Teju Cole’s Open City is one of several recent postcolonial novels that narrate the refugee crisis and the threats to nonhuman species in a way that takes seriously the parallels and interspecies relationships. I am interested in the extent to which novels that explore kinships across boundaries of kind manage to make a space for the nonhuman in the anthropocentric form of the novel. In the case of Open City, I argue that Cole’s figural approach offers a means of formalizing the human representation of nonhuman others as a problem and allows readers to make connections across species boundaries even as the novel raises the specter of moral stasis through the cosmopolitan narrator’s failure to take an ethical stance with respect to those in search of refuge, human or not. This failure is a human one, and in offering an anatomy of such a failure, Cole invites scrutiny of cosmopolitanism as much as of the novel form’s anthropocentrism.