CONTENTS

pp v-vi

List of Contributors

pp vii-x

List of Figures and Tables

pp xi-xii

Introduction: Ellen Terry and Her Circle – Formal Introductions and Informal Encounters

pp 1-12

Part I - Ellen Terry's Influences on Others

1 - Introduction: Ellen Terry's Lost Lives

pp 13-16

2 - Ellen Terry, Bram Stoker and the Lyceum's Vampires

pp 17-32

3 - Ellen Terry and G. F. Watts: ‘Blasted with Ecstasy’

pp 33-48

4 - The Burden of Eternal Youth: Ellen Terry and The Mistress of the Robes

pp 49-64

5 - The After Voice of Ellen Terry

pp 65-76

Part II - Family Influences

6 - Introduction: Edward Gordon Craig – Prophet or Charlatan?

pp 77-80

7 - E. W. G. and E. G. C.: Father and Son

pp 81-92

8 - Lewis Carroll, Ellen Terry and the Stage Career of Menella ‘Minna’ Quin: ‘A Very Kind and Christian Deed’

pp 93-106

9 - Edith Craig as Director: Staging Claudel in the War Years

pp 107-118

10 - Velona Pilcher and Dame Ellen Terry (1926)

pp 119-132

11 - Ellen Terry: Preserving the Relics and Creating the Brand

pp 133-148

12 - Describing the Ellen Terry and Edith Craig Archive

pp 149-160

Notes

pp 161-188

Works Cited

pp 189-198

Index

pp 199-206