In 1849–50, Étienne Duverger co-edited La Violette: Revue musicale et littéraire in New Orleans. He published this feuilleton with an aim to instill the idea of the Parisian salon among women in the French Quarter of New Orleans, and he encouraged them to adopt a new repertoire (Chopin) and a new stance (in the public gaze rather than out of it). In other words, he urged them to come out of the shadows (where violets hide) and into a broader light. His efforts, however, failed. This essay argues that while the rising domination of US-American culture (over that of the French) contributed to the breakdown of Duverger’s mission, the data that can be gleaned from this publication provides the most detailed account of salon activities in the South, and possibly the entire nation. Thus, La Violette proves invaluable as a resource for women’s musical culture in this period.