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Syntax as Sign: The use of ecological models within a semiotic approach to electroacoustic composition

Published online by Cambridge University Press:  06 July 2010

Adam Basanta
Adam Basanta*
Affiliation:
Simon Fraser University, 1957 Venables St, Vancouver, BC, V5L 2H9, Canada
*
E-mail: aba36@sfu.ca
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Abstract

This article examines the possibilities afforded by the use of ecological models in electroacoustic compositions within a semiotic framework for composition. The ecological model is defined and distinguished as a signifier which is recognised through its syntax, and is examined in relation to theoretical writings in the field of electroacoustic composition, as well as approaches adapted from ecological psychology. Several approaches to ecological models – most significantly, those explored by Keller and Barrett – are surveyed while focusing on both technical and conceptual approaches. Finally, the author suggests new compositional possibilities and modes of engagement using ecological models, specifically through the lens of a semiotic framework and relating to the hybridisation of signs afforded by manipulation of computer models – illustrated through the author’s recent compositional work.

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Type
Articles
Information
Organised Sound , Volume 15 , Issue 2: Organising electroacoustic music , August 2010 , pp. 125 - 132
Copyright
Copyright © Cambridge University Press 2010

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References

References

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Basanta sound files

Sound example 1: Poisson distributed synthetic drops.

Download Basanta sound files(Audio)
Audio 3.9 MB

Basanta sound files

Sound example 2: Transformation of drops to dinner table.

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Audio 4.9 MB

Basanta sound files

Sound example 3: Transformation of breaking glass in to an underwater stream.

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Audio 7.5 MB

Basanta sound files

Sound example 4: Transformation of breaking glass in to birdsong.

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Audio 3.1 MB

Basanta sound files

Sound example 5: Adam Basanta, Free/Association – (full piece, of which Sound examples 1 to 4 are excerpts)

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Audio 101.7 MB