Schoenberg's Musical Imagination

Michael Cherlin

doi:10.1017/CBO9780511481987

References

Bibliography

Writings of Arnold Schoenberg

Arnold Schoenberg, Arnold Schoenberg: A Self Portrait. Schoenberg Nono, Nuria, ed. Belmont Music, 1988

Arnold Schoenberg, Ausgewählte Briefe, Stein, Erwin, ed. B. Schott's Söhne, 1958

Schoenberg, Arnold, Fundamentals of Musical Composition, St. Martin's Press, 1967

Arnold Schoenberg, Stil und Gedanke: Aufsätze zur Musik, Vojtech, Ivan, ed. S. Fisher Verlag, 1976

Arnold Schoenberg, Structural Functions of Harmony, Stein, Leonard, ed. W. W. Norton, 1969

Arnold Schoenberg, Theory of Harmony, translated by Carter, Roy E., University of California Press, 1978

Books and Articles about Schoenberg

Bailey, Walter B., Programmatic Elements in the Works of Schoenberg. UMI Research Press, 1984

Berg, Alban, Pelleas und Melisande (nach dem Drama von Maurice Maeterlinck), Symphonische Dichtung für Orchestra von Arnold Schönberg, Op. 5: kurze thematische Analyse. Universal Edition, 1920

Berg, Albanet al., Arnold Schönberg. R. Piper, 1912

Leon Botstein, “Schoenberg and the Audience: Modernism, Music, and Politics in the Twentieth Century,” in Schoenberg and His World, Walter Frisch, ed. Princeton University Press, 1999

Brand, Juliane and Hailey, Christopher, editors, Constructive Dissonance: Arnold Schoenberg and the transformations of twentieth-century culture. University of California Press, 1997

Brinkmann, Reinhold, Correspondence. The Journal of the Arnold Schoenberg Institute I/3, 182–5

Brinkmann, Reinhold, “Schoenberg the Contemporary: A View from Behind,” in Constructive Dissonance: Arnold Schoenberg and the transformations of twentieth-century culture. University of California Press, 1997

Brinkmann, Reinhold and Wolff, Christoph, editors, Music of My Future: The Schoenberg Quartets and Trio. Harvard University Press, 2000

Cahn, Steven, “The Artist as Modern Prophet: A Study of Historical Consciousness and its Expression in Schoenberg's ‘Vorgefühle, op. 22, no. 4’,” in Schoenberg and Words: The Modernist Years. Garland Publishing (2000), 243–71

Campbell, Brian G., Text and Phrase Rhythm in Gurrelieder: Schoenberg's Reception of Tradition. Ph.D. dissertation: University of Minnesota, 1997

Brian G. Campbell, “Gurrelieder and the Fall of the Gods: Schoenberg's Struggle with the legacy of Wagner,” in Schoenberg and Words: The Modernist Years, Cross, Charlotte M. and Berman, Russell A., editors. Garland Publishing, Inc. (2000), 31–63

Cherlin, Michael, “Dialectical Opposition in Schoenberg's Music and Thought.” Music Theory Spectrum 22/2 (Fall 2000), 157–76

Michael, Cherlin, “Dramaturgy and Mirror Imagery in Schönberg's Moses und Aron: Two Paradigmatic Interval Palindromes.” Perspectives of New Music 29/2 (Summer 1991), 50–71

Michael, Cherlin, The Formal and Dramatic Organization of Schoenberg's Moses und Aron. Ph.D. dissertation: Yale University, 1983

Cherlin, Michael, “Memory and Rhetorical Trope in Schoenberg's String Trio.” Journal of the American Musicological Society 51/3 (Fall 1998), 559–602

Michael Cherlin, “Motive and Memory in Schoenberg's First String Quartet,” in The Music of My Future: The Schoenberg Quartets and Trio, Brinkmann, Reinhold and Wolff, Christoph, editors. Harvard University Press (2000), 61–80

Michael, Cherlin, “Schoenberg and das Unheimliche.” The Journal of Musicology 11/3 (Summer 1993), 357–73

Michael, Cherlin, “Schoenberg's Representation of the Divine in Moses und Aron.” Journal of the Arnold Schoenberg Institute IX/2, 210–16

Cohn, Richard, “Uncanny Resemblances: Tonal Signification in the Freudian Age.” Journal of the American Musicological Society, 57/2 (2004), 285–323

Dahlhaus, Carl, Schoenberg and the New Music, translated by Derrick Puffett and Alfred Clayton. Cambridge University Press, 1987

Fleisher, Robert, “Dualism in the Music of Arnold Schoenberg.” Journal of the Arnold Schoenberg Institute XII/1 (June 1989), 22–42

Frisch, Walter, The Early Works of Arnold Schoenberg, 1893–1908. University of California Press, 1993

Frisch, Walter, editor, Schoenberg and his World. Princeton University Press, 1999

Goldstein, Bluma, Reinscribing Moses: Heine, Kafka, Freud, and Schoenberg in a European Wilderness. Harvard University Press, 1992

Glenn Gould, “Schoenberg – A Perspective,” in The Glenn Gould Reader, introduction by Page, Tim, editor. Knopf, 1984, 107–22

Haimo, Ethan, Schoenberg's Serial Odyssey: The evolution of his Twelve-Tone Method, 1914–1928. Oxford University Press, 1990

Hyde, Martha, “Neoclassic and Anachronistic Impulses in Twentieth-Century Music.” Music Theory Spectrum 18/2 (1996), 200–35

Keller, Hans, “Schoenberg's Return to Tonality.” Journal of the Arnold Schoenberg Institute V/1, 2–21

Richard Kurth, “Moments of Closure: Thoughts on the Suspension of Tonality in Schoenberg's Fourth Quartet and Trio,” in Music of My Future: The Schoenberg Quartets and Trio, Brinkmann, Reinhold and Wolff, Christoph, editors. Harvard University Press (2000), 139–60

Kurth, Richard, “Schönberg and the Bilderverbot: Reflections on Unvorstellbarkeit and Verborgenheit.” Journal of the Arnold Schönberg Center 3 (2003), 332–72

Kurth, Richard, “Suspended Tonalities in Schönberg's Twelve-tone Compositions.” Journal of the Arnold Schönberg Center 3 (2001), 239–65

Lacoue-Labarthe, Phillip, Musica Ficta: Figures of Wagner, translated by Felicia McCarren. Stanford University Press, 1994

Lewin, David, “Generalized Interval Systems for Babbitt's Lists, and for Schoenberg's String Trio.” Music Theory Spectrum 17/1, 81–118

Lewin, David, “Inversional Balance as an Organizing Force in Schoenberg's Music and Thought.” Perspectives of New Music 6/2 (1968), 1–21

Lewin, David, “Moses und Aron: Some general remarks and analytic notes for Act I, scene 1.” Perspectives of New Music 6/1, 1–17

Maegaard, Jan, “Schoenberg's Incomplete Works and Fragments,” in Constructive Dissonance: Arnold Schoenberg and Transformations of Twentieth-Century Culture. University of California Press, 1997, 131–45

Milstein, Silvina, Arnold Schoenberg: notes, sets, forms. Cambridge University Press, 1992

Puffett, Derrick, “‘Music that Echoes within one’ for a Lifetime: Berg's Reception of Schoenberg's ‘Pelleas und Melisande.’” Music and Letters 76/2 (1995), 209–64

Rauchhaupt, Ursula, editor. Schoenberg, Berg, Webern: The String Quartets; a documentary study. Deutsche Grammophon Gesellschaft, 1971

Reich, Willi, Schoenberg: A Critical Biography. Leo Black, trans. Praeger Publishers, 1971

Ringer, Alexander, Arnold Schoenberg: The Composer as Jew. Oxford University Press, 1990

Rosen, Charles, Arnold Schoenberg. Viking, 1975

Simms, Bryan R., The Atonal Music of Arnold Schoenberg: 1908–1923. Oxford University Press, 2000

Simms, Bryan R. (editor), Schoenberg, Berg, and Webern: A Companion to the Second Viennese School. Greenwood Press, 1999

Stein, Leonard, “Noting the diagram and soliciting responses as to its meaning.”Journal of the Arnold Schoenberg Institute I/1 (1976), 3–5

Stuckenschmidt, H. H., Schoenberg: His Life, World and Work. Humphrey Searle, trans. Schirmer, 1978

Tomlinson, Gary, Metaphysical Song: An Essay on Opera. Princeton University Press, 1999

Wellesz, Egon, Arnold Schoenberg: The Formative Years, translated by W. H. Kerridge. J. M. Dent and Sons, 1925

White, Pamela C., Schoenberg and the God-Idea: The Opera Moses und Aron. UMI Research Press, 1985

Whittall, Arnold, “Schoenberg and the ‘True Tradition’: Theme and Form in the String Trio.” The Musical Times 115, 739–43

Books and Articles by and about Schoenberg's Contemporaries

Alter, Robert, Canon and Creativity. Yale University Press, 2000

Bloom, Harold, “Freud and the Poetic Sublime,” in Poetics of Influence, introduction by John Hollander, edited by Henry R. Schwab, 1988

Harold, Bloom (editor), Modern Critical Views: Franz Kafka. Chelsea House Publishers, 1986

Deleuze, Gilles, Difference and Repetition, translated by Paul Patton. Columbia University Press, 1994

Deleuze, Gilles, Proust and Signs, translated by Richard Howard. University of Minnesota Press, 2000

Deleuze, Gilles and Félix Guattari, , A Thousand Plateaus: Capitalism and Schizophrenia. University of Minnesota Press, 1987

Elon, Amos, The Pity of It All: A History of Jews in Germany, 1743–1933. Metropolitan Books (Henry Holt), 2002

Sigmund Freud, “Beyond the Pleasure Principle,” in The Freud Reader, translated by James Strachey, edited by Gay, Peter. W. W. Norton, 1989

Sigmund Freud, “On Transience,” in Writings on Art and Literature, edited by Hamacher, Werner and Wellbery, David E.. Stanford University Press, 1997

Frieden, Ken, Freud's Dream of Interpretation. State University of New York Press, 1990

Gay, Peter, Freud: A Life for Our Time. W. W. Norton, 1988

Handelman, Susan A., Fragments of Redemption. Indiana University Press, 1991

Janik, Allan and Toulman, Stephen, Wittgenstein's Vienna. Simon and Schuster, 1973

Kafka, Franz, The Castle, translated by Mark Harman. Schocken, 1988

Franz Kafka, Diaries: 1910–1923, edited by Brod, Max, translated by Martin Greenberg, with the cooperation of Hannah Arendt. Schocken, 1976

Franz Kafka, Franz Kafka: Ein Lesebuch mit Bildern, edited by Wagenbach, Klaus. Rowohlt Taschenbuch Verlag, 2003

Kafka, Franz, The Great Short Works of Franz Kafka, translated by Joachim Neugroschel. Simon & Schuster, 2000

Kafka, Franz, Parables and Paradoxes: Bilingual Edition. Schocken, 1975

Kafka, Franz, Das Schloss. Fischer Taschenbuch Verlag, 1981

Kafka, Franz, Tagebücher: 1914–1923. Fischer Taschenbuch Verlag, 1990

McGuinness, Patrick, Maurice Maeterlinck and the Making of Modern Theatre. Oxford University Press, 2000

Mendes-Flohr, Paul, German Jews: A Dual Identity.Yale University Press, 1999

Paddison, Max, Adorno's Aesthetics of Music. Cambridge University Press, 1993

Rieff, PhilipFreud: The Mind of the Moralist, third edition. University of Chicago Press, 1979

Robertson, Ritchie, Kafka: Judaism, Politics, and Literature. Oxford University Press, 1985

Robertson, Ritchie and Timms, Edward, editors, Vienna 1900: from Altenberg to Wittgenstein. Edinburgh University Press, 1990

Rosenzweig, Franz, The Star of Redemption, translated by William W. Hallo, foreword by N. N. Galtzer. Holt, Rinehart, 1970

Sachar, Howard M., Dreamland: Europeans and Jews in the Aftermath of the Great War. Knopf, 2002

Martin Schmidt, Christian, Schönbergs OperMoses und Aron. Schott, 1988

Georg Simmel, Georg Simmel: On Individuality and Social Forms. Introduction by Levine, Donald N., editor. University of Chicago Press, 1971

Anton Webern, The Path to New Music, edited by Reich, Willi, translated by Leo Black. Theodore Presser, 1963

General Background

Aldwell, Edward and Schachter, Carl, Harmony and Voice Leading, second edition. Harcourt Brace, 1989

Alter, Robert, Canon and Creativity. Yale University Press, 2000

Arendt, Hannah, Between Past and Future. The Viking Press, 1961

Auerbach, Erich, Mimesis: The Representation of Reality in Western Literature, translated by Willard R. Trask. Princeton University Press, 1953

Milton Babbitt, The Collected Essays of Milton Babbitt, edited by Peles, Stephenet al. Princeton University Press, 2003

Barker, Andrew, editor, Greek Musical Writings: Harmonic and Acoustic Theory (vol. II). Cambridge University Press, 1989

Bergson, Henri, Matter and Memory, translated by N. M. Paul and W. S. Palmer. Zone Books, 1991

William Blake, The Poetry and Prose of William Blake, edited by Erdman, David V., commentary by Harold Bloom. Doubleday, 1965

Blanchot, Maurice, The Infinite Conversation, translated and with a foreword by Susan Hanson. University of Minnesota Press, 1993

Blanchot, Maurice, The Work of Fire, translated by Charlotte Mandell. Stanford University Press, 1995

Bloom, Harold, A Map of Misreading. Oxford University Press, 1975

Blanchot, Maurice, The Ringers in the Tower: Studies in Romantic Tradition. University of Chicago Press, 1971

Blanchot, Maurice, Ruin the Sacred Texts: Poetry and Belief from the Bible to the Present. Harvard University Press, 1989

Burke, Kenneth, A Grammar of Motives. Prentice-Hall, 1945; repr. University of California Press, 1969

Bywater, I. and Patrick, G. T. W., Heraclitus of Ephesus. Argonaut, 1969

Carson, Anne, Economy of the Unlost (Reading Simonides of Keos with Paul Celan). Princeton University Press, 1999

Carson, Anne, Eros the Bittersweet. Princeton University Press, 1986

Cavell, Stanley, This New Yet Unapproachable America: Lectures after Emerson after Wittgenstein. Living Batch Press, 1989

Cherlin, Michael, “Hauptmann and Schenker: Two Adaptations of Hegelian Dialectics.” Theory and Practice 13 (1988), 115–31

Daverio, John, Nineteenth Century Music and the German Romantic Ideology. Schirmer, 1993

Dodds,, E. R.The Greeks and the Irrational. University of California, 1951

Frisch, Walter, editor, Schubert: Critical and Analytical Studies. University of Nebraska Press, 1986

Hans-Georg Gadamer, , Truth and Method, second edition, translation revised by Joel Weinsheimer and Donald G. Marshall. Continuum, 2003

Gay, Peter, Weimar Culture: The Outsider as Insider. W. W. Norton, 1968

Guthrie, W. K. C., A History of Greek Philosophy: The earlier Presocratics and the Pythagoreans (vol. I). Cambridge University Press, 1962

Hartman, Geoffrey H., The Fateful Question of Culture. Columbia University Press, 1997

Kahn, Charles H., The Art and Thought of Heraclitus. Cambridge University Press, 1979

Lewin, David, Generalized Musical Intervals and Transformations. Yale University Press, 1987

Lewin, David, “Music Theory, Phenomenology, and Modes of Perception.” Music Perception 3/4, 327–92

Lovejoy, Arthur O., Reflections on Human Nature. John Hopkins Press, 1961

Bernhard Marx, Adolph, Theory and Practice of Musical Composition, translated by H. S. Saroni. Huntington, Mason & Law, 1852

Nietzsche, Friedrich, Untimely Meditations: On the uses and disadvantages of history for life, translated by R. J. Holindale. Cambridge University Press, 1983

Paglia, Camille, Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson. Yale University Press, 1990

Schorske, Carl, Fin-de-Siècle Vienna. Knopf, 1980

Schur, David, The Way of Oblivion: Heraclitus and Kafka. Harvard University Press, 1998

Steiner, George, Language and Silence: Essays on Language, Literature, and the Inhuman. Atheneum, 1970

Steiner, George, Grammars of Creation. Yale University Press, 2001

Schoenberg's Musical Imagination

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Contents

Frontmatter
pp i-vi

Contents
pp vii-vii

List of music examples and figures
pp viii-xiv

Acknowledgements
pp xv-xvi

Introduction
pp 1-19

1 - A passing of worlds: Gurrelieder as Schoenberg's reluctant farewell to the nineteenth century
pp 20-43

2 - Dialectical opposition in Schoenberg's music and thought
pp 44-67

3 - Dramatic conflict in Pelleas und Melisande
pp 68-154

4 - Motive and memory in Schoenberg's First String Quartet
pp 155-172

5 - Uncanny expressions of time in the music of Arnold Schoenberg
pp 173-229

6 - The tone row as the source of dramatic conflict in Moses und Aron
pp 230-298

7 - The String Trio: metaleptic Schoenberg
pp 299-339

Notes
pp 340-383

Bibliography
pp 384-389

General index – names and topics
pp 390-395

Index of Schoenberg's works and writings
pp 396-397

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