In June 2018, the BBC broadcast a documentary called Japan's Secret Shame, a distressing tale of sexual violence toward women pegged to the experience of Ito Shiori. The documentary, by one of the world's most respected broadcasters, was the climax so far of Ito's struggle to win recognition and justice for rape victims in Japan, but it inadvertently served to highlight how little impact she has made in her home country.

Through an examination of Olympic-related art and the gendered, labored bodies that produce the Olympic spectacle, “Olympic Dissent: Art, Politics, and the Tokyo Games” reveals continuities in the political and artistic stakes of the Tokyo Olympic Games in 1964 and 2020.

Poetry can help build nations. It is doing so today in Timor-Leste (East Timor), where themes of resistance to foreign rule, Indigenous re-assertion, language and the shape of the new nation intertwine. One of the country's leading poets, Abé Barreto Soares, embodies the way these themes come together.

This paper examines the suffrage rights of mukosekisha: Japanese who are not listed in a household registration (koseki). It explains that Japanese who are not listed in a household registration do not enjoy the right to vote unless they are recorded in a resident record (jūmin hyō), which differs from the household registration. Moreover, a provision in the Public Offices Election Act enacted soon after World War II may prevent some Japanese who are not listed in a household registration from exercising their right to vote even if they are recorded in a resident record. This out-dated provision should be amended to allow the right to vote of Japanese who are not listed in a household registration but are recorded in a resident record.

Stories of kamikaze pilots thinking about their loved ones while flying their last mission, or of wrecked toys and their missing owners in Hiroshima, elicit an emotional response. This essay analyses and provides examples of war-themed fan-produced videos, defining their conservatism in relation to Japanese war history, and showing how it relates to the kandō experience of fan viewing practices.