection and publication of the remarkably extensive and diverse Persian works of Imam Bakhsh ‘Sahba'i’. This, too, was a project that served Siddiq Hasan's princely goals.Footnote ⁵⁰ Sahba'i was a scholar and poet who had taught Persian at the Urdu-medium Delhi College and who was part of the same intellectual and literary circles as Azurda.Footnote ⁵¹ Sahba'i and his two talented sons were murdered in the brutal reprisals unleashed by the British when they retook Delhi after the Uprising of 1857. The publication of the Kulliyāt (1879) built on the ties of friendship and discipleship that had been cultivated in pre-Mutiny circles of Persianate learning, but it also looked ahead to the new opportunities presented by print modernity.Footnote ⁵² Although some of Sahba'i's writings had been published, most were only preserved in manuscripts guarded by his now dispersed disciples, among them Din Dayal, Bhopal's chief munshi, who led the project, along with Siddiq Hasan. A good two dozen figures participated as patrons, editors, and publishers.Footnote ⁵³ The project not only offered Siddiq Hasan an opportunity to display his literary taste and attainments, but also to cultivate his own support base among influential officials in the nearby princely states of Gwalior and Indore. Its publication also allowed him to develop his relationship to one of the major presses of the day, Kanpur's Matba`-i Nizami, with its high-quality press and extensive marketing networks.Footnote ⁵⁴ In honouring a victim of unjust post-Mutiny reprisals, the project registered a subtle protest in a period when overt criticism, let alone opposition, was foresworn.

Siddiq Hasan also published at least a baker's dozen of studies in Persian on core Islamic disciplines, including Quranic commentary, hadith studies, doctrine, and law. An example of a Persian text offering reformed guidance is his Hujāj al-kirāma fī asār al-qiyāma (1874). In the characteristic style of much of Islamic scholarship in this era, this text was a commentary, in this case on a seventeenth-century Arabic work by the Shafi`i scholar, Muhammad al-Barzanji (d. 1691), made relevant now to Siddiq Hasan's readers.Footnote ⁵⁵ Siddiq Hasan's readers would see their own socio-ritual world anew, judged by an authoritative scholar in dialogue with the historic sacred tradition.Footnote ⁵⁶

Typical of the times, the text was argumentative, a challenge to what Siddiq Hasan deemed reprehensible innovations whose abandonment would not only benefit believers, but also, perhaps, forestall the arrival of the Last Day.Footnote ⁵⁷ He targeted women for practising grave rituals that entailed the expectation of intercession by the dead. He urged women to practise seclusion and eschew what he took to be either Hindu or European clothes (saris, blouses with short sleeves). He deplored the elaborate Muharram processions that had become civic observances in settings like Bhopal. He called for an end to mixed gatherings and visits to graves as part of the observance of the shab-i barāt, when, it is believed, each person's fate is foretold for the coming year.

In another text, Nafh al-Tīb, Siddiq Hasan neatly bridged the literary and the reformist, recasting stanzas of Hafiz, with couplets of Rumi interspersed, to expose the anguish that taqlīd deserved.Footnote ⁵⁸ To adhere to a single mazhab was to abandon the beauty of the beloved, or, in another couplet, to recognise that taqlīd merited the mourning inherent in lovers’ separation. This text was written in answer to a minor participant in a controversial exchange that had been launched by one of the major intellectuals of the day, the Hanafi scholar, Maulana `Abdul Hayy (1848–1886), who was part of the Farangi Mahall family of distinguished scholars whom Francis Robinson has long studied.Footnote ⁵⁹ The debate proper was carried out in Arabic, but in this Persian text Siddiq Hasan built on his poetic virtuosity to bring the debate to a larger audience for whom the poetry would be familiar.Footnote ⁶⁰

Siddiq Hasan's Persian publications demonstrate both the arbitrariness of the vernacular-classic distinction as well as the multiple goals that ‘print modernity’ entailed. Many of those goals were, no doubt, pragmatic, but there was also sheer pleasure for someone like Siddiq Hasan who delighted in language, whether turning a phrase in any one of his languages for poetry, or sparring to best his rivals in scholarly debate, or producing volumes like the Tazkira and Kulliyāt that enhanced his courtly standing.

Arabic publications: warring texts, more commentaries, more connections

The controversial exchange between Maulana `Abdul Hayy and Siddiq Hasan began with `Abdul Hayy taking to Urdu journals and magazines to defend taqlīd. His opening volley in the written exchange, his Ibrāz al-Ghayy al-wāqī’ fī Shifā’ al-`ayy, would become one of his most circulated works. In it, he alleged biographical errors—crucial for the correct analysis of hadith transmission and an area of `Abd al-Hayy's particular expertise—notably in Siddiq Hasan's Itḥāf al-nubalā, but in other books as well.Footnote ⁶¹ Siddiq Hasan, in short order, answered with the Shifā al`Ayy `an-mā Awradaū al-Shaikh `Abd al-Hayy. A second exchange followed. Their texts covered the classic issues of debate between the two perspectives: taqlīd versus the obligation to turn to multiple sources of Prophetic traditions; and the legitimacy of the jurisprudential principles of analogic reasoning (qiyās) and consensus (ijmā`). Underlying the debate was the urgent Ahl-i Hadith contention that taqlīd had misled the pious into routine adherence to false innovation. For Hanafis, however, that very continuity produced the certainty essential to stability and unity, a position countered by the Ahl-i Hadith conviction that literalism and a delimited sphere of matters subject to consistent guidance offered its own continuity.Footnote ⁶² `Abd al-Hayy and Siddiq Hasan also debated specific practices that would long draw sectarian lines, like Siddiq Hasan's controversial opinion, following Ibn Taymiyya (d. 1328), that travel to Medina for the specific purpose of visiting the Prophet's tomb was illegitimate.Footnote <sup>63</sup> With `Abd al-Hayy's untimely death and Siddiq Hasan's disgrace, this celebrated debate effectively marked the end of Siddiq Hasan's public intellectual life.

His influence, however, did not end. A major component of Siddiq Hasan's lasting impact rests in his Arabic commentaries on Shaukani, which are among his most widely held and reprinted works today. Siddiq Hasan, along with the better known and younger Egyptian, Rashid Rida (1865–1935), was one of the two most important disseminators of Shaukani's work. Rashid Rida (mis)understood Shaukani's disapproval of qiyās to be limited only to matters of worship, not to human interactions, and established himself as an activist foundational in the emergence of twentieth-century Islamist thought. Far more engaged with the institutions of the European nation-state, Rida mirrored a socio-political role for an Islam that covered all aspects of life. Arguably, Siddiq Hasan was the more faithful transmitter of Shaukani in his propagation of Islam as a matter of personal faith and practice.Footnote ⁶⁴ In Yemen at the time, and in India then and later, an explicit limiting of ‘religion’ to matters of ethics, family law, and ritual was well suited to the times. However, as the reference to Rashid Rida suggests, the unmediated engagement with sacred texts proved a congenial foundation for those tending towards positions as different in their implication as ‘reformist’, ‘modernist’, and ‘Islamist’ alike.Footnote ⁶⁵ Beyond Shaukani, Siddiq Hasan also drew on, and disseminated, the scholarship of the Delhi reformist tradition, as it was communicated above all in the texts of Maulana Muhammad Isma`il and Sayyid Ahmad Barelvi (both d. 1831), driven by commitment to tauhīd and pioneers of deploying vernacular reformist texts to expand their influence.

Siddiq Hasan was part of networks engaged in assembling and editing classic Islamic works in Arabic for print publication in Ottoman cities. In a recent study of this extraordinary, and at times controversial, publication effort, Ahmed El Shamsy identifies Siddiq Hasan as among those ulema who not only recognised the power of these texts for reformist ends, but was exceptional in being able to finance their publication as well.Footnote ⁶⁶ Siddiq Hasan himself edited and printed the commentary of the Shafi`i Ibn Hajar (1372–1449) on Bukhari's great classic hadith collection, the Fath al-bārī. This was the first print publication of this exemplary work of hadith scholarship, notable for its breadth in documentation of authenticity and its skill in interpretation.Footnote ⁶⁷ Before this, in a place like Delhi, students were reduced to sharing manuscript sections of the text, hand to hand.Footnote ⁶⁸

Many of Siddiq Hasan's own writings drew substantially on his classical manuscript collection. During his pilgrimage he had copied an important critique of logicians by Ibn Taymiyya (1263–1328), who would be a model of assiduous scholarship and well-honed Islamic argumentation for reformists in South Asia, although he was little known there before the end of the eighteenth century. His agent in Mecca continued to find and send manuscripts to him, including a second major text of Ibn Taymiyya, his Minhāj al-sunna al-nabawiyya. K. A. Nizami sees Siddiq Hasan as key to ‘strengthen[ing] [Ibn Taymiyya's] ideological prominence’ in India. He engaged with his thought judiciously, holding, for example, a far more nuanced view of the work of Ibn `Arabi (1165–1260), who is often taken as Ibn Taymiyya's polar opposite.Footnote ⁶⁹

Siddiq Hasan also produced his own commentary on Bukhari, `Awn al-bārī, its deference to Ibn Hajar evident in a title that rhymed with his.Footnote <sup>70</sup> The commentary was keyed to Ahmad al-Sharji al-Zubaydi's abridgement of Bukhari and printed in the margins of Shaukani's most famous work, the Nayl-al-awtār, which was his commentary on the hadith compilation of Majd al-Din ibn Taymiyya (Ibn Taymiyya's grandfather), Muntaqā al-akhbār, a work that set the standard for increased stringency in identifying valid hadith.Footnote <sup>71</sup> As Joel Blecher notes, ‘a base-text with a supercommentary on a completely separate, albeit related, text could only have been imagined in an era of print’.Footnote <sup>72</sup> Siddiq Hasan's Nayl al-awtār min asrār Muntaqā al-akbār wa-bi-hāmishihi Kitāb `Awn al bārī li-ḥall adillat al-Bukhārī was printed in Cairo in 1880 at the famous Bulaq Press.Footnote ⁷³

Siddiq Hasan also published extensively in the fields that honed expertise in evaluating the language of texts purporting to originate in Prophetic words and practice. One of his best-known works, a study of lexicography shading into philology, Al Bulgha fī `Usūl al lugha, took the classic fifteenth-century work in this field, the Muzhir of Jalal al-Din al-Suyuti, and made it both shorter and more comprehensible.Footnote ⁷⁴ He persuasively demonstrated the relevance of Suyuti's principles to contemporary intellectual projects, including translation of Arabic classics. Siddiq Hasan took from Suyuti, for example, guidelines on issues about appropriate vocabulary, which led him to reflect on Urdu's excellent resources in Sanskrit and Persian, its eloquence, and its beauty. More than a simple distillation, the Bulgha was, thus, creative work on Siddiq Hasan's part, rethinking and re-presenting a great classical work of scholarship on a subject essential to the study and popularisation of hadith in his own day. This text again illustrates his ability to tack between grounding in the great texts of the past, on the one hand, and the contexts of the present, on the other.

Siddiq Hasan's Arabic texts were part of a new ‘public Arabic print sphere’ that reached across continents.Footnote ⁷⁵ Siddiq Hasan's readers included members of the celebrated al-Alusi family of scholars in Baghdad, like the Salafi, Nu`man Khair al-Din (1836–99), author of an influential defence of Ibn Taymiyya. They corresponded, cooperated in publication, and issued joint fatwas.Footnote ⁷⁶ His books were also valued, as noted above, by Ottoman intellectuals developing Arabic for a range of new prose genres. Their ‘Awakening’, the nahda, was long understood to be a movement dependent on exposure to modern European literatures coupled with a return to the allegedly dead Arabic classics. Writers of the nahda, in fact, built not only on Arabic classics but on later Islamic scholarship as well.Footnote ⁷⁷

The most significant publisher of Siddiq Hasan's work in the Ottoman lands was Ahmad Faris Shidyaq, whose life story could not be more different from Siddiq Hasan's. The cosmopolitan Shidyaq's magnum opus mocked all establishments, whether clerical, political, or literary, and was a landmark in modern Arabic prose. For all their differences, like Siddiq Hasan, he was infatuated with language and cultivated precisely the great traditional disciplines of word-focused Arabic humanities.Footnote ⁷⁸ From the late 1870s, he published a full dozen of Siddiq Hasan's Arabic works at his Al Jawā`ib press in Istanbul for distribution through his own agents in Turkey, Lebanon, Egypt, Tunisia, Algeria, and India. These included Siddiq Hasan's Arabic lexicography; his bibliography of Arabic, Turkish, Persian, and Hindi dictionaries; his study of the formation and derivation of Arabic works; and his studies of hadith and jurisprudence, including his anti-taqlīd commentaries, which represented the foundational jurisprudential perspective for modernists and scholars of the Ahl-i Hadith alike.

Readers valued Siddiq Hasan's clarity in conveying technical issues as well as the lucidity of his language, with Allama Salim al-Bustami (1819–83), for example, describing the ‘expressiveness of Siddiq Ahmad's Arabic as if he had been brought up in Yemen’.Footnote ⁷⁹ Siddiq Hasan's pioneering reach to Arabic-speaking audiences in the west was important, even if it was not as dramatic as Blecher puts it, ‘a reversal from the premodern flows of knowledge and patronage in the Indian Ocean’.Footnote ⁸⁰

Urdu publications: translation, guidance—and an attempt at self-justification

Siddiq Hasan published the largest number of his titles in Urdu, with translations front and centre, including texts of Shaukani, and, most importantly, of the Quran. Urdu, the lingua franca and official provincial language over a broad swathe of the country, offered Siddiq Hasan his largest potential audience.Footnote ⁸¹ The translation of the Quran into Indian languages began with Shah Waliullah in Persian, followed by its translation into Urdu by his son, Shah `Abdul Qadir (d. 1815). Siddiq Hasan's Tarjumān al-Qur’ān bi Latā’if al Bayān built on Shah `Abdul Qadir's. Some 17 volumes in total, Siddiq Hasan worked on the first seven volumes and the last two, seeing only the first two into print before his death.Footnote ⁸² He also put into his readers’ hands accessible Urdu translations and commentary on hadith, like the relatively brief G̲ẖunyāt al-qārī tarjumah sulāsiyāt al-Buḵẖari (1875) at just 44 pages long.Footnote ⁸³

A compendium of Siddiq Hasan's Urdu fatwas is telling for the topics it covered, its mode of argumentation, and the bolstering of each opinion by attestations from other scholars. The Majmū`a-yi Fatāwā includes fatwas delivered over several years up to around 1300/1884–1885, as indicated by the dates of those adding their signatures to respective opinions.Footnote ⁸⁴ The topics confirm the overriding concern around correct worship, including prayer and saint-oriented devotional practices; they address appropriate personal behaviour, like women wearing gold jewellery, as well as matters related to marriage and divorce, like the implications of a husband's disappearance for a wife's marital status. The fatwas address issues that increasingly defined emerging intra-Sunni sectarian/maslakī differences: the legitimacy of kissing thumbs and placing them on the eyes at the name of the Prophet; raising hands and saying ‘amen’ out loud in the canonical prayer; and observation of the Prophet's birthday. Siddiq Hasan took on the illegitimacy of the inclusion of Hanafis in the mosque and of prayers knowingly offered behind a Hanafi imam, differences that resulted in law cases in colonial courts that contributed to hardening sectarian lines.Footnote ⁸⁵ Siddiq Hasan answered every query by marshalling relevant hadith (in Arabic with translation) and adding attestations from other scholars. The first fatwa, on ritual sacrifice, garnered support from a full dozen authorities, identified by position, authorship of a text, or locative (in this case all linked to sites across northern India).

Finally, Siddiq Hasan's Tarjuman-i Wahabbiyya (1884) served a different end from the texts reviewed above. Written in Urdu and immediately translated into English, it was a virtuoso effort, born of desperation, to deflect official suspicions concerning his political loyalties.Footnote ⁸⁶ To this end, it amassed every argument possible. The book included personal tributes, letters, political documents and analysis, history, memoir, fatwas, and hadith criticism alike. Four long translations from earlier publications (three in Persian and one in Arabic) were meant to provide evidence that he had long eschewed jihad and Wahabbi ideology.

An introduction from the translator, a Bhopal state employee, set the tone. Sayyid Akbar `Alam offered his own testimonial, along with a denunciation of the venal self-interest of opposition courtiers; copies of appreciative letters from British officials; a historical extract summarising Siddiq Hasan's marriage and subsequent honours (from Shah Jahan Begum's Persian history Tājul Iqbāl); and, finally, a summary of projects testifying to Siddiq Hasan's role in good governance as consort to the nawab.Footnote ⁸⁷ Siddiq Hasan then opened the book proper by directly calling on the reader's good sense to recognise that accusations against him were patently untrue. ‘Reader,’ he wrote, ‘I had no need whatever of writing this book…’. He followed with an introduction that took the long view, from ‘the Creation of the World’ down to the possibly imminent End Times that require Christian rule and which to oppose would be ‘downright stupidity and foolishness’, not least given India's ‘safety and stability’ along with ‘religious freedom’ and ‘the great charter of liberty’ accorded to the princes in particular.Footnote ⁸⁸

Self-defence aside, other chapters serve as an introduction to the many genres of Siddiq Hasan's publications. The book's first chapter comprised an extract from Siddiq Hasan's Persian text, Hidāyat al-sā`il ilā adillat al-masā`il (1875), a compendium in the classic fatwa form of question and advisory answer. The whole chapter was an answer to a query about `Abdul Wahabb.Footnote <sup>89</sup> This was a chance to make clear that Siddiq Hasan had long denied any association with the Arab Wahhabis, an accusation he attributed to the seditious Shi`a schemers siding with his long-term opponent, Qudsiyya Begum (d. 1881), Shah Jahan Begum's grandmother. There was no contact of any kind between Indians and Wahhabis, he pointed out, and, unlike him, they practised (Hanbali) taqlīd. Siddiq Hasan invoked scholars like Shah Waliullah and his successors who regarded opposition to the ruling power an unpardonable sin. He drew on English-language newspapers like The Pioneer and Hindu Patriot that reported the erroneous use of the ‘Wahhabi’ label—a label, he noted, that was used to tar opponents and that was invariably rejected by those so named. Siddiq Hasan closed the fatwa with a hadith warning against heretical sects as, implicitly, the Wahhabis were.

The two chapters that followed shifted genre to hadith translation and commentary, first taking up the unlawfulness of jihad in India of the day, followed by a discussion of hadith related to the binding power of treaties.Footnote ⁹⁰ Siddiq Hasan confirmed that at times jihad had merit, as described in hadith whose ‘original Arabic and the translation into Urdu and Persian’ were now well known in every town and village—a tribute to print publication. The appropriate conditions for jihad—a worthy imam, a base in a Muslim-ruled country, likelihood of success, and pure motivation (God's exaltation and peace)—were lacking in India now and had been in 1857. To think otherwise, he argued, was to confuse sedition and jihad. For good measure, he noted that most of the leaders in 1857 were Hindus. He added a hadith of the Prophet predicting that ‘tumult and sedition [would] rise from [Najd]’, the core area of Saudi and Wahhabi power. Siddiq Hasan argued that that loyalty was today binding on every ‘Prince and Chief’ of India as well as their subjects, and that this was far clearer to those rooted in the Quran and hadith alone and not ‘entangled’ by taqlīd of a law school, citing hadith of Ibn Hajir in support.Footnote ⁹¹

Shifting genres again, Siddiq Hasan included an autobiographical extract from his Rauzul Khasīb covering the Uprising of 1857,Footnote ⁹² his own peregrinations in that period until he safely settled in Bhopal, and, again, the unwarranted attacks on him.Footnote ⁹³ He reiterated that abstract discussion of a concept like jihad was not advocacy. In a translation from his Tāj al-Mukallal, his genre returned to history, again the history of Ibn Saud and the Wahhabis, their depredations, and the Ottomans’ opposition to them. Siddiq Hasan throughout was making clear that he was a scholar and in no sense a revolutionary activist in the Wahhabi style, nor was he ever a tyrant. Persuasive arguments and actual behaviour, however, did not save him.

The double-edged power of print publication: reformist success, Islamophobic ruin

Siddiq Hasan's position made his transnational interactions and extensive print dissemination possible. But it also made him a visible target. Others may have published along reformist, even apocalyptic lines, but as a prince, and as a Muslim with networks beyond colonial control, Siddiq Hasan stood out. The memory of the 1857 Uprising, wrongly treated as a Muslim jihad, kept alive suspicion about Muslims generally. In the 1880s, officials added to that lurking fear anxieties about dangerous influences emanating, as they saw it, from the Sudan, where the Mahdi's campaigns roiled, and from the cosmopolitan Hijaz. Officials soon began surveilling Siddiq Hasan's connections, extensive as they were, with scholars, printers, agents, and book sellers alike.

A Punjabi hired in Calcutta to travel to the northwest had every incentive to prove his worth by reporting suspicious activities on the part of book sellers and distributors. An official who intercepted a handful of Siddiq Hasan's Urdu books in Bombay could report on their language as Arabic (misled by the title page) and suspicious content (although the pages in the India Office were archived largely uncut). One particular long-distance Arab trader in cotton goods in Mecca was found facilitating the shipment of Siddiq Hasan's publications through his own mercantile networks into the Ottoman lands. Siddiq Hasan's readers, it turned out, were to be found in army barracks in Bengal and Madras as well as in trading houses in Bombay and along trade routes into the northwest. There was an Ahl-i Hadith anjuman in Lahore, whose members included traders, officials, teachers, contractors, and a lawyer who followed his teachings.Footnote ⁹⁴

For most of the readers, the appeal of these reformist teachings—as would have been the case with the writings of rival reformist movements—would have been many. They promised divine favour. They offered mobile people the community that came from shared experiences. They taught practices associated with the greater social respectability that resulted from shedding local practices. One can readily imagine why the traders in Lahore or Bombay, and the diverse populations moving through army barracks from Madras to Bengal, might have welcomed Siddiq Hasan's writings. One can also imagine why there might be colonialist alarm at what such people might be reading if, for example, descriptions of the end times, or reporting on its possible signs in the present, or abstract discussions of conditions for jihad, were misinterpreted as calls to revolt.

It was Lepel Griffin, as agent to the governor-general for Central India (1881–1886), who chose to act on the implausible claim that Siddiq Hasan, whose interests were royally served by the colonial presence, was engaged in seditious actions. Griffin, arrogant and excitement loving, was enough of a public figure to be caricatured in a roman à clef and drawn in political cartoons. The appointment to Central India, moreover, had left him aggrieved since, fresh from diplomatic success in Afghanistan, he had expected to be appointed governor of Punjab. Was he just looking for action? Charmed by an unveiled princess and her manly spouse, he readily took the side of a court faction centred on Siddiq Hasan's stepdaughter, Sultan Jahan Begum (r. 1903–1926), the heir apparent, who tried to discredit Siddiq Hasan as a corrupt, manipulative, vengeful ‘Svengali’.

Siddiq Hasan, the effete intellectual, clearly got under Griffin's skin as the tough and martial Pathans of the ruling family did not. And he wanted it to be himself, not Siddiq Hasan, as he saw it, who told the begum what to do. He was incensed that she adopted parda, in many ways an assertion of power against him on her part since she could see him but not vice versa. He blamed her doing so on Siddiq Hasan—even as other officials took the practice in their stride. He bandied about charged terms like ‘jihad’ to describe Siddiq Hasan's international connections and ‘oriental despotism’ to libel his alleged ruling practices. He invoked what a contemporary scholar calls ‘phantom Wahhabis’ who lurked everywhere in the British imagination, playing on the existential condition of fear characteristic of British colonial rule.Footnote ⁹⁵ Superiors, who had expressed doubt over Griffin's claims, backed him in the interest of making officialdom look strong.Footnote ⁹⁶

Griffin did not get the summary execution or banishment beyond India he wanted, but he did manage Siddiq Hasan's complete disgrace and isolation. In 1885, Siddiq Hasan was summarily stripped of his titles and salute, and excluded from all involvement in state governance. His distribution networks and his extensive contacts with publishers abroad were abruptly ended. He was narrowly saved from execution or exile, but he was humiliated and condemned to house arrest without even a show of the trial that would have happened in directly ruled India. So much for the vaunted British rule of law. The ‘state of exception’, far more basic to colonial rule than rhetoric would suggest, came readily to hand in a princely state.Footnote ⁹⁷ Given the conventional rhetoric of friendship and harmony between British and native ‘aristocrats’, the racism and disrespect stands out all the more.Footnote ⁹⁸ When a listing of Griffin's abuses in Bhopal made their way to the floor of parliament, first on the list was his summoning the begum and her consort to a public audience of the entire court with no advance intimation that he would then publicly denounce and sentence the nawab.Footnote ⁹⁹

As Siddiq Hasan himself had written in one of his histories, unadulterated (khālis) Christian (nasarāniyya) rule had replaced seven centuries of Muslim rulers in his country. To be sure, he continued, there were some rajas and nawabs, ‘who were said to be—in part, in name—rulers (vālī). They were nothing but the government's farmānbardār (obedient subjects), like servants, though in fact servants were better than them.’Footnote ¹⁰⁰ His dismissal, over Nawab Shah Jahan Begum's outraged objections, proved the point. Siddiq Hasan seems to have simply withered and, in five short years, died.Footnote ¹⁰¹ The begum, nominal power or not, rose in full fury to preserve his memory and fight relentlessly for posthumous restoration of his honours.Footnote ¹⁰²

In 1887, a member of the Lahore anjuman noted above published a defence on Siddiq Hasan's behalf in both English and Urdu.Footnote ¹⁰³ The author meticulously parsed every reference to jihad and to the Mahdi in the suspicious texts. He interpreted the motivations of Siddiq Hasan's enemies as opposition to his religious views and not concern with sedition or bad governance at all. He insisted that all the claims about murdering opponents, financing the Mahdi, and inciting jihad were spurious. Far from disloyal, the author claimed, the nawab was, at most, careless, given that he was ‘quite ignorant of politics and unaware of the consequences of such writings…’.Footnote ¹⁰⁴ And then the author got to his point: if there was any guilt, in no way possible did that implicate him and his colleagues.

Siddiq Hasan's teachings meant that he could not have influenced others to jihad, even if he had wanted to. Any adherent to the Ahl-i Hadith, quite simply, had only their own conscience and no leader: they had no need for Siddiq Hasan or anyone else. Siddiq Hasan, the author explained, had ‘encouraged learning by causing a large number of ancient works on various subjects to be printed at great cost and by compiling works based on ancient works’.Footnote ¹⁰⁵ That done, there was no need of him at all:

If they had to, Ahl-i Hadith folks could, so to speak, throw any of them under the bus. In his own case, the author went on to explain, he ‘was at odds with Maulvi Nazir Hosein (one of whose humble pupils he [was])’ on the legitimacy of whether ablution on socks was lawful.Footnote ¹⁰⁷ Other ulema, particularly those with strong personal ties to followers as their Sufi shaikh, might insist on readers clearing any text with them before reading it, but an Ahl-i Hadith leader like Siddiq Hasan did not cultivate such networks.Footnote ¹⁰⁸ Francis Robinson's word on popular empowerment merits repetition: now, ‘any Ahmad, Mahmud or Muhammad could make [of sacred texts] what they willed’.Footnote ¹⁰⁹

Irony abounds. What Siddiq Hasan cared about for his readers, far from jihad and sedition, was precisely at the level of what mattered to the Lahori author: whether a proper ablution required bare feet. Sedition? Siddiq Hasan, speculate though he may, had wholly assimilated the colonial-era demarcation of ‘religion’ to matters like these, not matters of state policy but personal or family law along with ritual and moral guidance.Footnote ¹¹⁰ With this anonymous publication, our discussion comes full circle. That Siddiq Hasan is an ideal exemplar of teachings that empowered Muslims to independent judgement and moral responsibility could not be clearer. His teachings were teachings for the times, but far from simply derivative of the colonial culture of the day. Siddiq Hasan wrote as part of a lineage of thought and teachings that had flourished in the long eighteenth century and were themselves rooted in the work of scholarly progenitors to the earliest Islamic decades. In a world of steam and print, he had the heady satisfaction of writing as part of like-minded intellectual networks located in diverse contexts across India and beyond.

If officials did not like Siddiq Hasan's publications and their extensive distribution, they had only themselves to blame, given the post-Mutiny policy of privileging collaborators among large landowners, princes, and the like. That policy made for polarisation and rigidity within Indian society, but it also made for patronage of art, classical music, and culture generally, and, in Siddiq Hasan's case, not only the Islamic scholarship emphasised here but literary projects of many kinds as well. Located in the intellectual backwater of Bhopal, Siddiq Hasan, unexpected as it may seem, had the resources to be part of a lively and varied transregional world of multiple currents of intellectual ferment. Siddiq Hasan's print publications served diverse agendas, enlivening sacred texts, crafting language, forging networks, reaping honours, and changing lives—including his own.