The Cambridge History of Music - Series page

pp ii-ii

The Cambridge History of Music Criticism - Title page

pp iii-iii

Copyright page

pp iv-iv

Contents

pp v-viii

Music Examples, Figures and Tables

pp ix-ix

Notes on Contributors

pp x-xiv

Acknowledgements

pp xv-xvi

Introduction

pp 1-6

Part I - The Early History of Music Criticism

pp 7-124

1 - Speaking of Plainsong in the Middle Ages

pp 9-24

2 - Music Criticism in the Late-Medieval and Renaissance Era

pp 25-41

3 - Musical Discourse in Italy, 1500–1800

pp 42-61

4 - Music Criticism in France before the Revolution

pp 62-80

5 - Music Criticism in Britain up to Burney

pp 81-103

6 - German-Language Music Criticism before 1800

pp 104-124

Part II - The Rise of the Press

pp 125-228

7 - French Music Criticism in the Nineteenth Century, 1789–1870

pp 127-146

8 - Gatekeeping, Advocacy, Reflection: Overlapping Voices in Nineteenth-Century British Music Criticism

pp 147-169

9 - Constructing a Musical Nation: German-Language Criticism in the Nineteenth Century

pp 170-189

10 - Music Criticism in Nineteenth-Century Italy

pp 190-207

11 - Music Criticism in Imperial Russia

pp 208-228

Part III - Critical Influence and Influences

pp 229-290

12 - Critiquing the Canon: The Role of Criticism in Canon Formation

pp 231-248

13 - Comparing Notes: Recording and Criticism

pp 249-271

14 - The Gender Paradox: Criticism of Women and Women as Critics

pp 272-290

Part IV - Entering the Twentieth Century

pp 291-456

15 - Music Criticism in the United States and Canada up to the Second World War

pp 293-316

16 - Music Criticism in Portugal: Towards an Overview

pp 317-330

17 - Spanish Music Criticism in the Twentieth Century: Writing Music History in Real Time

pp 331-343