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Rehabilitating El Pozito, Northern Belize: a Classic Maya town and its socioeconomic history as reflected in ceramics and architecture

Published online by Cambridge University Press:  18 October 2023

Keith Eppich*
Affiliation:
Department of History, Geography, and Anthropology, TJC—the College of East Texas, Tyler, TX, USA
Joseph W. Ball
Affiliation:
Department of Anthropology (emeritus), San Diego State University, San Diego, CA, USA (jwball@sdsu.edu)
*
Corresponding author: Keith Eppich, email: keith.eppich@tjc.edu
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Abstract

This article revisits a long-neglected site in Northern Belize, the Classic Maya settlement of El Pozito, located in the Orange Walk District. Investigations led by Mary Neivens and Dennis Puleston explored the site between 1974 and 1976, documenting its architecture and recovering a substantial quantity of artifacts. Afterward, events conspired to bring these investigations to a close, leaving the site in a half-century scholarly limbo. The research here seeks to rectify this. Combining extant field notes with sporadic publications and recently conducted ceramic analysis, the authors reconstructed El Pozito's sequence of construction, occupation, and usage over 20 centuries. This new research revealed a settlement of surprising complexity, combining aspects of urban functionality amid a landscape of rural complexity. This article argues that the best way to understand such complexity is through the conceptual lens of a “town.” Neither a city nor a dispersed rural settlement, El Pozito functioned as a critical node that connected local, agrarian Maya with each other as well as the whole of the Classic Maya world. In this way, the research here seeks to rehabilitate this site, rescue it from its scholarly limbo, and restore its place in understanding the complex pre-Columbian landscapes of Northern Belize.

Resumen

Resumen

Este artículo vuelve a visitar un sitio descuidado durante mucho tiempo en el Norte de Belice, el asentamiento maya clásico de El Pozito, ubicado en el Distrito de Orange Walk. Las investigaciones dirigidas por Mary Neivens y Dennis Puleston exploraron el sitio entre 1974 y 1976, documentaron su arquitectura y recuperaron una cantidad sustancial de artefactos. Posteriormente, los acontecimientos pusieron fin a estas investigaciones, dejando el sitio en un limbo académico. La presente investigación busca rectificar esto. Combinando notas de campo pasadas con publicaciones esporádicas y análisis cerámicos realizados recientemente, los autores reconstruyeron la secuencia de construcción, ocupación y uso de El Pozito a lo largo de 20 siglos. Esta nueva investigación reveló un asentamiento de sorprendente complejidad, combinando aspectos de la funcionalidad urbana en medio de un paisaje de complejidad rural. Este artículo argumenta que la mejor manera de entender tal complejidad es a través de la lente conceptual de un “pueblo,” o un “town.” Ni una ciudad ni un asentamiento rural disperso, El Pozito funcionó como un punto crítico que conectaba a los mayas agrarios locales entre sí, así como a todo el Mundo Maya Clásico. De esta manera, la investigación aquí busca rehabilitar este sitio, rescatarlo de su limbo académico y restaurar su lugar en la comprensión del complejo paisaje precolombino del norte de Belice.

Information

Type
Research Article
Creative Commons
Creative Common License - CCCreative Common License - BY
This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution and reproduction, provided the original article is properly cited.
Copyright
Copyright © The Author(s), 2023. Published by Cambridge University Press
Figure 0

Figure 1. Map of the Maya World (by Eppich).

Figure 1

Figure 2. Map of major archaeological sites in Northern Belize (by Eppich).

Figure 2

Figure 3. Map of El Pozito, based on a map from Neivens and Puleston (1976a).

Figure 3

Figure 4. Excavations in Complex A plaza. Illustration by El Pozito Project, Mary Neivens (director).

Figure 4

Figure 5. Middle and Late Preclassic ceramic types: (a) Sierra Red; (b) Laguna Verde Incised; (c) Polvero Black; (d) Palia Unslipped; (e) Joventud Red. Drawings by Eppich.

Figure 5

Figure 6. Early Classic ceramic types: (a) Yaloche Cream Polychrome; (b) Dos Arroyos Orange Polychrome; (c) Dos Arroyos Cream Polychrome, Opuesto variety; (d) Aguila Orange; (e) Pucte Brown; (f) Balanza Black. Illustrations by Eppich.

Figure 6

Figure 7. Late Classic ceramic types: (a) Portia Gouged-Incised; (b) Palmar Orange Polychrome; (c) Petkanche Orange Polychrome; (d) Tinaja Red; (e) Cubeta Incised; (f) Achote Black. Illustrations by Eppich.

Figure 7

Figure 8. Azcorra Ivory Polychrome. Illustration by Eppich.

Figure 8

Figure 9. Terminal Classic and Postclassic ceramic types: (a) Dzibiac Red; (b) Payil Red; (c) Ticul Thin Slate; (d) Chen Mul Modeled censer fragments. Illustrations (a–c) by Jennifer Taschek and (d) by Eppich.

Figure 9

Figure 10. Buyuk Striated. Drawing by Eppich; form adapted from Sidrys and Krowne 1983.

Figure 10

Figure 11. El Pozito total ceramic counts by time period.