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The Gespenst of Postcolonial Theory

Published online by Cambridge University Press:  01 June 2023

Anne Berg*
Affiliation:
University of Pennsylvania
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Extract

“What is going on in Germany?” asked Natalie Zemon Davis after Munich suspended the acclaimed play Vögel (Birds) by Wajdi Mouawad in November 2022. Davis, a renowned historian, had been deeply involved in the play's conception and production only to see it pulled for alleged antisemitism and Holocaust relativization.1 This was not an isolated example.2

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Type
Discussion Forum: Holocaust Memory and Postcolonialism: Transatlantic Perspectives on the Debate
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Creative Common License - CCCreative Common License - BYCreative Common License - NCCreative Common License - ND
This is an Open Access article, distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives licence (https://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is unaltered and is properly cited. The written permission of Cambridge University Press must be obtained for commercial re-use or in order to create a derivative work.
Copyright
Copyright © The Author(s), 2023. Published by Cambridge University Press on behalf of Central European History Society of the American Historical Association