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THE BRONZE HOPLITE PANOPLY AND THE OTHISMOS IN THE EARLY PHALANX

Published online by Cambridge University Press:  16 September 2025

H. W. Lanphier*
Affiliation:
University of Virginia, USA
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Abstract

There is a long-standing controversy in Greek History about whether the othismos, or ‘push’, of the hoplite phalanx mentioned by classical authors was real or metaphorical. Experimental archaeology – structural and finite element analysis with both physical reconstructions and computer modelling (presented non-technically here) – suggests that the archaic Greek hoplite panoply of bell cuirass, Corinthian helmet, and large bowl-shaped shield (aspis), which seems at first to present contradictory design choices, in fact offered important mechanical advantages under compressive force; that cuirass, helmet, and shield were designed or evolved to work together to allow the Greek warrior to survive and fight in a pushing mass of men without being crushed or asphyxiated. The hoplite othismos was, then, real and was presumably practised from the earliest era to which this equipment can be dated, the late eighth century bc.

Information

Type
Research Article
Creative Commons
Creative Common License - CCCreative Common License - BY
This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (https://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution and reproduction, provided the original article is properly cited.
Copyright
© The Author(s), 2025. Published by Cambridge University Press on behalf of The Classical Association
Figure 0

Figure 1. Comparison of hollow (left: reconstruction; lack of wire not visible) and solid wire rims (right: drawing by D. Weiss after a surviving bell cuirass in the Metropolitan Museum of Art, L.2004.22.2).

Figure 1

Figure 2. Methods for securing the front and back plates of the bell cuirass from slipping: the left image (a) is from a thorax on display at the Metropolitan Museum of Art (1999.36.3.2), while the middle image (b) is of the Argos panoply, and the right image (c) is of a thorax on display at the British Museum (1856.1226.614) (drawings by D. Weiss; b and c after Connolly [n. 8], 55–6). Left (a): multiple hinges (further back) and (closer) an additional bronze panel securing the halves on top and bottom of the cuirass. Centre (b): tubular projection at the top to slot the two halves together. Right (c): redundant strap over hinge secured by a pin.

Figure 2

Figure 3. Greek bell cuirass: thorax in the Museo Arqueológico Nacional de España, Madrid. From the Axel Guttmann collection (Creative Commons).

Figure 3

Figure 4. Variable bronze thickness at different points of a Corinthian helmet found at Marathon, now in the Royal Ontario Museum (ROM no. 926.19.3). Drawing by D. Weiss after R. Mason, ‘Weapon Wednesday: The Nugent Marathon Corinthian Helmet’ (2014). https://www.rom.on.ca/en/blog/weapon-wednesday-the-nugent-marathon-corinthian-helmet Accessed 12.31.2023.

Figure 4

Figure 5. Reconstructions of the rolled rim edging: the thorax on the left had folded rims rather than rims rolled around a wire. When placed under pressure, deformation (left) occurred at a single weak point, rather than the rim flexing evenly, as did the rolled rim on the right.

Figure 5

Figure 6. Finite element analysis showing the distribution of stress within the thorax when squeezed between top left shoulder and bottom right edge.

Figure 6

Figure 7. Bracing the aspis for a controlled collision.

Figure 7

Figure 8. A 17lb aspis held in place by light pressure, without using the central porpax (arm band) or antilabe (handle).

Figure 8

Figure 9. Right arm mobility: the right arm remains free even when a shield is pressed directly under the arm.

Figure 9

Figure 10. The rugby scrum (Picture from Peter Griffin, CCO Public Domain).