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The politics of ethnic economic territorialisation: commerce, state narratives, and Hui identity along the upper Yellow River

Published online by Cambridge University Press:  15 May 2026

Peng Hai*
Affiliation:
Department of History, University of Pittsburgh, PA, USA
*
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Abstract

This article examines the endurance of timbering and rafting along the upper Yellow River in the late nineteenth and early twentieth centuries as a case study of Fernand Braudel’s ‘social time’ of that critical section of the waterway, marked by intensified commerce and shifting political dynamics. The Muslim consolidation of midstream Ningxia, anchored in upstream Linxia, exemplified how Hui economic dominance intertwined with territorial control. These networks, later repurposed to support China’s resistance against Japanese imperialism, were abruptly disrupted by mid–twentieth-century dam construction and socialist collectivisation. Beyond economic history, the article interrogates historiographical silences surrounding Hui economic territorialisation. While external observers, including Republican officials and Japanese strategists, acknowledged Hui commercial monopolies, state historiography under the People’s Republic of China has often downplayed them to maintain narratives of ethnic harmony. Analysing cinematic representations across different eras of the twentieth century, the article further argues that film serves as a counterpoint to official narratives, offering an alternative medium where Hui agency and economic territoriality are articulated and contested. By bridging economic history, historiography, and visual culture, this study highlights the political stakes of ethnic commerce and the ways in which Hui identity has been shaped and reshaped across different political regimes.

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Article
Creative Commons
Creative Common License - CCCreative Common License - BYCreative Common License - NCCreative Common License - SA
This is an Open Access article, distributed under the terms of the Creative Commons Attribution-NonCommercial-ShareAlike licence (http://creativecommons.org/licenses/by-nc-sa/4.0), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the same Creative Commons licence is used to distribute the re-used or adapted article and the original article is properly cited. The written permission of Cambridge University Press or the rights holder(s) must be obtained prior to any commercial use.
Copyright
© The Author(s), 2026. Published by Cambridge University Press on behalf of The Royal Asiatic Society.
Figure 0

Figure 1. Hui Red Guard Ma Jiajia (left) together with his teenage comrades Han Sun Daliang (centre) and Tibetan Trashi (right).

Source: The Secrets of A’xia River (A’xia he de mimi 阿夏河的秘密; dir. Yan Bili, Shen Fu & Wu Zhen’nian, 1976).
Figure 1

Figure 2. Ma Jiajia’s grandfather, a skilled Hui wood rafter, leads the young Red Guards to recover the stolen logs from the Xia River.

Source: Secrets of A’xia River.
Figure 2

Figure 3. A topographical image of contemporary Jishishan Autonomous County of Linxia. The county’s northern border is demarcated by the Yellow River flowing eastward and emptying into the Liujiaxia Reservoir. To the county’s west is the upland Xunhua Salar Autonomous County of Qinghai, to its south-east is Linxia, the Hui Muslim stronghold often nicknamed the ‘Little Mecca of China’. Jishishan epitomises the cultural landscape of southern Gansu as a multilingual ethnic corridor because the autonomous county operates on the logic of religious autonomy for three different ethnic groups that practice Islam as their common religion—the Bao’an, Dongxiang, and Salars. Yet such divisions were largely irrelevant to the region’s cultural and political economy before the inauguration of the PRC’s minzu system.

Source: Google Earth
Figure 3

Figure 4. A Muslim man rafting down his timber on the Yellow River near Linxia.

Source: Carter Holton Film Collection made available courtesy of the Christian and Missionary Alliance National Archives, Colorado, USA, disseminated by the Digital Himalaya Project.
Figure 4

Figure 5. Two Muslim youth rafting their watermelons on the Yellow River near Lanzhou.

Source: Kukan: The Secret of Unconquerable China (dir. Rey Scott, 1941).