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‘A DESPERAT WEPON’: RE-HAFTED SCYTHES AT SEDGEMOOR, IN WARFARE AND AT THE TOWER OF LONDON

Published online by Cambridge University Press:  03 December 2019

Edward Impey*
Affiliation:
Royal Armouries Museum, Armouries Drive, Leeds LS10 1LT. Email: edward.impey@armouries.org.uk
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Abstract

The Royal Armouries possesses two scythe blades of pre-mechanised manufacture, mounted axially on straight hafts to form weapons. An inventory of 1686 lists eighty-one scythe blades at the Tower of London (by 1694 described as booty captured from the Duke of Monmouth’s rebels at Sedgemoor) and the surviving pair was probably among them. The Duke’s shortage of standard-issue equipment made improvisation essential, and the choice of re-hafted scythe blades owed to their widespread, well known and effective use by irregular forces in Britain and Europe since the late Middle Ages. Monmouth’s ‘sithmen’, some hundreds strong, took part in skirmishes and in the battle of Sedgemoor itself. Of interest to the Tower authorities as curiosities and for their propaganda value, the scythe blades were displayed, in diminishing numbers, from the seventeenth until the nineteenth century, and these two until the 1990s. In the future they will be displayed again, representing Monmouth’s rebels and countless others, and a weapon type that deserves a greater level of study and recognition.

Information

Type
Research paper
Creative Commons
Creative Common License - CCCreative Common License - BY
This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited.
Copyright
© The Society of Antiquaries of London and Cambridge University Press 2019
Figure 0

Fig 1. The Royal Armouries scythe blades, (a) vii.960 and (b) vii.961, showing the top ends of their (more recent) hafts. Photographs: © Royal Armouries.

Figure 1

Fig 2. The Morning of Sedgemoor (1905) by Edgar Bundy (1862–1922). The upright blade may be based on vii.960 (see fig 1). The artist shows the improvised nature of the weapon, the blade lashed to a crudely dressed sapling. Image: Tate/Digital Image © Tate, London 2014.

Figure 2

Fig 3. Scene from the woodcut illustration to a Broadside entitled ‘A Description of the late Rebellion in the West. A Heroick Poem’, published on 7 September 1685. The only contemporary image of the battle itself, it shows a scytheman, with a re-hafted scythe, among the rebels and an unconverted scythe discarded in the foreground. Image: from Anon 1685.

Figure 3

Fig 4. Engraving by John Hamilton (fl. 1766–87) of or shortly before 1784, reproduced in several topographical works in the late eighteenth century, showing ‘Various Weapons & Implements of War’ displayed at the Tower of London. A pole-hafted scythe blade, missing its heel (possibly vii.961) is shown (top right) captioned ‘A Scithe used in The Duke of Monmouth’s Rebellion’. The ‘Saxon’s Sword’ (lower left) is probably another scythe blade with a hilt fitted to its straightened tang. Image: © Royal Armouries.

Figure 4

Fig 5. Detail from the Panorama racławicka (the Raclawice Panorama), painted in 1894 by Jan Styka and Wojciech Kossak, now at Wrocław. It shows the moment, in the battle of April 1794, when Taddeusz Kościuszko’s kosynierzy overran the Russian battery. Scythes had been used in Poland within the lifetime of the artists, as they would be later, so we can be confident that this is a realistic depiction of scythes in action. The Russian flintlock small arms and artillery of 1794 had changed little since Sedgemoor. Image: A fragment of the Raclawice Panorama, Wikimedia Commons CC-BY-SA 3.0.

Figure 5

Fig 6. The thirteen blades displayed in St Mary’s church, Horncastle (Lincolnshire), all but one of which were hand-made and adapted for service as weapons. At least fifty were present in 1861. When and why they were adapted and placed here remains to be discovered. Photograph: John Aron.

Figure 6

Fig 7. Details of two Horncastle blades showing the two forms of adaptation: in (a) the tang has been straightened to fit a drilled hole in the end of the haft, as in vii.960; in (b) the tang has been bent to form a socket through which the haft was passed and then riveted to the blade. Photographs: John Aron.

Figure 7

Fig 8. Two diagrams from Krótką naukę o pikach i kosach [A Short Treatise on Pikes and Scythes]showing: (a) how blades, both ‘mowing scythes’ and chaff-cutting blades, could be adapted and re-hafted; and (b) how a ‘force of free citizens’ armed with pikes and scythes might be deployed in the field. Images: From Aigner 1794, Tablica i and Tablica ii.

Figure 8

Fig 9. Drawing c 1688–9 by John Taylor from his ‘Historie of his life and travels in America and other parts of the universe’. Taylor had joined the royal army as a Royalist cadet and, although not present at the battle of Sedgemoor, had visited the site immediately afterwards. He misunderstood how the blades were re-hafted, and the dandified costume cannot have been typical, but this remains the only detailed near-contemporary depiction of a Monmouth scytheman. Image: Courtesy of the National Library of Jamaica (ms 105).

Figure 9

Fig 10. Four playing cards from a commemorative pack of 1685, illustrating incidents in Monmouth’s rebellion. (a) The two of Diamonds shows a re-hafted scythe on the ground at Frome, (b) the Knave of Clubs shows re-hafted scythes interspersed with pikemen, and (c) the King of Spades and (d) the Queen of Clubs show other scythes abandoned at Sedgemoor. Images: Reproduced by kind permission of the British Museum, © The Trustees of the British Museum.

Figure 10

Fig 11. Extract from the ‘Survey and Remaine’ of 17 September 1686, showing the entry under ‘Spanish Weapons’, that is, those displayed in the so-called ‘Spanish Armoury’, naming the ‘Sith Blades’, fifty-four of them with staves and twenty-seven without (TNA: PRO, WO 55/1730, fol 14r). Photograph: Reproduced by kind permission of The National Archives; © Crown copyright.

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