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‘Memory making’: commemoration of the fiftieth anniversary of the International Conference on Manding Studies (London, 1972)

Published online by Cambridge University Press:  20 December 2024

Marcia Tiede*
Affiliation:
Northwestern University Libraries, Evanston, Illinois, USA

Abstract

Participants in the International Conference on Manding Studies, held at the School of Oriental and African Studies (SOAS) in summer 1972, were contacted to share memories of the event in recognition of its fiftieth anniversary and while such recollections could still be gathered. An event in honour of fifty years of kora music at SOAS was also documented, bringing the project into the present. The result was a lengthy special feature in MANSA Kibaru, the newsletter of the Mande Studies Association (MANSA), in early 2023. Given the strong positive response from the MANSA community, which has historically looked back to the 1972 conference as a predecessor, it was decided to revise the newsletter’s special feature as a separate publication. This is an account of the process of bringing the commemoration together, the key contributors, and the timing and connections that shaped the outcome. It provides details that do not appear in the published commemoration. Some questions at the beginning of the project were cleared up by the evidence and accounts gathered. The Manding Conference’s ‘filiation’ or influence is touched upon, including the founding of MANSA. The selective and incomplete nature of this ‘memory making’ initiative is acknowledged.

Resumé

Resumé

Des participants au Congrès international d’études manding, organisé à l’École des études orientales et africaines (SOAS) de Londres à l’été 1972, ont été invités à partager leurs souvenirs de cet événement à l’occasion de son cinquantième anniversaire. Un événement en l’honneur des cinquante ans de la musique de kora à SOAS a également été documenté, ramenant le projet dans le présent. Il en a résulté un long article spécial publié dans MANSA Kibaru, le bulletin d’information de la Mande Studies Association (MANSA), début 2023. Face à la forte réponse positive de la communauté MANSA, qui a historiquement considéré la conférence de 1972 comme son prédécesseur, il a été décidé de réviser le dossier spécial du bulletin d’information sous la forme d’une publication distincte. Il s’agit d’un compte rendu du processus de mise en place de la commémoration, des principaux contributeurs, ainsi que du calendrier et des liens qui ont façonné le résultat. Il fournit des détails qui n’apparaissent pas dans la commémoration publiée. Certaines questions au début du projet ont été éclaircies par les données et les témoignages recueillis. La « filiation » ou l’influence de la conférence sur les études mandingues y est évoquée, ainsi que la création de MANSA. La nature sélective et incomplète de cette initiative de « création de mémoire » est reconnue.

Information

Type
Fifty years of Manding Studies
Creative Commons
Creative Common License - CCCreative Common License - BYCreative Common License - NC
This is an Open Access article, distributed under the terms of the Creative Commons Attribution-NonCommercial licence (https://creativecommons.org/licenses/by-nc/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original article is properly cited. The written permission of Cambridge University Press must be obtained prior to any commercial use.
Copyright
© The Author(s), 2024. Published by Cambridge University Press on behalf of the International African Institute
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Figure 1. Exhibition invitation, courtesy of Pascal Imperato. The photograph, by Gilbert Rouget, is of Mamadi Dyoubaté playing a soron (nineteen-string harp), with his wife and daughter each playing a karinya (rasp); Kankan, Guinea, 1952. Information provided by Lucy Durán.

Figure 1

Figure 2. Gambia ensemble, Lalo Kebba Dramé playing kora and his wife, Rohia Jeng, with audience during concert at the Africa Centre, Covent Garden. Photo by Roderic Knight; information provided by Lucy Durán.

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Figure 3. Card from Alex Haley to Roderic Knight, received in conjunction with a talk that Knight organized at the University of Washington after the London conference. Courtesy of Roderic Knight.

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Figure 4. Lucy Durán, SOAS, with Julien Cooper (Enkore Arts) showing his newest kora. Screen shot from Ballaké Sissoko/Fifty Years of Mande Studies at SOAS.

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Figure 5. Kadialy Kouyate, kora instructor at SOAS, translating for his cousin Ballaké Sissoko. Screen shot from Ballaké Sissoko/Fifty Years of Mande Studies at SOAS.

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Figure 6. First page of David Dalby’s travel journal in West Africa, November–December 1971. Photo courtesy of Alison Dalby.

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Figure 7. H. E. Léopold Sédar Senghor’s presidential address at the Conference. Photo: Central Office of Information. From Manding Conference 1972: report and recommendations.

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Figure 8. First page of Senghor’s presidential address. Northwestern University Libraries, Melville J. Herskovits Library of African Studies.

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Figure 9. Mali ensemble, Lansiné Kaba and Sékéné Mody Cissoko being acknowledged by a jalikeo praising them during concert at the Africa Centre, Covent Garden. Photo by Roderic Knight; information provided by Lucy Durán and Fanta Traoré.