Published online by Cambridge University Press: 06 December 2010
Your job as a writer is much more than just selling your books, believe it or not. Your job – if you want to make a living at this, anyway – is to sell yourself.
Holly Lisle, Ten Steps to Finding Your Writing VoiceThere's nothing to writing. All you do is sit down at a typewriter and open a vein.
Red Smith, Red: A Biography of Red SmithThe figure of self is closely related to voice and presents many of the same problems. As we have seen already, writing–speech–self metonymies operate pervasively and complexly. The voice is contiguous with language, which is contiguous with thought. The brain is part of the body, which is contiguous with the self – the mind, the soul, the spirit, the character, the personality. But even noticing this abundance of metonymies does not give us a rich enough sense of how we ordinarily bring together voice and self.
As with voice, recent scholarship on writing and the self rests on a strong assumption that most of us hold onto the naïve concept of a unitary, stable, independent core self. Such a self, writing scholars (and others) point out, is a fiction – if a convenient one – that ignores the multiple, fluid, and permeable discourses we actually use to construct our so-called “selves.”
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