Home and Nation in British Literature from the English to the French Revolutions - Title page

pp iii-iii

Copyright page

pp iv-iv

Contents

pp v-vi

Notes on the contributors

pp vii-x

Acknowledgements

pp xi-xii

1 - Introduction

pp 1-16

Part I - The English Revolution and the interregnum

pp 17-78

2 - Nation, nature, and poetics: transitions and claspes in Denham’s ‘Coopers Hill’ and Cavendish’sPoems and Fancies

pp 19-32

3 - Home and nation in Andrew Marvell’sBermudas

pp 33-48

4 - Anne Clifford and Samuel Pepys: diaries and homes

pp 49-60

5 - Home and away in the poetry of Andrew Marvell and some of his influences and contemporaries

pp 61-78

Part II - Restoration, glorious revolution, and Hanoverian succession

pp 79-184

6 - ‘Home to our People’: nation and kingship in late seventeenth-century political verse

pp 81-97

7 - ‘YetIsraelstill serves’: home and nation in Milton’sSamson Agonistes

pp 98-111

8 - ‘A thing remote’: Defoe and the home in the metropolis and New World

pp 112-126

9 - Pope’s homes: London, Windsor Forest, and Twickenham

pp 127-140

10 - Samuel Johnson and London

pp 141-153

11 - Contesting ‘home’ in eighteenth-century women’s verse

pp 154-168

12 - Home, homeland, and the Gothic

pp 169-184

Part III - Revolution in France, reaction in Britain

pp 185-265

13 - Contesting the homeland: Burke and Wollstonecraft

pp 187-201

14 - Homelands: Blake, Albion, and the French Revolution

pp 202-218

15 - Jane Austen and the modern home

pp 219-233

16 - ‘All things have a home but one’: exile and aspiration, pastoral and political in Shelley’sThe Mask of Anarchyand Keats’s ‘Ode to a Nightingale’ and ‘To Autumn’

pp 234-249

17 - Sir Walter Scott: home, nation, and the denial of revolution

pp 250-265

Guide to further reading

pp 266-282

Index

pp 283-288