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Care of Archaeological Materials Begins in the Field

Published online by Cambridge University Press:  23 August 2019

Glenna Nielsen-Grimm*
Affiliation:
Natural History Museum of Utah, University of Utah, 301 Wakara Way, Salt Lake City, Utah 84108, USA
Robyn Haynie
Affiliation:
Utah Museum of Fine Arts, University of Utah, 410 Campus Center Drive, Salt Lake City, Utah 84112, USA
*
(gnielsen@nhmu.utah.edu corresponding author)
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Abstract

Care of archaeological materials should begin when recovered in the field. Care and stabilization of objects in the field will greatly increase their research and exhibit potential. Identifying problems and understanding basic solutions to object care and stabilization is an important part of training for all potential object handlers. Proper care and stabilization of objects can and should be a priority for all object users—excavators, lab analysts, museum staff, and researchers. Constant dialogue and communication between repository specialists and archaeologists can be the most useful source for care of all archaeological objects.

El cuidado de los materiales arqueológicos debe comenzar en el campo. La planificación previa y el presupuesto para el cuidado de objetos es un primer paso esencial en el cuidado de objetos. El cuidado y la estabilización de los objetos, si se inician en el campo, aumentarán considerablemente e potencial para la investigación y exhibición del objeto cuando finalmente se coloque en un museo. La identificación de problemas y la comprensión de algunas soluciones básicas para el cuidado y la estabilización de objetos es una parte importante de la capacitación para todos los posibles manipuladores de objetos, no solo para los especialistas que cuidan los artefactos enlos museos. El cuidado adecuado y la estabilización de los objetos pueden y deben ser una prioridad para todos los usuarios de objetos: excavadoras, analistas de laboratorio, personal del museo e investigadores. El diálogo y las comunicaciones constantes entre los especialistas en repositorios y los arqueólogos pueden ser la fuente más útil de cuidado y estabilización para todos los objetos arqueológicos.

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Copyright
Copyright 2019 © Society for American Archaeology 
Figure 0

FIGURE 1. Packing methods for fragile objects: left, cavity mount created by carving polyfoam (ethafoam) and covering it with a smooth surface layer (Tyvek)—the object is kept in place with twill tape ties; middle, simple support created from thin polyethylene foam (ethafoam)—the back layer supports the entire object, and the front cutout provides additional protection; right, object support made from cotton stockinette filled with polyester batting. (Photographs by Glenna Nielsen-Grimm.)

Figure 1

FIGURE 2. Backing/facing a fragile object in situ using plaster wraps or bandages and plaster of paris to stabilize and strengthen a fragile object (illustration by Claire Davis): (a) fragile object in pieces; (b) object in situ pedestaled (c) then covered with aluminum foil or plastic cling wrap, making sure it is secure; (d) method 1, using gauze bandages soaked in plaster of paris, completely cover the object, covering all areas and down the sides, adding a second alternate layer; (e) method 2, put a thin layer of plaster (about 1 cm) over the covered object, lay down a gauze bandage strip or mesh while plaster is wet, add more plaster if necessary, and repeat with the strips in the opposite direction; (f) when completely dry, the object can be completely excavated, turned over, and stored in a rigid container.

Figure 2

FIGURE 3. Appropriate and quick methods of stabilizing objects using archival materials: (a–d) unfired basket-impressed clay fragments; foam plank with cutouts—objects are nested into the cutouts using acid-free tissue; then placed in a rigid box with tied corners for transporting and handling the objects; and a lid can be made to store the objects, if needed; (e) using archival board and foam, objects can be stabilized and protected by placing them in a reclosable poly bag; (f) possible cavity mounts from foam, backer rod covered with Tyvek, stockinette, archival boxes, or board and foam backing with cotton twill ties to support the object; (g) foam and board used to stabilized a fragile basket fragment. (Photographs by Glenna Nielsen-Grimm.)

Figure 3

FIGURE 4. Inappropriate packing methods: left, clay figurines bagged with no additional support or protection; middle, basket fragments embedded in cotton wadding, packed in a cigar box; right, vials containing fragile objects left to bump against each other, and vials are off-gassing. (Photographs by Glenna Nielsen-Grimm.)