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Spaces for Creativity in Mediterranean Archaeological Heritage Management

Published online by Cambridge University Press:  17 July 2020

Jaime Almansa-Sánchez*
Affiliation:
Incipit, CSIC (Institute of Heritage Sciences of the Spanish National Research Council), Avenida de Vigo s/n 15705, Santiago de Compostela, Spain
*
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Abstract

Public Archaeology in the Mediterranean Context (#pubarchMED) is a project that focuses on the management of archaeological heritage in the Mediterranean context from the perspective of public archaeology. Ranging from fully public models where preventive archaeology itself is a challenge to mixed models where the outsourcing of this work has been accomplished to a full extent, the variety of solutions is wide and with a common trend: struggle with mitigation and little space for creativity. This article will delve into the range of models that exist in the Mediterranean, exploring the way they approach, first of all, preventive/rescue archaeology, and then, the relationship between archaeology and society in the process. Building on the challenges of an underfunded scheme for an extremely archaeologically rich territory, different solutions have been set in practice—in some cases, under the auspices of competent administrations in the form of public policy—in the endeavor to include public archaeology in the practice, mostly encouraged by professionals as a personal or corporate initiative, and sometimes even consciously avoided. The discussion will offer some ideas for creative mitigation in the different scenarios, built on the comparative study and the broad possibilities to engage stakeholders positively in the process.

Arqueología Pública en el Contexto Mediterráneo (#pubarchMED) es un proyecto enfocado al estudio de la gestión del patrimonio arqueológico en el contexto mediterráneo desde la perspectiva de la arqueología pública. Desde modelos puramente públicos en los que la arqueología preventiva es un reto, a otros modelos mixtos en los que la subcontratación de los servicios es ya total, la variedad de soluciones es amplia, siempre con una tendencia común: dificultades para mitigar y poco espacio para la creatividad. Este trabajo profundizará en la variedad de modelos existentes en el Mediterráneo y cómo abordan, primero, la arqueología preventiva o de rescate y, después, la relación arqueología-sociedad en el proceso. Sobre los retos de un esquema mal financiado en un territorio extremadamente rico en patrimonio arqueológico, se han puesto en práctica diferentes soluciones, en algunos casos bajo el auspicio de la administración competente, en vías de incluir la arqueología pública en el proceso, pero en la práctica fomentado por la iniciativa privada de individuos u otras instituciones, o conscientemente evitado. La discusión ofrecerá algunas ideas para la mitigación creativa en los diferentes escenarios, a través del estudio comparativo y las innumerables posibilidades de involucrar de forma positiva a los diferentes actores que forman parte del proceso.

Information

Type
Articles
Creative Commons
Creative Common License - CCCreative Common License - BY
This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited.
Copyright
Copyright 2020 © Society for American Archaeology
Figure 0

FIGURE 1. Map of the Mediterranean Basin with the countries selected for the project. The focus countries are in green; those with no direct face with the Mediterranean Sea are in red; the others that are part of the study are in yellow.

Figure 1

FIGURE 2. Six examples of urban integration of archaeological remains: (a) a Phoenician necropolis in Tangiers, Morocco; (b) a Classical cemetery in the Metro of Athens, Greece; (c) a Roman gate in Turin, Italy; (d) an Ottoman gate in Belgrade, Serbia; (e) Roman remains in the center of Sofia, Bulgaria; (f) Roman remains in the center of Beirut, Lebanon. Photographs courtesy of the author.

Figure 2

FIGURE 3. Four examples of apparent abandonment of enhanced archaeological sites in urban contexts: (a) remains of walls with no interpretation in Cordoba, Spain; (b) graffiti in the Galerius Palace of Thessaloniki, Greece; (c) unguarded Doclea in Podgorica, Montenegro; (d) closed site in Küçükyali, Istanbul, Turkey. Photographs courtesy of the author.

Figure 3

FIGURE 4. The poetry of empty panels. Tombs of the Kings, Paphos, Cyprus. Photograph courtesy of the author.

Figure 4

FIGURE 5. When archaeology happens. Contrast: (a) fence during the works in the new Beirut History Museum, Lebanon; (b) notice before getting closer to the excavations in Nestor Palace, Greece. Photographs courtesy of the author.