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Nordic Bronze Age Economies

Published online by Cambridge University Press:  03 December 2024

Christian Horn
Affiliation:
University of Gothenburg
Knut Ivar Austvoll
Affiliation:
University of Oslo
Magnus Artursson
Affiliation:
University of Gothenburg
Johan Ling
Affiliation:
University of Gothenburg

Summary

Provides a multi-scalar synthesis of Nordic Bronze Age economies (1800/1700–500 BCE) that is organized around six sections: an introduction to the Nordic Bronze Age, macro-economic perspectives, defining local communities, economic interaction, conflict and alliances, political formations, and encountering Europe. Despite a unifying material culture, the Bronze Age of Scandinavia was complex and multi- layered with constantly shifting and changing networks of competitors and partners. The social structure in this highly mobile and dynamic macroregional setting was affected by subsistence economies based on agropastoralism, maritime sectors, the production of elaborate metal wealth, trade in a wide range of goods, as well as raiding and warfare. For this reason, the focus of this book is on the integration and interaction of subsistence and political economies in a comparative analyses between different local constellations within the macro-economic setting of prehistoric Europe. This title is also available as Open Access on Cambridge Core

Information

Figure 0

Figure 1 Maps of (a) sites, (b) regions, lakes, and rivers, and (c) European sites and regions mentioned in the text

(produced by Ashely Green)
Figure 1

Figure 2 Example modeling chiefdoms or larger social groupings using different clustering methods in Sweden: (a) Scania based on barrows (dark) and cairns (yellow); (b) Bohuslän based on cairns and rock art (color represents different computed clusters); (c) Western Norway based on burials, settlement, daggers, simple shaft-hole axes, and sickles (yellow – clustered artifacts from Period III)

(Produced by Ashely Green, data by the authors)
Figure 2

Figure 3 Comparative chronology table

Figure 3

Figure 4 Helmets from Viksø

(photo by the National Museum of Denmark, CC BY-SA 3.0)
Figure 4

Figure 5 Integration of domestic and political economies in the maritime mode of production

(created by Christian Horn)
Figure 5

Figure 6 House sizes and layout during the NordicBA with major contemporary events indicated

(after Magnusson 2009, adapted by Christian Horn)
Figure 6

Figure 7 Rock art plowing scene in Finntorp (Tanum 90:1), Bohuslän, Sweden

(laser scan by Henrik Zedig, visualization https://tvt.dh.gu.se/)
Figure 7

Figure 8 Scales of exchange represented by spheres of trade/interaction and distances including inland–coast relationships. The dotted circle indicates medium distances when considering cultural similarity, whereas the closed circle indicates absolute distances. The inset models local exchange on the example of Jæren

(maps by Christian Horn and Knut Ivar Austvoll)
Figure 8

Figure 9 Multiresource objects: (a) sword from burial A in Bøvl, Sønder-Omme, Denmark (after Aner and Kersten 1990, No. 4457); (b)–(d) knife, flint dagger, and razor from a burial in barrow no. 17, Hvidegård, Lyngby-Tårbæk, Denmark (after Aner and Kersten 1973, No. 399); (e) and (f) two tar loaves potentially a hoard deposited in a bog or small lake in Ormslev, Denmark

(after Aner and Kersten 2014, No. 6965; all redrawn by Christian Horn; no scale)
Figure 9

Figure 10 Torsted hoard: (a) Reconstruction drawing of the context (after Becker, 1964, by Rich Potter); (b) grinding striations underneath patina potentially related to repairs, magnification ×150; (c) blow mark on the midrib, magnification ×60; (d) weak indentation with slight replacement of material, magnification ×60

(photos by Christian Horn)
Figure 10

Figure 11 Example of imbalances in the distribution of natural resources and geographical position during the NordicBA on the example of the Limfjord region. Also illustrated is the potential for interregional exchange relationships

(after Dahlström & Brost, 1996; Varberg 2005; drawn by Christian Horn)
Figure 11

Figure 12 (a) Amount of combat-related use-wear separated by weapon type and chronology (after Horn 2013; Horn and Karck, 2019); (b) two maritime warriors in Bro Utmark (Tanum 192:1), Sweden

(laser scan by Ellen Meijer, visualization https://tvt.dh.gu.se/)
Figure 12

Figure 13 Rock art showing potential slaving scenes: (a) Leirfall (field III), Trøndelag, Norway (photo by Arve Kjersem, 2017); (b) Ekenberg (Östra Eneby 23:1), Norrköping, Sweden

(laser scan by Ellen Meijer, visualization https://tvt.dh.gu.se/)
Figure 13

Figure 14 (a) The barrow in Rege, Sola, Norway in the landscape; (b) carved slab from the stone cist in the barrow in Rege (photos a and b: by Museum of Archaeology, University of Stavanger, CC-BY-NC-ND); (c)–(e) Carved slabs of the stone cist in the Bredarör cairn in Kivik, Simrishamn, Sweden

(laser scan by Ellen Meijer, visualization https://tvt.dh.gu.se/; interpretation by Christian Horn)
Figure 14

Figure 15 (a)–(d) Rock art boats from southern Scandinavia dating to the NordicBA and (e)–(h) similar boats made by hunter-gatherers in Alta, Norway: (a) typical EBA boat with crew strokes and division of the hull; (b) boat with horse-headed prows; (c) boat-carrying animals (horses?) with heads very similar to the prows of the boat; (d) horse-headed boat towed by a horse team with a horseback rider on board that may be a later addition; (e) crew holding a T-shaped implement; (f) crew indicated as strokes and divisions of the hull depicted; (g) boat with crew carrying a hunted elk, the same animal species that may have provided hide for constructing the boat; (h) elk-headed boat towed by an elk; interpretations by Christian Horn based on documentation by the Alta Museum Rock Art Archive (a–d: http://altarockart.no/fotoweb/) and laser scan by Ellen Meijer visualized with https://tvt.dh.gu.se/ (e–h)

Figure 15

Figure 16 Boat finds: (a) Hjortspring, Als, Denmark (3D reconstruction by Rich Potter); (b) rock art boat from Litsleby (Tanum 75:1), Sweden (photogrammetry by Rich Potter visualized with https://tvt.dh.gu.se/); (c) Byslätt, Istorp, Sweden (after von Arbin and Lindberg, 2017); (d) Varpelev, East Zealand, Denmark; (e) Vestersø, Limfjord, Denmark (d–e: after Kastholm, 2015) (all drawings by Christian Horn)

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