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Published online by Cambridge University Press:  11 June 2026

Laura Emmery
Laura Emmery
Affiliation:
Emory University, Atlanta

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Yugoslav Avant-Garde Music, 1945–1991 , pp. x - xi
Publisher: Cambridge University Press
Print publication year: 2026
Creative Commons
Creative Common License - CCCreative Common License - BYCreative Common License - NC
This content is Open Access and distributed under the terms of the Creative Commons Attribution licence CC-BY-NC 4.0 https://creativecommons.org/cclicenses/

Figures

  1. I.1Geopolitical map of the Socialist Federal Republic of Yugoslavia.

  2. 1.1Boža Ilić, Сондирање терена на Новом Београду [Drilling of the terrain in New Belgrade] (1948).

  3. 1.2Josip Štolcer-Slavenski, Херој Тито [Hero Tito] (1944), autograph score, SATB and piano.

  4. 1.3Music Academy in Belgrade, Composition Department faculty and students during the 1950s.

  5. 2.1Ljubica Marić with Igor Stravinsky in Belgrade, October 1961.

  6. 3.1Vinko Globokar performing at the Music Biennale Zagreb, May 8–14, 1977.

  7. 4.1(a) Vladan Radovanović and Paul Pignon at EMS Radio Belgrade with the Synthi 100, 1971.

  8. 4.1(b) EMS Radio Belgrade’s Synthi 100 and other equipment, ca. 1972–1973.

  9. 6.1A postage stamp promoting the XIV Congress of the League of Communists of Yugoslavia, 1990.

  10. 6.2The composition faculty at the Faculty of Music in Belgrade, 1987.

  11. 6.3Vladan Radovanović, Svemir je kompjuter [The universe is a computer], computer graphic realized on Amiga and using Photoshop software, 1989.

  12. 6.4Miroslav Savić, Glas anđela [The voice of an angel] (1991).

  13. 7.1The Student Cultural Center in Belgrade.

  14. 7.2(a) Raša Todosijević with his partner Marinela Koželj performing Drinking Water – Inversions, Imitations, and Contrasts at the Fourth April Encounters at the Student Cultural Center in Belgrade, April 19, 1975.

  15. (b) Marina Abramović performing Rhythm 5 at the Student Cultural Center in Belgrade, 1974.

  16. 7.3Acezantez performs at the April Encounters at the Student Cultural Center in Belgrade, April 6, 1972.

  17. 7.4Opus 4: Miroslav Savić, Milimir Drašković, Vladimir Tošić, Miodrag Lazarov Pashu at the Student Cultural Center, Belgrade, ca. 1980.

  18. 7.5“Дрогирани беџеви, а клинци купују … ” [Drug buttons, yet kids are buying them …], Politika, February 2, 1982.

  19. 8.1Ansambl za drugu novu muziku [Ensemble for different new music], ca. 1978.

  20. 8.2Miloš Raičković conducts the Ensemble for Different New Music at the Student Cultural Center in Belgrade, December 7, 1977.

  21. 8.3Milimir Drašković, Dirigent [Conductor] (1979), still photographs.

  22. 8.4Milimir Drašković, Klavir, Opus 4, No. 1 (1980).

  23. 8.5Miodrag Lazarov Pashu, Dva vida zvučnog [Two aspects of sound] (1981–1982).

  24. 8.6Miodrag Lazarov Pashu, Objektivne varijacije – Konkretne varijacije [Objective variations – Concrete variations] (1981).

  25. 8.7Miroslav Savić, 10 for gong (1976).

  26. 8.8Miroslav Savić, Svirati / ne-svirati – ne-zvuk / zvuk [Play / not-play – not-sound / sound] (1978), Bone 16 Performance Art Festival, Bern, 2014.

  27. 8.9Miroslav Savić, Dve pozicije [Two positions] (1978), Bone 16 Festival, Bern, 2014.

  28. 8.10Vladimir Tošić, Ne/mogućnost [Im/possibility] (1981).

  29. 9.1Ivana Stefanović during her studies at IRCAM in Paris, June 1981.

  30. 9.2Veličanstvenih sedam [The Magnificent Seven], 1989.

  31. E.1March 9, 1991: Massive protests in Belgrade in opposition to Slobodan Milošević’s rule and the imminent start of the conflict in the region.

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  • Figures
  • Laura Emmery, Emory University, Atlanta
  • Book: Yugoslav Avant-Garde Music, 1945–1991
  • Online publication: 11 June 2026
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  • Figures
  • Laura Emmery, Emory University, Atlanta
  • Book: Yugoslav Avant-Garde Music, 1945–1991
  • Online publication: 11 June 2026
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  • Figures
  • Laura Emmery, Emory University, Atlanta
  • Book: Yugoslav Avant-Garde Music, 1945–1991
  • Online publication: 11 June 2026
Available formats
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