In this chapter, I explore three female folk song collectors: Lucy Broadwood, Annes Geddes Gilchrist and Dorothy Marshall, and three women from whom they collected songs – to provide wider commentary on the contributions of women to the first English folk song revival and their marginalization. In doing so, I examine the role of women in the first folk song revival, feminist practices in the archive, and a growing resurgence of interest in women and folk music. By exploring three examples of collecting in the first folk song revival, I illuminate the women who operated in the margins of the folk music movement and have since been marginalized by its history. I contend that by paying closer attention to what is found in the margins of manuscripts and other archival material, it is possible to glean information on the singing tradition, and collection practices, of women in the first folk song revival.