Holy Church as Romance Heroine
Published online by Cambridge University Press: 20 February 2026
Chapter 6 demonstrates how Langland’s use of personification allegory, romance tropes, and alliterative verse develops Lady Church as a theologically robust yet devotionally accessible being in Piers Plowman. The chapter argues that Piers Plowman presents Lady Church as a preexistent being who assumes a series of incarnate forms and depicts religious maturation and ecclesiastical reform as a transformed relationship with Lady Church, from dependence on the Church as a maternal figure to a pursuit of her as a promiscuous yet demanding romance heroine.
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