An anthology necessarily follows “personal predilection,” stressed William Rose Benét, having discharged his end of Famous English and American Poetry, whereas Conrad Aiken, having done his, chose to note, “American poetry has been extensively anthologized.”(1) What Aiken said hardly applies to modern Japanese poetry,(2) but what Benét said does, and not just to the anthology I've recently published, Japanese Women Poets (M.E. Sharpe, 2007), of course, but also, with startling force, to the male-female proportions in some of the larger-scale anthologies. These are often oddly mislabeled zenshu, “complete works.”