Contents

pp 5-6

Introduction : Ephemeral Exhibition Spaces and the Dynamic of Historical Liminalities

pp 7-18

I - The Home

pp 19-20

1 - Panorama as Critical Restoration : Examining the Ephemeral Space of Viollet-le-Duc’s Study at La Vedette

pp 21-52

2 - An Ephemeral Museum of Decorative and Industrial Arts : Charle Albert’s Vlaams Huis

pp 53-76

3 - Expanding Interiors : Architectural Photographs of the Countess de Castiglione

pp 77-110

II - Bygone Nations and Empires under Construction: Political Imaginations

pp 111-112

4 - The Land that Never Was : Liminality of Existence and the Imaginary Spaces in the Archbishopric of Karlovci

pp 113-132

5 - The Theatre of Affectionate Hearts : Izabela Czartoryska’s Musée des Monuments Polonais in Puławy (1801–1831)

pp 133-160

6 - A Burning Mind, a Dream Space, a “Fantastic Exhibition”

pp 161-178

III - England and the British Empire: Civil Society, Civil Service, and Ephemeral Exhibition Spaces

pp 179-180

7 - An Ephemeral Display within an Ephemeral Museum : The East India Company Contribution to the Manchester Art Treasures Exhibition of 1857

pp 181-208

8 - Julia Margaret Cameron’s Railway Station Exhibition : A Private Gallery in the Public Sphere

pp 209-240

9 - Paper Monument : The Paradoxical Space in the English Paper Peepshow of the Thames Tunnel, 1825–1843

pp 241-270

Index

pp 271-275