Lucien Febvre once wrote (Febvre Reference Febvre1953: 32) in his usual imperative style, ‘Historians, be geographers. Be jurists too, and sociologists and psychologists’. Like other historians, he borrowed concepts, models and theories, usually concepts rather than theories in the strict sense of a set of connected propositions. Febvre’s concepts of outillage mental and psychologie historique, for instance, were indebted to the philosopher-anthropologist Lucien Lévy-Bruhl and the psychologists Charles Blondel and Henri Wallon (he showed no interest in Freud).

It is of course much rarer for historians to lend concepts and models to their neighbours than it is to borrow them. Only three examples come to mind, all of them, curiously enough, from the Anglophone world. The first is the idea of ‘moral economy’, launched by Edward Thompson (Reference Thompson1971) and taken up by anthropologists such as James C. Scott (Reference Scott1976), working on Indonesia, as well as by some economists. The second example is Eric Hobsbawm’s ‘invention of tradition’ (Reference Hobsbawm and Ranger1983). These two open-minded Marxists combined traditional British empiricism with an interest in theory – although Thompson later (Reference Thompson1978) wrote a book against theory, more exactly an attack on French theory and in particular on Louis Althusser. A third example comes from the history of science. Thomas Kuhn, a physicist turned historian, offered a famous theory of scientific revolutions (Reference Kuhn1962), generalizing about cycles of change and introducing the concept of ‘paradigm’, which was taken up by sociologists among others.

What I call ‘borrowing’ (while Paul Ricoeur and Michel de Certeau described it as ‘appropriation’), should of course be treated as problematic. In the first place, it needs to be selective, choosing the tool that fits the job, the concept that fits the question the borrower is asking. In the second place, it needs to be critical (testing rather than simply applying what is borrowed). In the third place, borrowing requires adaptation, a kind of cultural translation. Finally, we have to recognize the limits to borrowing, the possible incommensurability between different disciplines, their contradictory assumptions or aims (Scott Reference Scott2012). That is why I prefer to think in terms of a dialogue or conversation between neighbouring disciplines. In other words, a two-way relationship, rather than one of simple borrowing.

Who are the neighbours, the neighbouring disciplines? In fact, they have changed over the years. What follows concentrates on the last half century or so, ending by discussing the situation today and speculating about changes in the foreseeable future, the next decade or two. The term Kulturgeschichte (‘cultural history’) goes back to the German-speaking world in the late 18^th century. It was conceived as a general history that was defined against ‘specialist histories’ (Spezialgeschichten) such as the history of philosophy, literature, music, art, or science. In the later 19^th century, when arguments for and against cultural history were put forward (again, mainly in Germany), some supporters borrowed the idea of cultural evolution from sociology (notably from Herbert Spencer).

A few daring historians took an interest in the new discipline of psychology at this time, among them the controversial German Karl Lamprecht. Lamprecht, director of the Leipzig Institut für Kultur- und Universalgeschichte (founded in 1909), was attracted by the Völkerpsychologie (‘psychology of peoples’) that was associated with his friend and colleague at the University of Leipzig, Wilhelm Wundt. The Dutch historian Johan Huizinga discussed moods, emotions and sensibilities in his famous Autumn of the Middle Ages (1919) – a book that Febvre found inspiring. Huizinga was hostile to the ideas of Freud, but he had studied at Leipzig and was well aware of Lamprecht’s work. Two decades later, a major study of historical psychology, Über den Prozess der Zivilization, offered a synthesis of the ideas of Huizinga, Freud and the Weber brothers, Alfred as well as Max (Elias Reference Elias and Jephcott1939). Its author, Norbert Elias, was officially a sociologist and in practice a polymath. Published in Switzerland, in German, on the eve of the Second World War, his book was virtually ignored for thirty years.

I now turn to the relations between cultural historians and their neighbouring disciplines in the more recent past, from the 1960s onwards, attempting to combine the more detached attitude of a historian with the testimony of a witness, indeed a participant in the movements of that period. What follows is organized chronologically, dramatizing the contrasts between decades for the sake of clarity. I shall employ the language of ‘turns’: social, for instance, anthropological, psychoanalytical, literary, and cultural (Bachmann-Medick Reference Bachmann-Medick2006).

In the 1960s, the ‘social turn’ came to include a social history of culture, inspired by Marxism while remaining open to alternative approaches. In Britain, a discussion of the relation between culture and society by a Marxist professor of English Literature, Raymond Williams (Reference Williams1958) was influential on historians (on Burke Reference Burke1972, among others). Edward Thompson’s famous study of the making of the working class (Reference Thompson1963) was criticized by some fellow-Marxists for what they called its ‘culturalism’, since it discussed folksongs and urban rituals as well as factories and trade unions (in return, Thompson criticized his critics for ‘economism’).

The 1970s were the moment of two more turns, one towards anthropology and the other towards psychoanalysis. Historical anthropology was practiced at around this time in Paris by Jacques Le Goff and Jean-Claude Schmitt, in Princeton by Natalie Davis and Robert Darnton, in Oxford by Keith Thomas and Alan Macfarlane, in Bologna by Carlo Ginzburg and in Moscow by Aron Gurevich. ‘Historical anthropology’ is of course an oxymoron, since anthropologists define their discipline by a method, fieldwork, which is not available to students of the past. It might have been more exact to speak of ‘anthropological history’, that is, history inspired by anthropology but following its own methods – except in the case of oral historians, who were able to carry out fieldwork of their own.

The anthropological turn underlay a number of studies of popular culture published at this time (Thomas Reference Thomas1971; Burke Reference Burke1978; Muchembled Reference Muchembled1978). Another neighbouring discipline, folklore (later known as ‘ethnology’), which was relegated to the fringe of the academic world in England, was taken more seriously by cultural historians elsewhere, notably in Scandinavia (Löfgren and Frykman Reference Löfgren, Frykman and Crozier1979). The kind of anthropology inspiring historians varied from individual to individual and even from nation to nation. The French made use of Lévi-Strauss, for instance; the British, of Evans-Pritchard; and the Americans of Clifford Geertz, whose analyses of ‘thick description’ and ‘deep play’ have been cited again and again by historians. In contrast, there has been surprising little use by historians of the ideas of Marshall Sahlins, whose model of cultural change deserves to be taken up by historians of the German Reformation, for instance, or the French Revolution. There is a nice irony in an anthropologist recommending historians to take events more seriously in cultural history (Sahlins Reference Sahlins1985; Burke Reference Burke and Descamps1987; Sewell Reference Sewell2005).

The 1970s were also the time of a gradual turn towards psychoanalysis. In France, building on an older tradition of psychologie historique, they included the polymath Michel de Certeau, who joined the seminar of Jacques Lacan, and the Russian specialist Alain Besançon (who later recanted). The ambivalent discussion of psychoanalysis in the work of the polymath Michel Foucault probably encouraged the growth of interest by historians (Besançon Reference Besançon1967; Certeau Reference Certeau1975; Foucault Reference Foucault1976). In the USA, a leader was Peter Gay, a former historian of the Enlightenment who turned to the history of unreason, underwent a training analysis, and later made use of it in a massive cultural history of the nineteenth century (Gay Reference Gay1984–95).

The lay psychoanalyst Lloyd deMause tried to launch what he called ‘The New Psychohistory’ at this time, a movement to which his exaggerated claims gave a bad name. Equally exaggerated, though, was the notorious attack on psychohistory launched by the French-American historian Jacques Barzun (Reference Barzun1974). Barzun concluded his critique with the hope that ‘in any new vale which the muses may elect for their abode, Clio will again be found among them, virgo intacta’ (Barzun Reference Barzun1974: 38), a suggestion that itself demands a Freudian analysis.

In the 1980s, a turn towards literature became visible, preceded of course by Hayden White’s Metahistory (Reference White1973) with its provocative description of historical writing as a form of fiction and its creative borrowing of the concept of ‘emplotment’ (or as Paul Ricoeur called it, mise en intrigue). White’s ideas took some time to be digested by professional historians, to the extent that they have been digested at all. What was noticeable in the 1980s, in anthropology as well as in cultural history, was a new interest in close reading, in viewing the documents found in archives as literary artefacts with their own form of rhetoric, as well as a revival of interest in narrative on the part of historians themselves. Among studies of this kind the work of Natalie Davis (Reference Davis1987) stands out. Some leading historians, among them the Englishman Lawrence Stone (Reference Stone1979), criticized this ‘revival of narrative’. Others viewed it as a new kind of narrative created in response to new challenges, a ‘thick’ Geertzian narrative that would encompass cultural and social change as well as the traditional history of battles and political events (Burke Reference Burke and Burke1991).

On the literary side, a rapprochement with history was part of the programme of the American movement known as ‘the New Historicism’, which both preached and practiced attention to social and cultural contexts. A centre of interest in the group was the English Renaissance (Greenblatt Reference Greenblatt1980). When the New Historicists borrowed concepts, those concepts tended to come from theorists such as Foucault, Bourdieu and Erving Goffman rather than from historians, but the two groups collaborated in the foundation of the journal Representations in 1983.

The same landmark year saw the publication of two books destined to exert a long influence over both social and cultural studies, Imagined Communities, by the political scientist Benedict Anderson, and the Invention of Tradition, edited by Eric Hobsbawm and Terence Ranger. The idea of cultural ‘invention’, launched by the polymath Michel de Certeau in his Invention du quotidien, would echo through the 1980s and 1990s, with books on the invention of Athens, Paraguay, the people, George Washington, Africa, and so on.

Meanwhile, in Germany, a scholarly couple, the Egyptologist Jan Assmann (Reference Assmann, Assmann and Hölscher1988, Reference Assmann1997) and his wife Aleida (Reference Assmann1993, Reference Assmann1999), who teaches English literature, were launching the concept of ‘cultural memory’, which was rapidly taken up by historians. Other historians preferred the concept of ‘social memory’, borrowed from the sociologist Maurice Halbwachs (Halbwachs Reference Halbwachs1952; Fentress and Wickham Reference Fentress and Wickham1992).

The 1980s was also the time when the history of women was transformed into gender history by making use of gender theory. One of the leaders in this endeavour was the American Joan Scott, whose article on gender as a useful category of historical analysis has often been cited. Scott is unusual among Anglophone historians in making use of the ideas of Jacques Derrida, notably his concept of the ‘supplement’ (Scott Reference Scott1986, Reference Scott2010). Later studies of gender by historians, at least in the Anglophone world, have drawn in particular on the ideas of the American philosopher Judith Butler (Reference Butler1990).

The 1990s were the age of the cultural turn, inaugurated by Roger Chartier’s essays on cultural history (Reference Chartier1988) and Daniel Roche’s study (Reference Roche1989) of the culture of clothes in the following year, the date of a collective volume on The New Cultural History (Hunt Reference Hunt1989). The political historians finally joined the conversation at this time. The concept of ‘political culture’, borrowed from North American political science, was regularly employed in historical studies, cultural histories of diplomacy and war made their appearance, while some political scientists discovered the cultural anthropology of Clifford Geertz (Chabal and Deloz Reference Chabal and Deloz2006). Some economic historians turned from their traditional focus on production towards a concern with consumption, making an alliance with cultural historians, as in the case of the collective volume Consumption and the World of Goods (Brewer and Porter Reference Brewer and Porter1993), inspired by the earlier work of a British anthropologist, Mary Douglas (Douglas and Isherwood Reference Douglas and Isherwood1979).

This was also a time when some cultural historians were turning – or returning – to sociology. They were inspired in particular by the work of Pierre Bourdieu, especially his concepts of ‘symbolic capital’ (Griessinger Reference Griessinger1981), ‘distinction’ (Clunas Reference Clunas1991), and ‘habitus’ (Füssel Reference Füssel2007). On the frontier between social, intellectual and cultural history, the study of intellectuals by Christophe Charle (Reference Charle1990) stayed particularly close to Bourdieu’s analysis of ‘fields’. Norbert Elias (whose Civilizing Process had finally appeared in French in 1973-75 and in English in 1978-82) was also rediscovered at this time.

Looking backwards, the 1980s and 1990s appear a kind of golden age of cultural history. By the end of the century, a volume had appeared entitled Beyond the Cultural Turn (Bonnell and Hunt Reference Bonnell and Hunt1999), but this was not sufficient to stem the flow. Turning now to the promise and the problems of the 21^st century, I should like to point to two trends. One might be described as a renewed rapprochement between history and psychology (or more exactly different psychologies) and the other as a ‘natural turn’.

Their shared interest in memory has introduced some cultural historians to experimental psychologists such as Ulrich Neisser, who studies the construction or reconstruction of memories. A collective volume brings together psychologists, anthropologists and cultural historians such as Jay Winter (Boyer and Wertsch Reference Boyer and Wertsch2009). A meeting-point between oral historians and psychologists is a common interest in schemata. Like miners digging a tunnel from both ends and meeting in the middle, individuals in both disciplines made the discovery that what we remember is shaped by the stories that we already know (Thomson Reference Thomson, Samuel and Thompson1990; Wertsch Reference Wertsch2008).

Some scholars working in departments of English literature have been studying remembering in England at the time of the Reformation, contrasting the means by which Catholics learned religious doctrine, through images and other appeals to the senses, with the Protestant emphasis on the word: on reading the Bible, singing hymns and listening to sermons. To describe and explain the contrast, this group of scholars has adopted concepts from cognitive psychology, notably ‘cognitive ecology’, ‘distributed cognition’, and ‘extended mind’, including objects in the environment of individuals (Tribble and Keene Reference Tribble and Keene2011).

In France, a group of younger historians has become interested in what they call (following the examples of Lucien Febvre and Alain Corbin) ‘sensibilities’. A new journal, Sensibilités, founded in 2017, devotes each issue to a theme that ranges from dreaming to ‘paroxysms’ (Mazurel Reference Mazurel2014), linking the history of sensibilities to the history of emotions, which – like memory studies in earlier decades – has been undergoing a boom since the year 2000. Unlike other historians of emotions, the group suggest that what they study is not so much a separate topic as a category of analysis (Deluermoz et al. Reference Deluermoz, Fureix and Mazurel2013).

Whether they accept or reject the idea, historians of the emotions have to engage with the argument put forward by the psychologist Paul Ekman (Reference Ekman1980), who was listed by Time magazine in 2009 as one of the hundred most influential people in the world. According to Ekman, a fixed number of ‘basic emotions’ can be found in all cultures and in all periods. These basic emotions include anger, disgust, fear, happiness, sadness, and surprise.

Some historians, like the anthropologists, rejected the idea of basic emotions, arguing that different cultures have different emotional ‘regimes’, with emotions associated with different objects, managed in different ways, and expressed or constructed by local words such as saudade, words that are not exactly translatable into other languages.

The problem here is that most historians are ill-qualified to express an opinion in a field they have not studied formally. William Reddy, one of the leaders in this new field, is an exception, since he spent a postdoctoral year at Harvard studying developmental psychology (like Michel de Certeau and Peter Gay in the case of psychoanalysis).

In the case of the recent turn to neuro-history, the problem is even more acute, as in other examples of a trend that might be described as the ‘natural turn’.