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When the Archaeologists Leave

Legacies and Services of the Historical Ecology of the Galápagos Islands Project

Published online by Cambridge University Press:  03 July 2023

Fernando Astudillo
Affiliation:
Department of Anthropology, Universidad San Francisco de Quito, Quito, Ecuador
Edy Becerra
Affiliation:
LAUDATO-SI Fundación para las artes y cultura, Galápagos, Ecuador
Florencio Delgado
Affiliation:
Department of Anthropology, Universidad San Francisco de Quito, Quito, Ecuador
Ross Jamieson*
Affiliation:
Department of Archaeology, Simon Fraser University, Burnaby, British Columbia, Canada
Peter W. Stahl
Affiliation:
Department of Anthropology, Binghamton University, Binghamton, NY, USA Department of Anthropology, University of Victoria, Victoria, British Columbia, Canada
*
(rossjami@sfu.ca, corresponding author)
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Abstract

The Hacienda El Progreso functioned as an important Ecuadorian agro-industrial enterprise in the late nineteenth century. Operating out of San Cristóbal Island in the Galápagos archipelago, the plantation exported refined sugar, coffee, cattle products, and other goods to national and international markets. From its beginnings in the 1860s, the plantation established the first permanent human settlement on the island, and long after its demise in the 1930s, it continues to exert an important influence in local culture. Contemporary communities of San Cristóbal are shaping their identities based on the historical importance of the hacienda. The summer of 2018 was our last field season. From its start, the Historical Ecology of the Galápagos Islands project involved close participation with communal authorities and town leaders to investigate the island's human past. In this article, we discuss legacy and services of our project in the contemporary setting of Galápagos. We examine the relevance and contributions of our project to education, heritage policies, and the local economy. We discuss lessons learned from interactions and collaborations between archaeologists and the local community, and we evaluate the consequences of implementing an archaeological project on a remote environmental sanctuary where interest in human history can collide with the agendas of nature conservation and a lucrative ecotourism industry.

La Hacienda El Progreso fue una importante empresa agroindustrial ecuatoriana de finales del siglo XIX. Operando desde la isla San Cristóbal en el archipiélago de Galápagos, la empresa exportó azúcar refinada, café y otros productos a mercados nacionales e internacionales. La plantación funcionó entre las décadas de 1860 y 1930 y fue, al mismo tiempo, el primer asentamiento humano permanente en la isla. Tras su cierre y abandono en 1930, el legado de la plantación tiene una importante influencia en la cultura local. Actualmente, los habitantes de la Isla San Cristóbal configuran su identidad a partir de la importancia histórica de la plantación. El verano de 2018 fue nuestra última temporada de campo en El Progreso. Desde el inicio, nuestra investigación contó con la participación permanente de autoridades y líderes comunales para estudiar el pasado de la isla, ninguno de ellos descendientes directos de los trabajadores originales de la plantación. En este artículo, discutimos el legado y los servicios de nuestro proyecto arqueológico para la sociedad moderna de las Islas Galápagos. Los objetivos son examinar la relevancia de nuestro proyecto para la sociedad contemporánea en aspectos como educación, políticas patrimoniales y economía local; discutir las lecciones aprendidas sobre las interacciones y colaboraciones entre el equipo de arqueología con la comunidad y las autoridades locales; y evaluar las consecuencias a mediano y largo plazo resultantes de implementar un proyecto arqueológico en un santuario ambiental remoto. Las Islas Galápagos son un escenario en donde los intereses sobre la historia humana local colisionan con las agendas de conservación de la naturaleza y una lucrativa industria del ecoturismo.

Information

Type
Article
Creative Commons
Creative Common License - CCCreative Common License - BY
This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (https://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited.
Copyright
Copyright © The Author(s), 2023. Published by Cambridge University Press on behalf of Society for American Archaeology
Figure 0

FIGURE 1. Our first meeting with the local community of El Progreso in 2014 was organized during the first week of fieldwork and held at the GAD building. Former president Paulina Cango and coauthor Florencio Delgado explained the archaeological project to the local community. This meeting created a democratic scenario to discuss the island's past. In addition, it lowered the invisible barriers between researchers and community members. (Photos from Stahl 2017.)

Figure 1

FIGURE 2. The property on which most of the preserved sugar mill infrastructure is located was sold to a coastal entrepreneur who established a paintball emporium. During the 2010s, the historic infrastructure was constantly vandalized and eventually destroyed. The venture quickly became insolvent, after which the land was up for resale. (Photo by the authors.)

Figure 2

FIGURE 3. The official logo of the GAD Parroquial El Progreso was redesigned in 2021 based on 1888 photographs of El Progreso Plantation. The plantation's main house is in the center, with cultivated fields and the workers’ village on either side, resembling the original plantation's layout, which is visible in the historic photographs. (Image courtesy of GAD Parroquial El Progreso. Pictures: NARA, National Archives and Record Administration NARA-22-FA-90 and NARA-22-FA-88, Albatross Expedition).

Figure 3

FIGURE 4. The “I Love El Progreso” sign, displaying natural and cultural aspects of the town's identity. The sign was designed by local artist Johny Cobos—a descendant of the Cobos family—to attract tourists to the site. (Photos by the authors.)

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