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Curating Large Skeletal Collections: An Example from the Ancient Maya Site of Copán, Honduras

Published online by Cambridge University Press:  04 March 2019

Katherine A. Miller Wolf*
Affiliation:
Department of Sociology, Anthropology, and Geography, Indiana University East, 2325 Chester Blvd. Richmond, Indiana, 47374, USA (kam7@iue.edu)
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Abstract

Archaeologists strive to understand ancient lifeways, and bioarchaeological data provide honest and immutable evidence of the realities of ancient society in the bodies of the dead. Given the importance of human remains in the archaeological record, a major component of the author's work has been devoted to the ethical responsibilities of bioarchaeologists in the treatment of the collections studied. However, the curation of skeletal remains is often challenging because the conservation and storage of these delicate materials may be afterthoughts in archaeological plans, being inadequately or incorrectly stored and sometimes treated to the same conservation conditions as more robust artifacts and samples. This article offers guidelines and recommendations for skeletal curation based on observations of curation challenges in a large collection in the subtropical Maya region. The collection was not well managed and human remains were not prioritized in the conservation program. The challenges and mitigations are presented here.

Los bioarqueólogos usan datos recolectados a través del estudio detallado de restos humanos procedentes de contextos arqueológicos. La información proporcionada por el esqueleto ofrece una poderosa ventana hacia la prehistoria, informándonos sobre formas de vida, condiciones de salud o enfermedad, dieta, parentesco, migración y conflicto en el pasado. La relación íntima entre los vivos y los muertos es necesariamente incluyente de respeto y una responsabilidad ética de manejar y curar adecuadamente los restos de aquellos que estudiamos. Sin embargo, la conservación de las colecciones esqueléticas puede verse obstaculizada por una gran cantidad de desafíos a diversas escalas, como la burocracia, climas políticos inestables, financiamiento insuficiente, falta de documentación de campo, espacio de laboratorio inadecuado o falta de necesidades básicas como contenedores para almacenamiento o estanterías. Aquí se presentan el proceso y los resultados de un proyecto llevado a cabo durante una década dedicado a la conservación y reubicación de la colección esquelética de Copán, Honduras. Los restos humanos comisariados en el Centro Regional de Investigaciones Antropológicas (CRIA) incluyen más de 1.200 individuos excavados por varios proyectos arqueológicos y de rescate en los últimos 125 años. Se presta especial atención a la logística de la implementación de un proyecto de conservación a gran escala que considera posibles desafíos y soluciones en un clima tropical. Finalmente, se ofrecen recomendaciones para prevenir problemas antes de que surjan tanto en la metodología de campo como en la de laboratorio.

Information

Type
Articles
Copyright
Copyright 2019 © Society for American Archaeology 
Figure 0

FIGURE 1. Map of Maya Region of Mesoamerica. Modified from GoogleMaps.

Figure 1

FIGURE 2. The Copán Skeletal Collection in the new facility in original crates (left) and an example of crate contents (right). Photograph by Katherine Miller Wolf.

Figure 2

FIGURE 3. Two burials affected by rodents with damage to the provenience tags, inventory forms, and bones. Photograph by Katherine Miller Wolf.

Figure 3

FIGURE 4. The en bloc burial from 1953 before and after excavation in Box “Inv. 46, Clave5-22.” Photograph by Katherine Miller Wolf.

Figure 4

Table 1. Estimated Material and Personnel Costs of the Copán Skeletal Collection Rehousing Project.*

Figure 5

FIGURE 5. An example of a reconstructed skull with consolidant that has failed. Photograph by Katherine Miller Wolf.

Figure 6

FIGURE 6. The Copán Collection today. Each burial is in its own box, skeletal elements of the same individual are housed together, and each operation is represented by a different color. Photograph by Katherine Miller Wolf.