Book contents
- Pablo Neruda in Context
- Pablo Neruda in Context
- Copyright page
- Dedication
- Contents
- Figures
- Contributors
- Foreword
- Introduction
- Part I Residence and Travel
- Chapter 1 A lo lejos alguien canta
- Chapter 2 Pablo Neruda in Buenos Aires
- Chapter 3 Pablo Neruda’s España en el corazón and the Spanish Civil War
- Chapter 4 France in the Life and Poetry of Pablo Neruda
- Chapter 5 Of Commitments and Polemics
- Chapter 6 Departure and Return
- Part II Landmark Events and Relationships
- Part III Literary Influences and Poetic Evolution
- Part IV Other Genres
- Part V Politics, Race, and Ecocriticism
- Part VI Worldwide Influence, Reception, and Legacy
- Works Cited
- Index
Chapter 3 - Pablo Neruda’s España en el corazón and the Spanish Civil War
from Part I - Residence and Travel
Published online by Cambridge University Press: 27 February 2026
Edited by
Book contents
- Pablo Neruda in Context
- Pablo Neruda in Context
- Copyright page
- Dedication
- Contents
- Figures
- Contributors
- Foreword
- Introduction
- Part I Residence and Travel
- Chapter 1 A lo lejos alguien canta
- Chapter 2 Pablo Neruda in Buenos Aires
- Chapter 3 Pablo Neruda’s España en el corazón and the Spanish Civil War
- Chapter 4 France in the Life and Poetry of Pablo Neruda
- Chapter 5 Of Commitments and Polemics
- Chapter 6 Departure and Return
- Part II Landmark Events and Relationships
- Part III Literary Influences and Poetic Evolution
- Part IV Other Genres
- Part V Politics, Race, and Ecocriticism
- Part VI Worldwide Influence, Reception, and Legacy
- Works Cited
- Index
Summary
In 1934, Pablo Neruda arrived in Barcelona as a Chilean diplomat, and in February 1935, he became the Chilean consul in Madrid. Living in Spain during the Second Republic and the Spanish Civil War marked a turning point in Neruda’s poetry. The Spanish Civil War provoked a historical awakening in Neruda’s poetics – as exemplified in España en el corazón – that paved the way to his ambitious poetic project of Canto general, as he aimed to historicize and politicize his portrayal of Latin American ruins. This essay on how the Spanish Civil War marks Neruda’s poetics examines how the use of the apostrophe throughout España en el corazón reveals the dialogic nature of his poetic project, which intends both to speak to a Republican Spain, with its dead soldiers and poets, and to defy the fascist leaders of the war.
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- Pablo Neruda in Context , pp. 48 - 55Publisher: Cambridge University PressPrint publication year: 2026
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