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6 - The Show Must Go On(line)

Published online by Cambridge University Press:  11 June 2026

Rebecca Adler-Nissen
Affiliation:
University of Copenhagen
Kristin Anabel Eggeling
Affiliation:
Norwegian Institute of International Affairs

Summary

‘The Show Must Go On(line)’ explores how the Brussels Bubble adapted to the COVID-19 pandemic, transforming crisis into an opportunity to redefine the boundaries of EU governance. As the virus disrupted face-to-face diplomacy in early 2020, the European Union’s institutions faced an unprecedented test: could the ‘compromise machine’ function without its traditional rituals of physical presence? This chapter traces the rapid shift to virtual formats, revealing how digital tools became both lifelines and sources of friction. COREPER ambassadors, deemed essential, continued in-person meetings, consolidating their influence, while others navigated the challenges of online negotiations – from ‘death by PowerPoint’ to the loss of informal corridor chats. Through the experiences of diplomats, interpreters and civil servants, the chapter illuminates the emotional and professional toll of ‘synthetic situations’, where screens replaced handshakes and digital skills became diplomatic currency.

The pandemic exposed and reinforced hierarchies, as access to physical spaces signaled status and power. Yet, it also spurred innovation, with virtual pre-meetings and new protocols becoming permanent fixtures. By 2025, the Bubble had embraced a hybrid model, reserving in-person gatherings for sensitive negotiations and using digital platforms for routine coordination. Ultimately, the crisis demonstrated that while the EU’s show could go on(line), the tension between digital efficiency and the irreplaceable value of face-to-face interaction remains at the heart of Brussels’ diplomatic culture.

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