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Experimental Visions of Modern Morocco: Expertise, Popularization, and Everyday Technologies in the Work of ʿAbd al-Salam al-Diyuri

Published online by Cambridge University Press:  17 November 2022

Daniel Williford*
Affiliation:
Department of History, University of Wisconsin–Madison, Madison, WI 53726, USA
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Abstract

This article examines the work and trajectory of ʿAbd al-Salam al-Diyuri, a Moroccan engineer educated in Egypt who became a nationalist writer, editor, and publisher during the last decade of the French Protectorate (1912–56). One of only a few Moroccan engineers trained in Arabic during this period, al-Diyuri developed a vision of modernization rooted in the popularization of technical knowledge that distinguished him from colonial engineers as well as nationalist elites. French experts exercised an epistemic dominance over the practice of engineering under the protectorate as well as after Morocco's independence. In this context, al-Diyuri's arguments traced the contours of an alternative future for the country—one that tied decolonization to the cultivation of technical competencies among the public at large. This article follows the path of a nationalist engineer and intellectual whose work both embodied and attempted to move beyond a contradiction between the democratization of knowledge and the demands of development.

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Article
Creative Commons
Creative Common License - CCCreative Common License - BY
This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution and reproduction, provided the original article is properly cited.
Copyright
Copyright © The Author(s), 2022. Published by Cambridge University Press
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Figure 1. Al-Diyuri's passport photo at the time of his return to Morocco from Damascus. Attached to Serres, Ministre de France à Damas, to Ministre des Affaires Étrangères, 27 November 1947, 1MA/282/78, Ministère de l’Europe et des Affaires Étrangères, Centre des Archives Diplomatiques de Nantes.

Figure 1

Figure 2. “Surat al-Ghilaf,” cover photo, al-ʿUlum wa-l-Funun 2 (1951).