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Digital Technology in Outdoor and Environmental Education: Affects, Assemblages and Curriculum-Making

Published online by Cambridge University Press:  26 September 2024

Jonathan Lynch*
Affiliation:
Otago Polytechnic, Dunedin, New Zealand
Herbert Thomas
Affiliation:
AcademyEX, Auckland, New Zealand
*
Corresponding author: Jonathan Lynch; Email: Jonathan.lynch@op.ac.nz
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Abstract

Researchers across outdoor and environmental education (OEE) are drawing on relational ontologies to break down dualisms, human-centric thinking and challenge neoliberal education that focusses on outcomes and achievements. Digital technology has been seen as problematic in OEE because of its distracting qualities within notions of authentic outdoor experiences. Re-conceptualising digital technology as something learners are entangled with — rejecting a dualistic position — offers a nuanced way of understanding how digital technology could be harnessed for OEE. This research presents speculative findings from a new materialist inspired project on how teachers considered video-making and the more-than-human in OEE. Working with assemblage theory and attention to affect, we portray ways assemblages of video-making and the more-than-human can shape OEE in new ways. Implications for educators in how they might assemble OEE with technology are suggested.

Information

Type
Article
Creative Commons
Creative Common License - CCCreative Common License - BY
This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution and reproduction, provided the original article is properly cited.
Copyright
© The Author(s), 2024. Published by Cambridge University Press on behalf of Australian Association for Environmental Education
Figure 0

Figure 1. (Lynch, 2018, p.100).

Figure 1

Figure 2. Part of the site they use regularly with a predator trap (placed by a local charity to catch invasive mammals).

Figure 2

Figure 3. Image of the fire-pit area.

Figure 3

Figure 4. Image of the games the children were playing in the private space.

Figure 4

Figure 5. Lizzie weaving with Ti kōuka (Cabbage Tree) leaves.