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Building and legitimizing an illiberal transnational field: illiberal think tanks’ struggle for cultural hegemony in Poland and Hungary

Published online by Cambridge University Press:  01 January 2026

Ramona Coman*
Affiliation:
Institut d’études européennes ‑ CEVIPOL, Université Libre de Bruxelles, Brussels, Belgium
Emilien Paulis*
Affiliation:
Department of Humanities, University of Luxembourg, Esch‑sur‑Alzette, Luxembourg
Leonardo Puleo*
Affiliation:
School of Politics and International Relations, University College Dublin, Dublin, Ireland
Noemi Trino*
Affiliation:
Institut d’études européennes ‑ CEVIPOL, Université Libre de Bruxelles, Brussels, Belgium
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Abstract

Much has been written over the past decade about the rise and success of far-right parties as key actors of dissensus over liberal democracy. Less attention, however, has been devoted to similar transformations taking place within civil society. This article examines the role played by think tanks in Poland and Hungary in building a new illiberal field. Drawing on Gramsci’s concept of cultural hegemony and Bourdieu’s notion of cultural capital, we theorize four core functions performed by illiberal think tanks: mediating, building, disseminating, and legitimizing this emerging field. Using Twitter data, we analyze how these illiberal think tanks operate as crucial nodes in connecting national, European, and American intellectuals and actors. Through their work and accumulation of cultural and academic capital, they contribute to fostering dissensus over liberal democracy in Central and Eastern Europe and beyond.

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Copyright
Copyright © 2025 The Author(s)
Figure 0

Fig. 1 Number of think tanks tweets and interactions from March 1st 2021 to March 1st 2022. Note: Data are expressed as a percentage of the sample (N interactions = 155,251; N tweets = 91, 594 ).

Source: Authors’ own elaboration
Figure 1

Fig. 2 Online interactions among the top 20 accounts mentioned by each think tank. Note: Red squares show seeding accounts. As far as target accounts are concerned, circles denote national accounts, diamonds indicate foreign accounts, and crosses indicate accounts that cannot be identified (i.e., anonymous). Blue is assigned to intellectuals; green is reserved for think tanks and associated experts; black indicates media accounts; orange designates political institutions, parties, and elites; pink indicates anonymous accounts and trolls; and lastly, purple designates accounts in the miscellaneous and residual category. The numbers displayed on the ties describe their strength, i.e., how many times the seeding account mentioned the target account over the studied period. Seed accounts and accounts no longer available on Twitter have been removed from the visualization.

Source: Authors’ elaboration
Figure 2

Fig. 3 Online interactions of the accounts mentioned by at least one Polish and one Hungarian think tank. Note: Red squares show seeding accounts. As far as target accounts are concerned, circles denote national accounts (31.4%), diamonds indicate foreign ones (64%), and crosses indicate accounts that cannot be identified (i.e., anonymous) (4.6%). Blue is assigned to intellectuals (23.4%); green is reserved for think tanks and associated experts (10.7%); black indicates media accounts (18%); orange designates institutional (22.2%) and political elite accounts (13.4%); pink indicates anonymous/trolling accounts (4.6%); and lastly, purple designates accounts in the miscellaneous and residual category (7.7%). Finally, the nodes that are marked with a brown outline are those associated with an illiberal milieu.

Source: Authors’ elaboration
Figure 3

Fig. 4 Think tank interactions with intellectuals (accounts mentioned by at least one Polish and one Hungarian think tank). Note: Red squares indicate the seeding accounts. As far as target accounts are concerned, black circles denote the intellectuals positively mentioned within the illiberal network, while blue circles show those presenting an antagonistic stance.

Source: Authors’ elaboration
Figure 4

Fig. 5 Professional backgrounds of actors with academic and cultural capital. Note: N = 48

Supplementary material: File

Coman et al. supplementary material

Appendix 1
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