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Histories of Madness

Published online by Cambridge University Press:  24 April 2026

David Wright
Affiliation:
McGill University

Summary

This Element's contribution explores the historiography of madness in the Modern era, including landmark publications in the overlapping fields of the history of psychiatry and the history of lunatic asylums. As this examination of almost 200 academic works will demonstrate, the field is vast and highly contested, with researchers sometimes disagreeing about the basic terms of analysis. Nevertheless, from Foucault to Fanon, from Goffman to Gilman, these debates about social and medical responses to madness have inspired some of the most influential academic scholarship of the twentieth century. This title is also available as Open Access on Cambridge Core.

Information

Figure 0

Figure 1 Pinel unchaining the lunatics, by Robert Thom (1952). Michigan Museum of Art. There have been many representations of this apocryphal moment in the history of madness. The one reproduced above is a more contemporary iteration by the American illustrator Robert Thom, as included in A History of Medicine in Pictures (Parke Davis & Company, 1957). Individual framed prints were also available so that doctors could display them in their offices or in the halls of medical schools.

Figure 1

Figure 2 Will Sampson and Jack Nicholson in ‘One Flew Over the Cuckoo’s Nest’. The Academy Award-winning movie, based on a 1961 novel, was a searing indictment of state psychiatric facilities in post-war America (and by extension, elsewhere). The implications of the coercion and suppression of ‘norm-breaking’ can be read on several levels, including ‘the Chief’, the protagonist Randle McMurphy (who is a convict pretending to be ‘insane’), as well as other minor characters. Here, in the famous ‘Juicy Fruit’ scene, Sampson’s character breaks his silence and speaks for the first time, a subtle allusion to how patients perform and adopt ‘sick roles’ in coercive medical settings.

Figure 2

Figure 3 Male asylum patients, in the basketweaving shop, Buenos Aires, c. 1923. Archivo General de la Nación (Argentina). Photographs of groups of asylum inmates were comparatively rare and often staged to lighten the otherwise dreary and oppressive atmosphere that permeated many institutions. More common were individual portraits that were often affixed to medical case books (for administrative purposes) or, occasionally, as illustrations of specific mental states in formal medical publications.

Figure 3

Figure 4 The European Lunatic Asylum, Hong Kong, c. 1890s. The National Archives, UK. Lunatic Asylums were constructed throughout the British and French empires, at first to treat ‘European’ patients. Over time, separate institutions for non-Europeans were also built, but often with inferior funding and accommodation. Psychiatric facilities often became a lightning rod for debates over modernisation, nation-state building, and ‘race’.

Figure 4

Figure 5 Insulin Coma Therapy, New York, c. 1945. Bridgeman Images. Now largely overshadowed by the more dramatic therapeutic interventions of lobotomy and electroconvulsive (shock) therapy, insulin-induced coma was a treatment option of choice for certain chronic mental illnesses in the decades leading up to the 1950s and the advent of psychopharmacology. The status of insulin as a ‘wonder drug’ had been solidified by its extraordinary success in treating diabetes and by the rise in the cultural caché of the Nobel Prize in Physiology and Medicine, which was given to its discoverers in 1923.

Figure 5

Figure 6 ‘Four Types of Insanity’ as depicted by the Canadian National Committee for Mental Hygiene. Courtesy of the Centre for Addiction and Mental Health Archives. This early example of a public awareness campaign attempts to depict, in photographic form, four common states of mental debility. By the early twentieth century, many voluntary organisations had become increasingly sympathetic to eugenic ideas about the relationship between heredity and insanity. Immigrant-receiving countries, like Canada, the United States, Australia, and Argentina, became increasingly anxious that their institutions were being overrun with ‘degenerate’ immigrants from European countries.

Figure 6

Figure 7 Coroner’s inquest record for John Balmer, 1852, New Zealand. Archives New Zealand. Page from the coroner’s inquest file regarding the death of John Balmer, 1852. Legal and quasi-legal investigations into the mental state of those who had committed suicide preserve a host of competing voices about the nature and boundaries of madness in local communities.

Figure 7

Figure 8 The York Retreat, from Daniel Hack Tuke, Reform in the treatment of the insane: early history of The Retreat, York, its objects and influence, with a report of the celebrations of its centenary (1892). Wellcome Collection. This iconic representation of the famous Quaker institution idealised the idea of a ‘retreat’ that would symbolise the humanistic impulses of moral treatment. This image would act as a visual lament for future generations of Alienists, who witnessed the ideal of individual care and compassion overcome by monstrous institutions housing thousands of patients.

Figure 8

Figure 9 Bedroom in Arles, by Vincent Van Gogh. The Art Institute of Chicago, Helen Birch Bartlett Memorial Collection. Van Gogh’s lifelong struggle with madness has been well documented, and several of his most famous paintings speak to a sufferer’s perspective of their surroundings. Here, a depiction of the artist’s bedroom in Arles, where Van Gogh would later be institutionalized, in the nearby asylum, as a patient. Some have interpreted the representation of a closed bedroom as reflecting a state of emotional isolation.

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Histories of Madness
  • David Wright, McGill University
  • Online ISBN: 9781009671996
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Histories of Madness
  • David Wright, McGill University
  • Online ISBN: 9781009671996
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Histories of Madness
  • David Wright, McGill University
  • Online ISBN: 9781009671996
Available formats
×