BOOKS AND SECONDARY ARTICLESAbbiati, Franco, Giuseppe Verdi, 2nd edn., 4 vols. (Milan: Ricordi, 1963).
Adami, Giuseppe, Puccini, 2nd edn. (Milan: Fratelli Treves, 1938).
Adami, Giuseppe, Il romanzo della vita di Giacomo Puccini (Milan and Rome: Rizzoli, 1942).
Adami, Giuseppe (ed.), Letters of Giacomo Puccini, trans. Ena Makin (New York: Vienna House 1973).
Adamson, Walter L., Avant-Garde Florence: From Modernism to Fascism (Cambridge, MA, and London: Harvard University Press, 1993).
Adorno, Theodor and Eisler, Hans, Composing for the Films (London: Oxford University Press, 1947).
Affron, Matthew and Antliff, Mark (eds.), Fascist Visions: Art and Ideology in France and Italy (Princeton, NJ: Princeton University Press, 1997).
Alberti, Annibale, Verdi intimo: carteggio di Giuseppe Verdi con il Conte Opprandino Arrivabene (1861–1886) (Verona: Mondadori, 1931).
Alloway, Lawrence, The Venice Biennale, 1895–1968: From Salon to Goldfish Bowl (London: Faber, 1969).
Anderson, Benedict, Imagined Communities: Reflections on the Origin and Spread of Nationalism (London: Verso, 1983).
Antolini, Bianca Maria (ed.), Milano musicale: 1861–1897, Quaderni del Corso di Musicologia del Conservatorio ‘G. Verdi’ di Milano (Lucca and Milan: Libreria Musicale Italiana, 1999).
Antonini, Giacomo, Il teatro contemporaneo in Italia (Milan: Corbaccio, 1927).
Arblaster, Anthony, Viva la libertà! Politics in Opera (New York: Verso, 1992).
Ashbrook, William and Powers, Harold, Puccini's Turandot: The End of the Great Tradition (Princeton, NJ: Princeton University Press, 1991).
Athanassoglou-Kallmyer, Nina Maria, Cézanne and Provence: The Painter in His Culture (Chicago, IL, and London: University of Chicago Press, 2003).
Austin, William W., Music in the 20th Century: From Debussy through Stravinsky (London: Dent, 1966).
Babini, Valeria P., Muniz, Fernanda and Tagliavini, Annamaria, La donna delle scienze dell'uomo: immagini del femminile nella cultura scientifica italiana di fine secolo (Milan: Franco Angeli, 1989).
Pratella, Balilla F., Musica italiana: per una cultura della sensibilità musicale italiana (Bologna: Francesco Bongiovanni Editore, 1915).
Pratella, Balilla F., Evoluzione della musica dal 1910 al 1917, 2 vols. (Milan: Istituto Editoriale Italiano, 1918).
Banfield, Stephen, ‘Music, Text, and Stage: Bourgeois Tonality to the Second World War’, in Cook, Nicholas and Pople, Anthony (eds.), The Cambridge History of Twentieth-Century Music (Cambridge: Cambridge University Press, 2004, pp. 90–122).
Barrows, Susanna, Distorting Mirrors: Visions of the Crowd in Late Nineteenth-Century France (New Haven, CT, and London: Yale University Press, 1981).
Barthes, Roland, Mythologies, trans. Annette Lavers (London: Vintage, 1993).
Battersby, Christine, Gender and Genius: Towards a Feminist Aesthetics (London: The Women's Press, 1989).
Beaumont, Antony, Busoni the Composer (London and Boston, MA: Faber and Faber, 1985).
Beaumont, Antony (ed.), Ferruccio Busoni: Selected Letters (London and Boston, MA: Faber and Faber, 1987).
Berger, Klaus, Japonisme in Western Painting from Whistler to Matisse (Cambridge: Cambridge University Press, 1992).
Berghaus, Günther (ed.), Fascism and Theatre: Comparative Studies on the Aesthetics and Politics of Performance in Europe, 1925–1945 (Providence, RI, and Oxford: Berghahn Books, 1996).
Bernheimer, Charles, Figures of Ill Repute: Representing Prostitution in Nineteenth-Century France (Cambridge, MA, and London: Harvard University Press, 1989).
Berrong, Richard M. (ed.), The Politics of Opera in Turn-of-the-Century Italy, As Seen through the Letters of Alfredo Catalani (Lewiston, Queenston and Lampeter: The Edwin Mellen Press, 1992).
Biagi Ravenni, Gabriella, and Gianturco, Carolyn (eds.), Giacomo Puccini: l'uomo, il musicista, il panorama europeo. Atti del convegno internazionale di studi su Giacomo Puccini nel 70° anniversario della morte (Lucca, 25–29 novembre 1994) (Lucca: Libreria Musicale Italiana, 1997).
Bianchi, Renzo, Giacomo Puccini, La bohème: guida attraverso il dramma e la musica (Milan: Presso Bottega di Poesia, 1923).
Bonaventura, Arnaldo, Giacomo Puccini: l'uomo – l'artista (Livorno: Raffaello Giusti, 1925).
Bossaglia, Rossana, Godoli, Ezio and Rosci, Marco (eds.), Torino 1902: le arti decorativi internazionali del nuovo secolo (Milan: Fabbri Editori, 1994).
Bosworth, R. J. B, Italy and the Wider World, 1860–1960 (London and New York: Routledge, 1996).
Bourget, Paul, Essais de psychologie contemporaine (Paris: Lemerre, 1883).
Brand, Peter and Pertile, Lino (eds.), The Cambridge History of Italian Literature (Cambridge: Cambridge University Press, 1996).
Briganti, Alessandra, Intellettuali e cultura tra ottocento e novecento: nascita e storia della terza pagina (Padua: Liviana, 1972).
Budden, Julian, Puccini: His Life and Works (Oxford: Oxford University Press, 2002).
Campana, Alessandra, review of Girardi, Michele, Puccini: His International Art, Cambridge Opera Journal 12/3 (2001), 261–6.
Capra, Marco, ‘Bohème nei giudizi della stampa periodica’, in La Bohème house programme, Teatro Regio, Città di Parma, stagione lirica 1988–1989.
Capri, Antonio, Musica e musicisti d'Europa dal 1800 al 1930 (Milan: Hoepli, 1931).
Carner, Mosco, Giacomo Puccini: Tosca (Cambridge: Cambridge University Press, 1985).
Carner, Mosco, Puccini: A Critical Biography, 3rd edn. (London: Duckworth, 1992).
Carter, Tim, Monteverdi's Musical Theatre (New Haven, CT, and London: Yale University Press, 2002).
Castronovo, Valerio, La stampa italiana dall'unità al fascismo (Bari: Laterza, 1970).
Castronovo, Valerio and Luciana Giacheri, Fossati, Storia della stampa italiana, 6 vols. (Rome and Bari: Laterza, 1979), Vol. III, La stampa italiana nell'età liberale, ed. Valeria Castronovo and Nicola Tranfaglia.
Cesari, Gaetano and Luzio, Alessandro (eds.), I copialettere di Giuseppe Verdi (Bologna: Forni, 1968).
Chamberlain, Lesley (ed.), Marinetti: The Futurist Cookbook, trans. Suzanne Brill (London: Trefoil Publications, 1989).
Citron, Marcia J., Gender and the Musical Canon (Cambridge: Cambridge University Press, 1993).
Colls, Robert and Dodd, Philip (eds.), Englishness: Politics and Culture, 1880–1920 (London, Sydney and Dover, NH: Croom Helm, 1986).
Colombo, Giorgio, La scienza infelice: Il museo di antropologia criminale di Cesare Lombroso, 2nd edn. (Turin: Editore Boringhieri, 2000).
Cook, Nicholas and Pople, Anthony (eds.), The Cambridge History of Twentieth-Century Music (Cambridge: Cambridge University Press, 2004).
Criscione, Caterina, Luigi Torchi: un musicologo tra otto e novecento (Imola: Editrice La Mandragora, 1997).
Croce, Benedetto, The Aesthetic As the Science of Expression, trans. Colin Lyas (Cambridge: Cambridge University Press, 1992).
Cubitt, Geoffrey, Imagining Nations (Manchester and New York: Manchester University Press, 1998).
Cubitt, Geoffrey and Warren, Allen (eds.), Heroic Reputations and Exemplary Lives (Manchester and New York: Manchester University Press, 2000).
Cunsolo, Ronald S., ‘Italian Nationalism in Historical Perspective’, History of European Ideas 16/4–6 (1993), 759–66.
Dall'Olio, Cesare, La musica e la civiltà: pensieri di una musicista (Bologna: Tipografia di G. Cenerelli, 1897).
Davis, John A. (ed.), Italy in the Nineteenth Century (Oxford: Oxford University Press, 2000).
De-Bernardis, Lazzaro Maria, La leggenda di Turandot: note di storia letteraria (Genova: Marsano, 1932).
Giorgio, Michela, Le italiane dall'unità a oggi, 2nd edn. (Rome and Bari: Laterza, 1993).
Grazia, Victoria, How Fascism Ruled Women: Italy, 1922–1945 (Berkeley, Los Angeles, CA, and London: University of California Press, 1992).
Del Fiorentino, Dante, Immortal Bohemian: An Intimate Memoir of Giacomo Puccini (London: Victor Gollancz, 1952).
Della Corte, Andrea, La critica musicale e i critici (Turin: Unione Tipografico-Editrice Torinese, 1961).
Della Seta, Fabrizio, ‘Some Difficulties in the Historiography of Italian Opera’, Cambridge Opera Journal 10/1 (March 1998), 3–13.
Paoli, Domenico, La crisi musicale italiana (1900–1930) (Milan: Hoepli, 1939).
Van, Gilles, Verdi's Theater: Creating Drama through Music (Chicago, IL, and London: University of Chicago Press, 1998).
Di Francia, Letterio, La leggenda di Turandot nella novellistica e nel teatro (Trieste: CELVI, 1932).
Dijkstra, Bram, Idols of Perversity: Fantasies of Feminine Evil in Fin-de-Siècle Culture (New York and Oxford: Oxford University Press, 1986).
Di San Martino, Enrico, Saggio critico sopra alcune cause di decadenza nella musica italiana alla fine del secolo XIX (Rome: Tipografia della Pace di Filippo Cuggiani, 1897).
Dottin-Orsini, Mireille, Cette Femme qu'ils disent fatale (Paris: Bernard Grasset, 1993).
Drake, Richard, Byzantium for Rome: The Politics of Nostalgia in Umbertian Italy, 1878–1900 (Chapel Hill, NC: University of North Carolina Press, 1980).
Drake, Richard, ‘Decadence, Decadentism and Decadent Romanticism in Italy: Towards a Theory of Décadence’, Journal of Contemporary History 17 (1982), 69–92.
Dry, Wakeling, Giacomo Puccini (London and New York: John Lane, 1906).
Duggan, Christopher, Francesco Crispi 1818–1901: From Nation to Nationalism (Oxford: Oxford University Press, 2002).
Ellis, Katharine, Music Criticism in Nineteenth-Century France: La Revue et Gazette Musicale de Paris, 1834–1880 (Cambridge: Cambridge University Press, 1995).
Ewen, David (ed.), The World of Twentieth-Century Music, 2nd edn., rev. Stephen J. Pettitt (London: Robert Hale, 1991).
Fairtile, Linda B., ‘Giacomo Puccini's Operatic Revisions As Manifestations of His Compositional Priorities’, unpublished PhD thesis, New York University (1996).
Fairtile, Linda B., Giacomo Puccini: A Guide to Research (New York and London: Garland, 1999).
Falasca-Zamponi, Simonetta, Fascist Spectacle: The Aesthetics of Power in Mussolini's Italy (Berkeley, Los Angeles, CA, and London: University of California Press, 1997).
Ferraro, Giuseppe and Pugliese, Annunziato (eds.), Fausto Torrefranca: l'uomo, il suo tempo, la sua opera. Atti del convegno internazionale di studi Vibo Valentia, 15–17 dicembre 1983 (Vibo Valentia: Istituto di Bibliografia Musicale Calabrese, 1993).
Filippi, Filippo, Musica e musicisti (Milan: Brigola, 1876).
Fink, Robert, ‘Going Flat: Post-Hierarchical Music Theory and the Musical Surface’, in Cook, Nicholas and Everist, Mark (eds.), Rethinking Music (Oxford and New York: Oxford University Press, 1999), 102–37.
Flint, Kate, ‘Blood and Milk: Painting and the State in Late Nineteenth-Century Italy’, in Adler, Kathleen and Pointon, Marcia (eds.), The Body Imaged: The Human Form and Visual Culture (Cambridge: Cambridge University Press, 1993), pp. 109–23.
Forgacs, David (ed.), Rethinking Italian Fascism: Capitalism, Populism and Culture (London: Lawrence and Wishart, 1986).
Forsyth, Cecil, Music and Nationalism: A Study of English Opera (London: Macmillan, 1911).
Fraccaroli, Arnaldo, Giacomo Puccini si confida e racconta (Milan: Ricordi, 1957).
Fratini, Francesca R. (ed.), Torino 1902: polemiche in Italia sull'Arte Nuova (Turin: Martano, 1970).
Fulcher, Jane F., French Cultural Politics and Music: From the Dreyfus Affair to the First World War (New York and Oxford: Oxford University Press, 1999).
Gara, Eugenio (ed.), Carteggi Pucciniani (Milan: Ricordi, 1958).
Garb, Tamar, Bodies of Modernity: Figure and Flesh in Fin-de-Siècle France (London: Thames and Hudson, 1998).
Gentile, Emilio, ‘The Conquest of Modernity: From Modernist Nationalism to Fascism’, trans. Lawrence Rainey, in Modernism/Modernity 1/3 (September 1994), 55–87.
Gentile, Emilio, La Grande Italia: ascesa e declino del mito della nazione nel ventesimo secolo (Milan: Mondadori, 1997).
Gilman, Sander L., Difference and Pathology: Stereotypes of Sexuality, Race, and Madness (Ithaca, NY, and London: Cornell University Press, 1985).
Girardi, Michele, Puccini: His International Art, trans. Laura Basini (Chicago, IL, and London: University of Chicago Press, 2000).
Gordon, Rae Beth, Ornament, Fantasy, and Desire in Nineteenth-Century French Literature (Princeton, NJ: Princeton University Press, 1992).
Greenwald, Helen, ‘Verdi's Patriarch and Puccini's Matriarch: “Through the Looking-Glass and What Puccini Found There” ’, Nineteenth-Century Music 17/3 (Spring 1994), 220–36.
Greenwald, Helen, ‘Picturing Cio-Cio-San: House, Screen, and Ceremony in Puccini's Madama Butterfly’, Cambridge Opera Journal 12/3 (November 2000), 237–59.
Griffin, Roger (ed.), Fascism (Oxford and New York: Oxford University Press, 1995).
Groos, Arthur and Parker, Roger (eds.), Giacomo Puccini: La bohème (Cambridge: Cambridge University Press, 1986).
Groos, Arthur, ‘Cio-Cio-San and Sadayakko: Japanese Music-Theatre in Madama Butterfly’, Monumenta Nipponica 54/1 (Spring 1999), 41–73.
Groos, Arthur (ed.), Madama Butterfly. Fonti e documenti della genesi (Lucca: Centro Studi Giacomo Puccini, 2005).
Grout, Donald J., A Short History of Opera (London: Oxford University Press, 1947).
Guarnieri Corazzol, Adriana, Tristano, mio Tristano: gli scrittori italiani e il caso Wagner (Bologna: Il Mulino, 1988).
Gui, Vittorio, Battute d'aspetto: meditazioni di un musicista militante (Florence: Monsalvato, 1944).
Guiot, Lorenza and Maehder, Jürgen (eds.), Nazionalismo e cosmopolitismo nell'opera fra '800 e '900: Atti del 3° convegno internazionale ‘Ruggero Leoncavallo nel suo tempo’, Locarno, Biblioteca Cantonale, 6–7 October 1995 (Milan: Casa Musicale Sonzogno di Piero Ostali, 1998).
Gunzberg, Lynn M., Strangers at Home: Jews in the Italian Literary Imagination (Berkeley, Los Angeles, CA, and Oxford: University of California Press, 1992).
Harris, Smith, Valeria, Susan, Masks in Modern Drama (Berkeley, Los Angeles, CA, and London: University of California Press, 1984).
Harrowitz, Nancy A., Antisemitism, Misogyny, and the Logic of Cultural Difference: Cesare Lombroso and Matilde Serao (Lincoln, NE, and London: University of Nebraska Press, 1994).
Haskell, Francis, The Ephemeral Museum: Old Master Paintings and the Rise of the Art Exhibition (New Haven, CT, and London: Yale University Press, 2000).
Hepokoski, James A., Giuseppe Verdi: Falstaff (Cambridge: Cambridge University Press, 1983).
Hepokoski, James A., Giuseppe Verdi: Otello (Cambridge: Cambridge University Press, 1987).
House, Jane and Attisani, Antonio (eds.), Twentieth-Century Italian Drama: An Anthology. The First Fifty Years (New York: Columbia University Press, 1995).
Huebner, Steven, French Opera at the Fin de Siècle: Wagnerism, Nationalism and Style (Oxford: Oxford University Press, 1999).
Hughes, Meirion and Stradling, Robert, The English Musical Renaissance 1860–1940: Constructing a National Music, 2nd edn. (Manchester and New York: Manchester University Press, 2001).
Huysmans, Joris-Karl, Against Nature (A rebours), trans. Margaret Mauldon (Oxford and New York: Oxford University Press, 1998).
Illiano, Roberto (ed.), Italian Music during the Fascist Period (Turnhout: Brepols, 2004).
Kallberg, Jeffrey, Chopin at the Boundaries: Sex, History, and Musical Genre (Cambridge, MA, and London: Harvard University Press, 1996).
Kerman, Joseph, Opera As Drama, new and revised edn. (London and Boston, MA: Faber and Faber, 1989).
Kimbell, David, Italian Opera (Cambridge: Cambridge University Press, 1991).
Kramer, Lawrence, Franz Schubert: Sexuality, Subjectivity, Song (Cambridge: Cambridge University Press, 1998).
Kris, Ernst and Kurz, Oto, Legend, Myth, and Magic in the Image of the Artist (New Haven, CT, and London: Yale University Press, 1979).
Leopardi, Giacomo, Discorso sopra lo stato presente dei costumi degl'italiani, ed. Moncagatta, Maurizio (Milan: Feltrinelli, 1991).
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Lombroso, Cesare and Ferrero, Guglielmo, La donna delinquente (Turin and Rome: L. Roux, 1893).
Lombroso, Cesare and Ferrero, Guglielmo, The Female Offender (London: T. Fisher Unwin, 1895).
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Lualdi, Adriano, Serate musicali (Milan: Treves, 1928).
Lualdi, Adriano, ‘Giacomo Puccini, i suoi detrattori e l'opera nazionale del ’900', estratto dal volume V di Piazza delle Belle Arti, Rassegna 1957–1958 dell'Accademia Nazionale Luigi Cherubini.
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Mack Smith, Denis, ‘Documentary Falsification and Italian Biography’, in Blanning, T. C. W. and Cannadine, David (eds.), History and Biography: Essays in Honour of Derek Beales (Cambridge: Cambridge University Press, 1996), pp. 173–87.
Maiocchi, Roberto, Scienza italiana e razzismo fascista (Florence: La Nuova Italia Editrice, 1999).
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Nicolodi, Fiamma, ‘Parigi e l'opera verista: dibattiti, riflessioni, polemiche’, Nuova rivista musicale italiana 15/4 (October–December 1981), 577–623.
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Nicolodi, Fiamma, ‘Il teatro lirico e il suo pubblico’ in Simonetta, Soldani and Gabriele, Turi (eds.), Fare gli italiani: scuola e cultura nell'Italia contemporanea, I, La nascita dello Stato nazionale (Bologna, Il Mulino, 1993).
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Ostali, Piero and Ostali, Nandi (eds.), Cavalleria rusticana 1890–1990: cento anni di un capolavoro (Milan: Sonzogno, 1990).
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Parker, Roger ‘ “Classical” Music in Milan during Verdi's Formative Years’, Studi musicali 13/2 (1984), 259–73.
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Parker, Roger, ‘Arpa d'or dei fatidici vati’: The Verdian Patriotic Chorus in the 1840s (Parma: Istituto Nazionale di Studi Verdiani, 1997).
Parker, Roger, Gianni Schicchi house programme essay, Glyndebourne Festival Opera (2004).
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Phillips-Matz, Mary-Jane, Puccini: A Biography (Boston, MA: Northeastern University Press, 2002)
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Rosselli, John, Music and Musicians in Nineteenth-Century Italy (London: Batsford, 1991).
Rosselli, John, Singers of Italian Opera: The History of a Profession (Cambridge: Cambridge University Press, 1992).
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Sartori, Claudio (ed.), Casa Ricordi: 1908–1958 (Milan: Ricordi, 1958).
Sartori, Claudio (ed.), Giacomo Puccini (Milan: Ricordi, 1959).
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Schor, Naomi, Reading in Detail: Aesthetics and the Feminine (New York and London: Methuen, 1987).
Schumacher, Claude (ed.), Naturalism and Symbolism in European Theatre, 1850–1918 (Cambridge: Cambridge University Press, 1996).
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Sheppard, W. Anthony, Revealing Masks: Exotic Influences and Ritualised Performance in Modernist Music Theater (Berkeley, Los Angeles, CA, and London: University of California Press, 2001).
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