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Who Is (Not) a Servant, Anyway? Domestic servants and service in early colonial India*

Published online by Cambridge University Press:  27 March 2020

NITIN SINHA*
Affiliation:
Leibniz-Zentrum Moderner Orient (Centre for Modern Oriental Studies), Berlin Email: nitin.sinha@zmo.de
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Abstract

The article deals with one of the under-researched themes of Indian history, which is the history of domestic servants. Thinking about servants raises two fundamental questions: who were they and what did domestic service mean? The identities of a servant as a contract wage earner or a person either belonging as a member or tied to the family through fictive/constructed claims of kinship were not mutually exclusive. Servants' identity existed in a continuum running from ‘free’ waged coolie on the one hand to ‘unfree’ slave on the other. The article traces the history of domestic servants along two axes: the slave–servant continuum, but, more importantly, the coolie–servant conundrum, which is a lesser-explored field in South Asian labour history or burgeoning scholarship on domesticity and household. Charting through the dense history of terminologies, the space of the city, and legal frameworks adopted by the Company state to regulate servants, it also underscores the difficulties of researching on a subaltern group that is so ubiquitous yet so fragmented in the archives. In order to reconstruct servants' pasts, we need to shake up our own fields of history writing—urban, labour, gender, and social—to discover servants’ traces wherever they are found. From serving as witnesses in courtrooms to becoming the subject of a city's foundational anecdote, their presence was spread across straw huts, streets, and maidans. Their work, defined through ‘private hire’, was the product of a historical process in which a series of regulations helped to intimatize the master-servant relationship.

Information

Type
Research Article
Creative Commons
Creative Common License - CCCreative Common License - BY
This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited.
Copyright
Copyright © The Author(s) 2020
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Figure 1. A moonshee. © British Library Board, Add. Or. 765–812.

Figure 1

Figure 2. A cranee or native English writer. © British Library Board, Add. Or. 765–812.

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Figure 3. A monshee (Persian reader). © British Library Board, Hindostanee Drawings, Add. Or. 121–170, no. 14.

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Figure 4. Paniharin. © British Library Board, Add. Or. 2674–2473.

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Figure 5. Milkwoman. In fact, in the same album, a man is also depicted churning butter; the image is entitled ‘Butter man’. © British Library Board, Add. Or. 2674–2473.

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Figure 6. Malin (female gardener/gardener's wife). © British Library Board, Wellesley Album, Add. Or. 1098–1235.

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Figure 7. Mehtaranee. © British Library Board, Wellesley Album, Add. Or. 1098–1235.

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Figure 8. ‘Confectioners Shop’, showing a man on the left side preparing sweetmeats and probably his wife selling products. A milkwoman is sitting on the right. © British Library Board, Wellesley Album, Add. Or. 1098–1235.

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Figure 9. Washerman and his wife. The painting is from the slightly later date of 1880, by Bani Lal. © British Library Board, Add. Or. 4006.

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Figure 10. ‘A Bengal Sirkar.’ © British Library Board, Charles D'Oyly, P 2481, p. 90.

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Figure 11. ‘Old Court House and Writers Building.’ © British Library Board, Thomas Daniell, http://www.bl.uk/onlinegallery/onlineex/apac/other/largeimage65495.html

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Figure 12. ‘Our Burra Khana’ (the dining room). Source: George F. Atkinson, Curry and Rice (on Forty Plates): The Ingredients of Social Life ‘Our’ Station in India, first published in 1860, fifth edition (London: W. Thacker & Co., 1911), no. 23.