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Chapter 3 - Einstein on the Beach

“Doing the Facts of Feelings”

Published online by Cambridge University Press:  27 November 2025

Marc Robinson
Affiliation:
Yale University, Connecticut
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Summary

A reading of the best-known experimental work of 1976, Einstein on the Beach, that traces the sources of its imagery in mass media, popular culture, and art history, and that studies how the kinetics and contingency of live performance complicate the classical decorum associated with Robert Wilson’s theater. The chapter also discusses the performance styles of Lucinda Childs and Sheryl Sutton, the relationship of the opera to mathematics, the value of error and the handmade, and the persistence of emotion despite the production’s apparent coolness.

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  • Einstein on the Beach
  • Marc Robinson, Yale University, Connecticut
  • Book: American Performance in 1976
  • Online publication: 27 November 2025
  • Chapter DOI: https://doi.org/10.1017/9781009490375.004
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  • Einstein on the Beach
  • Marc Robinson, Yale University, Connecticut
  • Book: American Performance in 1976
  • Online publication: 27 November 2025
  • Chapter DOI: https://doi.org/10.1017/9781009490375.004
Available formats
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Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Einstein on the Beach
  • Marc Robinson, Yale University, Connecticut
  • Book: American Performance in 1976
  • Online publication: 27 November 2025
  • Chapter DOI: https://doi.org/10.1017/9781009490375.004
Available formats
×