Brecht, Turkish Theater, and Turkish-German Literature: Reception, Adaptation, and Innovation after 1960

Ela E. Gezen

doi:10.1017/9781787441965

Uncovers the central role of Brecht reception in Turkish theater and Turkish-German literature, examining interactions between Turkish and German writers, texts, and contexts.

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Brecht, Turkish Theater, and Turkish-German Literature

Reception, Adaptation, and Innovation after 1960

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Contents

Frontmatter
pp i-iv

Dedication
pp v-vi

Contents
pp vii-viii

List of Illustrations
pp ix-x

Acknowledgments
pp xi-xiv

Introduction
pp 1-15

1 - Intersections of Politics and Aesthetics: Bertolt Brecht in the Turkish Context
pp 16-38

2 - Didactic Realism: Aras Ören and Working-Class Culture
pp 39-76

3 - Staged Pasts: Emine Sevgi Özdamar's Dramatic Aesthetic
pp 77-103

Conclusion
pp 104-108

Notes
pp 109-138

Bibliography
pp 139-154

Index
pp 155-159

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Brecht, Turkish Theater, and Turkish-German Literature

Reception, Adaptation, and Innovation after 1960

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