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III. Inscriptions

Published online by Cambridge University Press:  23 February 2026

Roger S.O. Tomlin*
Affiliation:
Wolfson College, Oxford University
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Abstract

Information

Type
Roman Britain in 2024
Creative Commons
Creative Common License - CCCreative Common License - BY
This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0), which permits unrestricted re-use, distribution and reproduction, provided the original article is properly cited.
Copyright
© The Author(s), 2026. Published by Cambridge University Press on behalf of the Society for the Promotion of Roman Studies.
Figure 0

Fig. 1. Canterbury, tombstone fragment (No. 1) (photo: Canterbury Archaeological Trust).

Figure 1

Fig. 2. Kelvedon, copper-alloy votive letters (No. 2) (drawing: Council for British Archaeology).

Figure 2

Fig. 3. Wall, inscribed building stone (No. 4) (photo: A.A. Round).

Figure 3

Fig. 4. Wall, inscribed building stone (No. 5) (photo: A.A. Round).

Figure 4

Fig. 5. (a) Whitley Castle, inscribed slab (No. 6) (photo: Gordon Monk); (b) detail of the lettering (photo: Elaine Edgar).

Figure 5

Fig. 6. Chiseldon, silver ring bezel (No. 8) (photo: PAS).

Figure 6

Fig. 7. Stanwix, eight lead sealings (including Nos. 12–17) (photo: Anna Giecco for Wardell Armstrong).

Figure 7

Fig. 8. Stanwix, lead sealing (No. 15), (a) obverse, (b) reverse (photos: Frank Giecco).

Figure 8

Fig. 9. Derby, Strutt’s Park, samian graffito (No. 19) (photographed and drawn by R.S.O. Tomlin).

Figure 9

Fig. 10. Topsham, black-burnished ware graffito (No. 20) (photo: Wessex Archaeology).

Figure 10

Fig. 11. Binchester, five D N lead sealings (Nos. 21–25) (photo: R.S.O. Tomlin).

Figure 11

Fig. 12. Binchester, lead sealing (No. 26), (a) obverse, (b) reverse (photos: R.S.O. Tomlin).

Figure 12

Fig. 13. Binchester, lead sealing (No. 27), (a) obverse, (b) reverse (photos: R.S.O. Tomlin).

Figure 13

Fig. 14. Binchester, lead sealing (No. 28), (a) obverse, (b) reverse (photos: R.S.O. Tomlin).

Figure 14

Fig. 15. Binchester, lead sealing (No. 29) (photo: R.S.O. Tomlin).

Figure 15

Fig. 16. Binchester, lead sealing (No. 30) (photo: R.S.O. Tomlin).

Figure 16

Fig. 17. Binchester, lead sealing (No. 31) (photo: R.S.O. Tomlin).

Figure 17

Fig. 18. Colchester, oculist’s stamp (No. 32), (a) long edge, (b) other long edge, (c) short edge (drawn by R.S.O. Tomlin from photographs by Colchester Archaeological Trust).

Figure 18

Fig. 19. Colchester, amphora graffito (No. 33) (photo: Colchester Museums).

Figure 19

Fig. 20. Colchester, coarseware graffito (No. 34) (drawn by R.S.O. Tomlin from a rubbing by Mark Hassall).

Figure 20

Fig. 21. Richborough, silver ring with monogram (No. 35) (photo: English Heritage).

Figure 21

Fig. 22. Ancaster, gold and silver ring bezel (No. 37) (photo: PAS).

Figure 22

Fig. 23. Scredington, silver ring bezel (No. 38) (photo: PAS).

Figure 23

Fig. 24. Roxby cum Risby, copper-alloy blade (No. 39) (photo: PAS).

Figure 24

Fig. 25. Scole, samian graffito (No. 40) (drawing: Norfolk Archaeological Unit).

Figure 25

Fig. 26. Sporle with Palgrave, copper-alloy ring bezel (No. 41) (photo: PAS).

Figure 26

Fig. 27. Vindolanda, three fragments of a stylus tablet (No. 42), (a) outer face, (b) inner face (drawn by R.S.O. Tomlin).

Figure 27

Fig. 28. Stokeham, copper-alloy ring bezel (No. 43) (photo: PAS).

Figure 28

Fig. 29. Chilson, copper-alloy potter’s die (No. 44) (photo: PAS).

Figure 29

Fig. 30. Icklingham, pewter graffito (No. 46) (drawn by R.S.O. Tomlin from photographs provided by Ipswich Museum).

Figure 30

Fig. 31. Icklingham, pewter graffito (No. 47) (drawn by R.S.O. Tomlin from photographs provided by Ipswich Museum).

Figure 31

Fig. 32. Wangford, pewter graffito (No. 48) (drawn by R.S.O. Tomlin from photographs provided by Ipswich Museum).

Figure 32

Fig. 33. Bagshot, jet ring with incised monogram (No. 49) (photo: Surrey Heath Archaeological and Heritage Trust).

Figure 33

Fig. 34. Elloughton-cum-Brough, silver ring bezel (No. 50) (photo: PAS).

Figure 34

Fig. 35. Aldborough lead sealing (No. 51) (photographed and drawn by R.S.O. Tomlin).

Figure 35

Fig. 36. Aldborough samian graffito (No. 52) (photo: R.S.O. Tomlin).

Figure 36

Fig. 37. Cowesby, gold ring with Chi-Rho (No. 53) (photo: PAS).

Figure 37

Fig. 38. Chedworth, Chi-Rho between alpha and omega (Add. (a)) (photographed and drawn by Stephen Cosh).

Figure 38

Fig. 39. Hawkedon, helmet stamp (Add. (b)) (photo: British Museum).

Figure 39

Fig. 40. Pompeii, helmet stamp (photo: Naples Archaeological Museum).

Figure 40

Fig. 41. Newstead, stamped patch of leather (Add. (c)) (photo: Fraser Hunter).

Figure 41

Fig. 42. South Shields, black-burnished ware graffito (Add. (e)) (photographed and drawn by R.S.O. Tomlin).

Figure 42

Fig. 43. Carlisle, inscribed samian dish (Add. (f)) (photo: Carlisle Archaeological Unit).

Figure 43

Fig. 44. Colchester, mortarium stamp of Martinus (rubbing by Kay Hartley).

Figure 44

Fig. 45. Powell-Cotton Museum, inscribed marble fragments (Alienum (a)) (photo: Ed Griffiths).

Figure 45

Fig. 46. (a) Marble statue on an inscribed base, seen in London in 1637. (b) Detail of the inscribed base (falsum) (photos: National Museum of Antiquities, Leiden).