Rogers’s remarkable book manages to be both deep and broad, both provocative and persuasive; it attends with equal care to the burdens of historical reflection and of theoretical investigation. I’ve learned a great deal from the text, and expect to keep learning as I return to it over time. One admirable feature is the ease with which it explores particularism while resisting parochialism. Rogers examines a distinctively black tradition of political theorizing, a tradition that Eddie Glaude calls “Black democratic perfectionism”1 and that in Rogers’s account includes Baldwin, Du Bois, and Wells. Rogers neither gives the tradition the name that Glaude assigns it nor shows much interest in naming it at all, apart from a stray reference or two to “Black perfectionism.” This bears further study. He identifies the tradition as a distinct enterprise while noting that it was not hermetically sealed off from the wider discursive world. Perfectionists also contributed to other traditions that one might, in the right mood, call “mainstream,” and that include Thomas Jefferson, Walt Whitman, and Sidney Hook. Rogers reminds readers that the perfectionists were in conversation with racial liberals and classical rhetoricians and theorists of democracy and assorted others, and that deepening these conversations is essential both to realizing whatever potential the mainstream views still have, and to understanding the content and value of the black perfectionist intervention.