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Welcome to Surkov’s Theater: Russian Political Technology in the Donbas War

Published online by Cambridge University Press:  27 November 2019

Sanshiro Hosaka*
Affiliation:
Open University of Japan, Chiba, Japan
*
*Corresponding author. Email: yokokumano2018@gmail.com

Abstract

The leaked email accounts of Putin’s aide on Ukraine, Vladislav Surkov, are vast primary source collections that shed light on the backstage happenings of the Kremlin’s politics in the Donbas war. Surkov is an excellent dramaturg; he writes scripts, casts actors, analyzes their performance and narratives, runs promotions, and puts the repertoire into motion to achieve intended reactions of the target audience. Methods and resources employed against Ukraine have much in common with political technology that helps the Kremlin to manipulate public opinion as well as election systems using pseudo-experts, technical parties, fake civic organizations and youth movement such as Nashi, and covert media techniques. Moscow tactically promoted the myth of “Novorossiya”—later the circumstances forced Surkov to replace it with “Donbas.” These tactics gave false credibility to “separatists” who would voice Moscow’s objections to any attempts of Ukraine to drift westward, creating an illusion in the domestic and international audience: the separatists are not puppets of Moscow but desperately fight against Kyiv junta for their localized identity, and Russia is just there to offer them a helping hand. The Russian policy toward Ukraine after the 2013 fall is an extension of its “virtual” domestic politics, but not traditional diplomacy at all.

Information

Type
Special Issue Article
Copyright
© Association for the Study of Nationalities 2019

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