Hostname: page-component-76d6cb85b7-f97m6 Total loading time: 0 Render date: 2026-07-20T20:01:55.578Z Has data issue: false hasContentIssue false

Comparative Clay Analysis and Curation for Archaeological Pottery Studies

Published online by Cambridge University Press:  07 March 2017

Ann S. Cordell
Affiliation:
Florida Museum of Natural History, Dickinson Hall, University of Florida, 1659 Museum Road, Gainesville, FL 32611 (cordell@flmnh.ufl.edu; nwallis@flmnh.ufl.edu)
Neill J. Wallis
Affiliation:
Florida Museum of Natural History, Dickinson Hall, University of Florida, 1659 Museum Road, Gainesville, FL 32611 (cordell@flmnh.ufl.edu; nwallis@flmnh.ufl.edu)
Gerald Kidder
Affiliation:
3429 NW 27th Place, Gainesville, FL 32605; University of Florida (retired) (gkidder@cox.net)
Rights & Permissions [Opens in a new window]

Abstract

We describe the curation and use of clay samples as part of the ceramic ecology program at the Florida Museum of Natural History's Ceramic Technology Laboratory (FLMNH-CTL). We outline the history of the comparative clay sample collection at the FLMNH-CTL and detail the standard operating procedure by which samples are processed, analyzed, and curated. We also provide examples of how the clay samples have been used in research projects as well as some of the challenges inherent to studies using such samples. Our collection of processed clays and associated thin sections, which is curated in perpetuity, represents a valuable resource for ongoing and future lab endeavors and is available to other researchers focusing on Florida and adjacent regions.

En este artículo describimos la conservación y el uso de muestras de alfarería como parte del programa de ecología cerámica del Laboratorio de Tecnología Cerámica del Museo de Historia Natural de Florida. Explicamos la historia de la colección de muestras de barro del laboratorio y el procedimiento operativo estándar para procesarlas, analizarlas y organizarlas. Describimos también ejemplos del uso de estas muestras en proyectos de investigación, así como algunos problemas inherentes en los estudios comparativos de arcilla. Nuestra colección comparativa de arcilla y secciones delgadas asociadas, que está curada de manera permanente, representa un recurso valioso para los esfuerzos en curso y a futuro del laboratorio, y está disponible para otros investigadores cuyo trabajo se enfoca en la Florida y las regiones adyacentes.

Information

Type
How-to Series
Copyright
Copyright 2017 © Society for American Archaeology 
Figure 0

TABLE 1. Example of Clay Sample Collection Record.

Figure 1

FIGURE 1. Water is added to depression in the pile of dry, crushed clay sample.

Figure 2

FIGURE 2. Working the clay and water into a plastic mass (test bar template also pictured).

Figure 3

FIGURE 3. Pressing a “log” of plastic sample clay into a test bar template, lined with parchment paper (our template is recycled from an old army surplus industrial dishwasher rack; soon we will have a printable 3D file of this template to share with interested researchers).

Figure 4

FIGURE 4. Marking scoring distances on sample clay test bar (with recycled hair comb tool). Take care that follow-up scoring lines are shallow (about 1 mm) to avoid compromising the integrity of the bar (if too deep, the bar may separate along a scored line during drying).

Figure 5

FIGURE 5. Marking bar with 10-cm distance with metric calipers for percent Linear Drying Shrinkage measurement.

Figure 6

FIGURE 6. Weighing completed sample clay test bar for wet weight used in calculating percent Water of Plasticity.

Figure 7

TABLE 2. Example of Water of Plasticity and Linear Drying Shrinkage Data.

Figure 8

FIGURE 7. (a) Unfired briquettes from 24 different samples about to go into furnace; (b) the same briquettes after 800°C firing.

Figure 9

FIGURE 8. Fired briquettes are broken to record color change and coring loss.

Figure 10

TABLE 3. Example of Fired Color, Coring Data.

Figure 11

TABLE 4. Example of Grain-Size Analysis Data.

Figure 12

FIGURE 9. Dr. Gerald (Jerry) Kidder, wet sieving a clay sample.

Figure 13

FIGURE 10. Sieved sediments air drying in the lab.

Figure 14

FIGURE 11. Sieved sediments bagged and labeled for curation.

Figure 15

FIGURE 12. Beakers of fine fractions in drying oven (another sample, waiting for space in the oven, is sitting on top, getting a head start on the drying process).

Figure 16

FIGURE 13. Processed sample clay ready for curation: (top) storage container, (bottom, left to right) leftover test bar, boxed fired briquettes, and bagged sieved sediments.

Supplementary material: File

Cordell supplementary material

Cordell supplementary material1

Download Cordell supplementary material(File)
File 26.6 KB