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Mona Lisa is not smiling anymore: climate protests targeting artwork and their impact on public opinion

Published online by Cambridge University Press:  22 January 2026

Elisabetta Mannoni*
Affiliation:
Department of Social, Political and Cognitive Sciences, University of Siena, Siena, Italy

Abstract

Since May 2022, activists in many countries have been protesting, targeting artworks in famous museums and squares, capturing the attention of citizens, media, and authorities. This new wave of protests was not immune to criticism from bystanders, media, and public institutions. Some governments issued legislation to specifically sanction climate activists who target cultural heritage. Hence, the question arises as to how exposure to such protests affects citizens’ attitudes and behaviors toward the environment. To address that question, this study relies on two original datasets. First, a data collection of all instances of climate protests targeting artwork that occurred from May 2022 to August 2024. Second, an original pre-registered survey experiment (n ≈ 1,000), conducted in August–September 2024 in Italy, where the highest concentrations of such acts of protest were recorded. This paper examines whether exposure to climate protests targeting artwork negatively impacts public opinion levels of environmental concern, pro-environmental voting, and pro-environmental behavior. The results suggest that public opinion does not endorse climate protests targeting artwork, but exposure to them has no meaningful causal effect on their stances on environmental protection.

Information

Type
Research Article
Creative Commons
Creative Common License - CCCreative Common License - BY
This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0), which permits unrestricted re-use, distribution and reproduction, provided the original article is properly cited.
Copyright
© The Author(s), 2026. Published by Cambridge University Press on behalf of Società Italiana di Scienza Politica.
Figure 0

Figure 1. Number of art pseudo-vandalism events by country.

Source: own elaboration.Note: The count for Italy includes the event that occurred in the Vatican Museums, Vatican City. The dataset was compiled through Google News keyword searches (e.g. art vandalism, climate protest, and eco-activists) in both English and Italian, covering May 2022–June 2024 (no events were recorded in July and August). This was supplemented with manual searches of the social media and Telegram channels of activist groups affiliated with the A22 network, based on the assumption that groups tend to share their own protest actions to maximize visibility.
Figure 1

Figure 2. Number of art pseudo-vandalism events by month.

Source: own elaboration.
Figure 2

Figure 3. Causal processes leading from climate protests targeting artwork to backfire or polarization effects.

Figure 3

Table 1. Pre-registered hypotheses on the effect of climate protests targeting artwork on pro-environmental attitudes, intentions, and behavior

Figure 4

Table 2. Outcome variables

Figure 5

Figure 4. Coefficient plotting of treatment effects on each dependent variable. Error bars represent 95% confidence intervals.

Figure 6

Table 3. Regression results of tactic disapproval

Figure 7

Figure 5. Effect of treatment by ideological self-placement. The thin dashed grey line refers to the control group; the thick solid black line indicates the treatment group. Error bars represent 95% confidence intervals.

Note: All models are logistic, except for pro-environmental voting, which is OLS.
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