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Clive Brown, Classical and Romantic Performing Practice, Second Edition (Oxford: Oxford University Press, 2025), xii + 1061 pp.

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Brown Clive, Classical and Romantic Performing Practice 1750–1900, First Edition (Oxford: Oxford University Press, 1999), xiii + 662 pp. – CORRIGENDUM

Published online by Cambridge University Press:  05 March 2026

Emlyn Stam
Emlyn Stam*
Affiliation:
Fontys University for the Arts, Netherlands
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Abstract

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Type
Corrigendum
Information
Nineteenth-Century Music Review , First View , pp. 1
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Creative Commons
Creative Common License - CCCreative Common License - BY
This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0), which permits unrestricted re-use, distribution and reproduction, provided the original article is properly cited.
Copyright
© The Author(s), 2026. Published by Cambridge University Press.

In the original publication of this Review Essay, the titles of the books concerned were incorrectly given as Classical and Romantic Performance Practice and Classical and Romantic Performance Practice 1750–1900. Instead, the titles should be Classical and Romantic Performing Practice and Classical and Romantic Performing Practice 1750–1900.

The title of the paper has been updated to reflect this, and wherever Performance Practice is written throughout the paper, this should be Performing Practice.

References

Emlyn, Stam, ‘Classical and Romantic Performing Practice 1750–1900’, Nineteenth-Century Music Review (2026): 1–9. https://doi.org/10.1017/S1479409825100967Google Scholar