Adelman, Janet, The Common Liar (New Haven and London: Yale University Press, 1973).
Alpers, Paul, What Is Pastoral? (Chicago and London: University of Chicago Press, 1996).
Althusser, Louis, “Ideological State Apparatuses”, in Reading Capital, edited by Brewster, Ben (London: New Left Books, 1970).
Amussen, Susan Dyer, An Ordered Society: Gender and Class in Early Modern Society (New York: Columbia University Press, 1988).
,Anonymous, The Taming of a Shrew, facsimile by C. Praetorius (London, 1886).
Ariès, Phillippe and Duby, Georges, A History of Private Life, Volume II, Revelations of the Medieval World, translated by Arthur Goldhammer (Cambridge: Belknap, 1988).
Austin, J. L., How to Do Things with Words (Oxford: Oxford University Press, 1975).
Austin, William, Haec Homo. Wherein the Excellency of the Creation of Woman is Described. By Way of an Essay (London, 1637).
Bacon, Francis, “Of Love”, in Essays, Civil and Moral and The New Atlantis, edited by Charles, W. Eliot (New York: P. F. Collier and Son, 1937), pp. 26–7.
Barish, John, and Waingrow,, Marshal “‘Service’ in King Lear”, Shakespeare Quarterly 9 (1958), 347–55.
Barker, Francis, and Peter Hulme, “Nymphs and Reapers Heavily Vanish: The Discursive Con-Texts of The Tempest”, in Alternative Shakespeares, edited by Drakakis, John (London: Methuen, 1985), pp. 191–205.
Barry, Jonathan and Brooks, Christopher, The Middling Sort of People: Culture, Society and Politics in England, 1550–1800 (London: Macmillan, 1994).
Beier, A. L., Masterless Men: The Vagrancy Problem in England 1560–1640 (London: Methuen, 1985).
Belsey, Catherine, “Love in Venice”, in Shakespeare and Gender, edited by Barker, Deborah and Kamps, Ivo (London and New York: Verso, 1995), pp. 196–213.
Belsey, Catherine, Desire: Love Stories in Western Culture (Oxford: Blackwell, 1994).
Berger, Harry Jr., Making Trifles of Terrors: Redistributing Complicities in Shakespeare (Stanford: Stanford University Press, 1997).
Bernard, John, and McKenzie, D. F. (eds.), The Cambridge History of the Book in Britain, Volume IV: 1557–1695 (Cambridge: Cambridge University Press, 2002).
Bishop, T. G., Shakespeare and the Theatre of Wonder (Cambridge: Cambridge University Press, 1996).
Bloom, Alan, Shakespeare on Love and Friendship (Chicago: University of Chicago Press, 2000).
Brathwait, Richard, The English Gentleman (London, 1630).
Bristol, Michael, Carnival and Theater: Plebeian Culture and the Structure of Authority in Renaissance England (London and New York: Methuen, 1985).
Michael, D. Bristol, “In Search of the Bear: Spatiotemporal Form and the Heterogeneity of Economies in The Winter's Tale,” Shakespeare Quarterly 42 (1991), 145–67.
Brown, J. R., Shakespeare and His Comedies (London: Methuen, 1957).
Brown, Paul, “‘This Thing of Darkness I Acknowledge Mine’: The Tempest and the Discourse of Colonialism”, in Political Shakespeare: Essays in Cultural Materialism, 2nd ed., edited by Dollimore, Jonathan and Sinfield, Alan (Ithaca and London: Cornell University Press, 1994), pp. 48–71.
Burnett, Mark Thornton, “‘The Trusty Servant’: A Sixteenth-Century English Emblem”, Emblematica 6 (1992), 237–54.
Burnett, Mark Thornton, Masters and Servants in English Renaissance Drama and Culture (Basingstoke and New York: Palgrave Macmillan, 1997).
Burnett, Mark Thornton, Constructing ‘Monsters’ in Shakespearean Drama and Early Modern Culture (Basingstoke: Palgrave, 2002).
Burnett, Mark Thornton, “King Lear, Service and the Deconstruction of Protestant Idealism”, in International Shakespeare Yearbook 5, edited by Bradshaw, Greham and Bishop, Tom (Aldershot: Ashgate, 2005), pp. 66–85.
Callaghan, Dympna, “The Ideology of Romantic Love: The Case of Romeo and Juliet”, in The Weyward Sisters: Shakespeare and Feminist Politics, edited by Callaghan, Dympna, Helms, Loraine and Singh, Jyotsna (Oxford: Blackwell, 1994), pp. 59–101.
Cavell, Stanley, Disowning Knowledge in Seven Plays by Shakespeare, updated ed. (Cambridge: Cambridge University Press, 2003).
Charney, Maurice, Shakespeare on Love and Lust (New York: Columbia University Press, 2001).
Chartier, Roger (ed.), A History of Private Life, Volume III, Passions of the Renaissance, translated by Arthur Goldhammer (Cambridge: Belknap, 2003).
Coefetteau, Nicholas, A Table of the Passions. With Their Causes and Effects, translated by Edward Grimerton (London, 1621).
Cognatus, Gilbertus, Of the Office of Servavnts, translated by Thomas Chaloner (London, 1534).
Coleridge, S. T.Coleridge's Shakespearean Criticism, 2 Vols., edited by Raysor, T. M. (1930).
Cook, Carol, “‘The Sign and Semblance of Her Honour’: Reading Gender Difference in Much Ado”, PMLA 101 (1986), 186–202.
Danby, John, Elizabethan and Jacobean Poets (London: Faber and Faber, 1952).
Darrell, Walter, A Short Discourse of the Life of Servingmen (London, 1578).
Davis, Lloyd, “Desire and Presence in Romeo and Juliet”, Shakespeare Survey 49 (1996), 57–67.
Deakin, Simon and Wilkinson, Frank, The Law of the Labour Market: Industrialization, Employment, and Legal Evolution (Oxford: Oxfoed University Press, 2005).
Derrida, Jacques, Speech and Phenomena and Other Essays on Husserl's Theory of Signs, translated by David B. Allison (Evanston: Northwestern University Press, 1973).
Derrida, Jacques, Limited Inc. (Evanston: Northwestern University Press, 1988).
Derrida, Jacques, “Aphorism Countertime”, in Acts of Literature, edited by Attridge, Derek (London and New York: Routledge, 1992), pp. 414–34.
Derrida, Jacques, Given Time: I. Counterfeit Money, translated by Peggy Kamuf (Chicago and London: Chicago University Press, 1992).
Derrida, Jacques, “Passions: ‘An Oblique Offering’”, in On the Name, edited by Toit, Thomas du (Stanford: Stanford University Press, 1995), pp. 3–31.
Derrida, Jacques, Politics of Friendship, translated by George Collins (London and New York: Verso, 1997).
DiGangi, Mario, “Asses and Wits: The Homoerotics of Mastery in Satiric Comedy,” English Literary Renaissance 25 (1995), 179–208.
Dod, John, and Cleaver, Robert, A Godly Forme of Household Gouernment (London: R. Field, 1630).
Dusinberre, Juliet, Shakespeare and the Nature of Women (London: Methuen, 1975).
Elam, Keir, “The Fertile Eunuch: Twelfth Night, Early Modern Discourse, and the Fruits of Castration,” Shakespeare Quarterly 47 (1996), 1–36.
Ebreo, Leone, The Philosophy of Love, translated by F. Friedeberg-Seeley and Jean H. Barnes (London: The Soncino Press, 1937).
Eliot, T. S., Selected Essays (London: Faber and Faber, 1934).
Elton, G. R., England under the Tudors (London: Methuen, 1974).
Elton, William, ‘King Lear’ and the Gods (San Marino, CA: Huntington Library, 1966).
Engle, Lars, Shakespearean Pragmatism: Market of His Time (Chicago: University of Chicago Press, 1993).
Engle, Lars, “‘I Am That I Am’: Shakespeare's Sonnets and the Economy of Shame”, in Shakespeare's Sonnets: Critical Essays, edited by Schiffer, James (New York and London: Garland, 1999), pp. 185–98.
Everet, Barbara, “Romeo and Juliet: The Nurse's Story”, Critical Quarterly 14 (1972), 129–39.
Evett, David, “‘Surprising Confrontations’: Ideologies of Service in Shakespeare's England”, Renaissance Papers 1990 (1990), 67–78.
Evett, David, Discourses of Service in Shakespeare's England (Basingstoke and New York: Palgrave Macmillan, 2005).
Fernie, Ewan, “Shakespeare and the Prospect of Presentism”, Shakespeare Survey 58 (2005), 169–84.
Fernie, Ewan, Shame in Shakspeare (London and New York: Routledge, 2002).
Fernie, Ewan (ed.), Spiritual Shakespeares (London and New York: Routledge, 2005).
Ferrand, James, Erotomania, or A Treatise Discoursing of the Essence, Causes, and Syptoms, Prognosticks, and Cure of Love, or Erotique Melancholy, 2nd ed. (London, 1645).
Ficino, Marsilio, Marsilio Ficino's Commantary on Plato's Symposium, translated by Reynold Jayne Sears (Columbia: University of Missouri Press, 1944).
Fineman, Joel, Shakespeare's Perjured Eye: The Invention of Poetic Subjectivity in the Sonnets (Berkeley, Los Angeles and London: University of California Press, 1986).
Fitz, Linda T., “Egyptian Queens and Male Reviewers: Sexist Attitudes in Antony and Cleopatra Criticism”, Shakespeare Quarterly 28 (Summer 1977), 297–316.
Fletcher, John, and Anthony, Stevenson, (eds.), Order and Disorder in Early Modern England (Cambridge: Cambridge University Press, 1985).
Fosset, Thomas, The Seruants Dutie or the Calling and Condition of Seruants (London: G. Eld, 1613).
Fraser, Antonia, The Weaker Vessel: Women's Lot in Seventeenth-Century England (London: Phoenix Press, 2002).
French, Marilyn, Shakespeare's Division of Experience (London, 1982).
French, Marilyn, “Antony and Cleopatra”, in Antony and Cleopatra: Contemporary Critical Essays, edited by Drakakis, John (London: Macmillan, 1994), pp. 262–76.
Freud, Sigmund, “The Uncanny”, in Collected Papers, IV, translated by Joan Riviere (London: Hogarth Press, 1948).
Freud, Sigmund, Civilization and Its Discontents, edited by Strachey, James, translated by Joan Riviere (London: The Hogarth Press, 1973).
Friedman, Alice T., House and Household in Elizabethan England: Wollaton Hall and the Willoughby Family (Chicago: University of Chicago Press, 1989).
Fuchs, Barbara, “Conquering Islands: Contextualizing The Tempest”, Shakespeare Quarterly 48 (1997), 45–62.
Garber, Marjorie, Shakespeare after All (New York: Pantheon, 2005).
Gibson, John, “Between Truth and Triviality”, British Journal of Aesthetics 43 (2003), 224–237.
Girouard, Mark, Life in the English Country House: A Social and Architechtural History (New Haven: Yale University Press, 1978).
Goldberg, Jonathan, “Romeo and Juliet's Open Rs”, in Romeo and Juliet: Contemporary Essays, edited by White, R. S. (Basingstoke: Palgrave, 2001), pp. 194–211.
Goldberg, P. J. P., Women, Work, and Life Cycle in a Medieval Economy: Women in York and Yorkshire c. 1300–1520 (Oxford: Clarendon Press, 1992).
Gouge, William, Of Domesticall Dvties: Eight Treatises (London, 1622).
Gournay, Marie le Jars de, Preface to the “Essays” of Michel de Montaigne by his Adoptive Daughter, translated and edited by Hillman, Richard and Quesnel, Colette (Tempe, Arizona: Medieval and Renaissance Texts and Studies, 1998).
Grady, Hugh, Shakespeare, Machiavelli, and Montaigne: Power and Subjectivity from Richard II to Hamlet (Oxford: Oxford University Press, 2002).
Grady, Hugh, and Hawkes, Terence, Presentist Shakespeares (London and New York: Routledge, 2007).
Greenblatt, Stephen, “Friction and Fiction”, in Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England (Berkeley and Los Angeles: University of California Press, 1988), pp. 66–93.
Greenblatt, Stephen, “Resonance and Wonder”, in Learning to Curse (London: Routledge, 1990), pp. 161–83.
Greenblatt, Stephen, Will in the World: How Shakespeare Became Shakespeare (London: Jonathan Cape, 2005).
Greene, John, A Refutation of the Apology for Actors (London, 1615).
Greene, Thomas M., “Pitiful Thrivers: Failed Husbandry in the Sonnets”, in Shakespeare and the Question of Theory, edited by Parker, Patricia and Hartmann, Geoffrey (London and New York: Methuen, 1985), pp. 230–44.
Gross, Kenneth, The Dream of the Moving Statue (Ithaca: Cornell University Press, 1992).
Gross, Kenneth, “Slander and Scepticism in Othello”, English Literary History 56 (Winter 1989), 819–52.
Guazzo, Stefano, The Ciuile Conuersation of M. Stephen Guazzo, Translated Out of French by M. Pettie (London, 1586).
Gurr, Andrew, The Shakespearean Stage 1574–1642, 3rd ed. (Cambridge: Cambridge University Press, 1992).
Harman, T., A Caveat or Warening for Common Cvrsetors, Vulgarly Called Beggars (London, 1567).
Harrison, William, The Description of England, edited by Edelen, George (Ithaca: Cornell University Press for the Folger Shakespeare Library, 1968).
Hawkes, Terence, Shakespeare's Talking Animals: Language and Drama in Society (London: Edward Arnold, 1975).
Hawkes, Terence, Shakespeare in the Present (London: Routledge, 2002).
Hay, Douglas, “Master and Servant in England: Using the Law in the Eighteenth and Nineteenth Centuries”, in Private Law and Social Inequality in the Industrial Age: Comparing Legal Cultures in Britain, France, Germany, and the United States, edited by Steinmetz, Willibald (Oxford: Oxford University Press, 2000), pp. 227–64.
Hay, Douglas, and Craven, Paul, Masters, Servants, and Magistrates in Britain and the Empire, 1562–1955 (Chapel Hill and London: University of North Carolina Press, 2004).
Hegel, G. W. F., The Phenomenology of Mind, translated by J. B. Baillie (New York: Harper Torchbooks, 1967).
Hegel, Georg W. F., Phenomenology of Spirit, translated by A. V. Miller (Oxford: Oxford University Press, 1977).
Heinemann, Margot, “‘Let Rome in Tiber Melt’: Order and Disorder in Antony and Cleopatra”, in Antony and Cleopatra: Contemporary Critical Essays, edited by Drakakis, John (London: Macmillan, 1994), pp. 166–81.
Hobsbawm, Eric, Industry and Empire (Harmondsworth: Penguin, 1968).
Honan, Park, Shakespeare: A Life (Oxford: Oxford University Press, 1998).
Houlbrooke, Ralph, The English Family: 1450–1700 (London: Longman, 1984).
Horowitz, Maryanne Cline, “Marie de Gournay, Editor of the Essais of Michel de Montaigne: A Case-Study in Mentor-Protegee Friendship”, Sixteenth Century Journal, 17 (1986), 271–84.
Howard, Jean, “Renaissance Antitheatricality and the Politics of Gender and Rank in Much Ado about Nothing”, in Shakespeare Reproduced, edited by Jean, E. Howard and Marion, F. O'Connor (New York: Routledge, 1987), pp. 163–87.
Hulme, Peter, Colonial Encounters: Europe and the Native Caribbean, 1492–1796 (London: Methuen, 1986).
Hunt, Maurice, “Slavery, English Servitude, and The Comedy of Errors”, ELR 27 (1997), 31–56.
Hunt, Maurice, “‘Bearing Hence’: Shakespeare's The Winter's Tale”, SEL 44 (2004), 333–346
Hunt, Maurice, Shakespeare's Religious Allusiveness: Its Play and Tolerance (Alderhsot: Ashgate, 2004).
Hutton, Ronald, The Rise and Fall of Merry England (Oxford: Oxford University Press, 1994).
Ingram, William, The Business of Playing: The Beginnings of the Adult Professional Theater in Elizabethan London (Ithaca: Cornell University Press, 1992).
Ingram, William, “The Economics of Playing”, in A Companion to Shakespeare, edited by Kastan, David Scott (Oxford: Blackwell, 1999), pp. 313–27.
International Shakespearean Yearbook, edited by Graham Bradshaw, , Bishop, Tom, and Neill, Michael (Aldershot: Ashgate, 2005).
I. M., , A Health to the Gentlemanly Profession of Seruingmen (London, 1598).
Jackson, Ken, “‘One Wish’ or the Possibility of the Impossible: Derrida, the Gift, and Timon of Athens”, Shakespeare Quarterly 52 (2001), 34–66.
Jardine, Lisa, Still Harping on Daughters: Women and Drama in the Age of Shakespeare (Brighton: Harvester, 1983).
Jardine, Lisa, Reading Shakespeare Historically (London and New York: Routledge, 1996).
Dollimore, Jonathan, “King Lear (c. 1605–6) and Essential Humanism”, in Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and His Contemporaries (Brighton: Harvester, 1984), pp. 189–203.
Joubert, Elsa, The Long Journey of Poppie Nongena (Johannesburg: Jonathan Ball, 1980).
Kantorowicz, Ernst, The King's Two Bodies: A Study in Medieval Political Theology (Princeton: Princeton University Press, 1957).
Kermode, Frank, “Introduction”, in The Tempest, edited by Kermode, Frank (London: Methuen, 1954), pp. xxiv–lix.
Kernan, Alvin, Shakespeare, the King's Playwright: Theater in the Stuart Court, 1603–1613 (New Haven: Yale University Press, 1995).
Korda, Natasha, Shakespeare's Domestic Economies: Gender and Property in Early Modern England (Philadelphia: University of Pennsylvania Press, 2002).
Korda, Natasha, “Labours Lost: Women's Work and Early Modern Theatrical Commerce”, in From Script to Stage in Early Modern England, edited by Holland, Peter and Orgel, Stephen (Basingstoke: Macmillan Palgrave, 2004), pp. 195–230.
Krieger, Eliot, A Marxist Study of Shakespeare's Comedies (Totown: Barnes and Noble, 1979)
Kristeva, Julia, “‘Romeo and Juliet: Love-Hatred in the Couple’”, in Shakespearean Tragedy, edited by Drakakis, John (Harlow, Essex: Longman, 1992), pp. 296–315.
Kussmaul, Ann, Servants and Husbandry in Early Modern England (Cambridge: Cambridge University Press, 1981).
Lamb, Mary Ellen, “Tracing a Heterosexual Erotics of Service in Twelfth Night and the Autobiographical Writings of Thomas Whythorne and Anne Clifford”, Criticism 40 (1998), 1–25.
Lamming, George, The Pleasures of Exile (London: Allison & Busby, 1984).
Laslett, Peter, The World We Have Lost, 3rd ed. (New York: Charles Scribner's Sons, 1984).
Laslett, Peter, and Wall, Richard (eds.), Household and Family in Past Time, (Cambridge: Cambridge University Press, 1972).
Legatt, Alexander, Shakespeare's Comedy of Love (London: Methuen, 1974).
Leavis, F. R., “Diabolic Intellect and the Noble Hero … or The Sentimentalist's Othello”, in The Common Pursuit (Harmondsworth: Penguin, 1976).
Leinwand, Theodore, Theatre, Finance and Society in Early Modern England (Cambridge: Cambridge University Press, 1999).
Lindley, David, Shakespeare and Music (London: Arden, 2006).
Loomba, Ania, Gender, Race, Renaissance Drama (Manchester: Manchester University Press, 1989).
Lopez, Jeremy, Theatrical Convention and Audience Response in Early Modern Drama (Cambridge: Cambridge University Press, 2003).
Macfarlane, Alan, Marriage and Love in England: Modes of Reproduction 1300–1840 (Oxford: Blackwell, 1986).
Machiavelli, Niccolo, The Prince, translated by Peter Bondanell (New York: Oxford University Press, 2005).
Magnusson, Lynne, Shakespeare and Social Dialogue (Cambridge: Cambridge University Press, 1999).
Malcomson, Christina, “‘What You Will’: Social Mobility and Gender in Twelfth Night”, in The Matter of Difference, edited by Wayne, Valerie (Ithaca: Cornell University Press, 1991).
Marlowe, Christopher, Doctor Faustus, in English Renaissance Drama, edited by Engle, Lars, Bevington, David, and Maus, Katherine Eisaman (New York and London: W.W. Norton, 2002).
Marotti, Arthur F., “‘Love is not Love’: Elizabethan Sonnet Sequences and the Social Order”, English Literary History 49 (1982), 396–428.
Marx, Karl, and Engels, Friedrich, Manifesto of the Communist Party (Moscow: Foreign Languages Publishing House, 1951).
Maus, Katherine Eisamen, Inwardness and Theater in the English Renaissance (Chicago and London: University of Chicago Press, 1995).
Mauss, Marcel, The Gift: The Form and Reason for Exchange in Archaic Societies, translated by W. D. Halls (New York: W.W. Norton, 2000).
McMillin, Scott, “The Sharer and his Boy: Rehearsing Shakespeare's Women”, in From Script to Stage in Early Modern England, edited by Holland, Peter and Orgel, Stephen (Basingstoke: Palgrave Macmillan, 2004), pp. 231–45.
Mertes, Kate, The English Noble Household 1250–1600 (Oxford: Blackwell, 1988).
Montaigne, Michel de, The Essays of Montaigne, edited by Stewart, J. I. M., translated by John Florio (New York: The Modern Library, n.d.).
Milton, John, The Doctrine and Discipline of Divorce (London, 1644).
Moisan, Thomas, “‘Knock Me Here Soundly’: Comic Misprision and Class Consciousness in Shakespeare”, Shakespeare Quarterly 42 (1991), 276–90.
Montrose, Louis Adrian, “‘The Place of a Brother’ in As You Like It: Social Process and Comic Form”, Shakespeare Quarterly 32 (1981), 28–54.
Neill, Michael, Putting History to the Question: Power, Politics and Society in English Renaissance Drama (New York: Columbia University Press, 2000).
Michael Neill, “‘He that thou knowest thine’: Friendship and Service in Hamlet,” in A Companion to Shakespeare's Works: Volume 1, The Tragedies, edited by Dutton, Richard and Howard, Jean (Malden and Oxford: Blackwell, 2003), 319–38.
Neill, Michael, “‘His Master's Ass’: Slavery, Service, and Subordination in Othello”, in Shakespeare in the Mediterranean, edited by Wells, Stanley and Clayton, Tom (Newark: University of Delaware Press, 2003).
Neill, Michael, “Servile Ministers”: Othello, King Lear and the Sacralization of Service (Vancouver: Lonsdale Press, 2004).
Neill, Michael, “‘A Woman's Service’: Gender, Subordination, and the Erotics of Rank in the Drama of Shakespeare and His Contemporaries”, The Shakespearean International Yearbook 5 (2005), 127–46.
Newman, Karin, Fashioning Femininity and English Renaissance Drama (Chicago and London: University of Chicago Press, 1991).
Orgel, Stephen, Impersonations: The Performance of Gender in Shakespeare's England (Cambridge: Cambridge University Press, 1996).
Paster, Gail Kern, Humoring the Body (Chicago and London: University of Chicago Press, 2005).
Perkins, William, Christian Oeconomy (London, 1590).
Petrarch, Francis, Petrach's Secret or the Soul's Conflict with Passion: Three Dialogues between Himself and S. Augustine, translated by William H. Draper (London: Chaotto and Windus, 1911).
Pollard, Tanya, (ed.) Shakespeare's Theatre: A Sourcebook (Oxford: Blackwell, 2004).
Pugliatti, Paola, Beggary and Theatre in Early Modern England (Aldershot: Ashgate, 2003).
Rackin, Phyllis, “Shakespeare's Boy Cleopatra, the Decorum of Nature, and the Golden World of Poetry”, PMLA (March 1972), 201–12.
Rackin, Phyllis, Staging History: Shakespeare's English Chronicles (Ithaca: Cornell University Press, 1990).
Reynolds, Edward, A Treatise of the Passions and Faculties of the Soul of Man (London, 1640).
Richardson, R. C., “Social Engineering in Early Modern England: Masters, Servants, and the Godly Discipline”, Clio 33 (Winter 2004), 163–87.
Robbins, Bruce, The Servant's Hand (New York: Columbia University Press, 1986).
Roberts, Sasha, “Reading Shakespeare's Tragedies of Love: Romeo and Juliet, Othello, and Antony and Cleopatra in Early Modern England”, in A Companion to Shakespeare's Works: Vol. 1 The Tragedies, edited by Dutton, Richard and Jean, E. Howard (Oxford: Blackwell, 2003), pp. 108–33.
Rose, M. B., The Expense of Spirit: Love and Sexuality in English Renaissance Drama (Ithaca, N.J.: Cornell University Press, 1988).
Roe, John, Shakespeare and Machiavelli (Cambridge: D. S. Brewer, 2002).
Rowe, Katherine, Paster, Gail Kern, and Mary, Floyd-Watson (eds.), Reading the Early Modern Passions: Essays in the Cultural History of Emotion (Philadelphia: University of Pennsylvania Press, 2005).
Rubin, Miri, The Hollow Crown: A History of Britain in the Late Middle Ages (Harmondsworth: Penguin, 2005).
Rutter, Carol Chillington, Enter the Body: Women and Representation on Shakespeare's Stage (London and New York: Methuen, 2001).
Ryan, Kiernan, “Romeo and Juliet: The Language of Tragedy”, in The Taming of the Text: Exploration in Language, Literature and Culture, edited by Peer, Willie (The Hague: Ministry of Housing and Physical Planning, Information Department, 1988), pp. 106–21.
Schalkwyk, David, “‘A Woman's “Verily” Is as Potent as a Lord's’: Woman, Word, and Witchcraft in The Winter's Tale”, English Literary Renaissance 22 (Spring 1992), 242–72.
Schalkwyk, David, Speech and Performance in Shakespeare's Sonnets and Plays (Cambridge: Cambridge University Press, 2002).
Schalkwyk, David, Literature and the Touch of the Real (Newark: University of Delaware Press, 2004).
Schalkwyk, David, “Love and Service in The Taming of the Shrew and All's Well That Ends Well”, in International Shakespearean Yearbook, edited by Bradshaw, Graham, Bishop, Tom, and Neill, Michael (Aldershot, Hants: Ashgate, 2005).
Schoenbaum, Samuel, William Shakespeare: A Compact Documentary Life (Oxford: Clarendon Press, 1977).
Searle, John R., Speech Acts: An Essay in the Philosophy of Language (Cambridge: Cambridge University Press, 1969).
Sedgewick, Eve Kosofsy, Between Men: English Literature and Male Homosexual Desire (New York: Columbia University Press, 1985).
Shakespeare, William, “Introduction”, in The Two Gentlemen of Verona, edited by Leech, Clifford (London: Methuen, 1972), pp. xiii–lxxv.
Shakespeare, William, Shakespeare's Sonnets, edited by Booth, Stephen (New Haven and London: Yale University Press, 1978).
Shakespeare, William, “Introduction”, in The Taming of the Shrew, edited by Thompson, Ann (Cambridge: Cambridge University Press, 1984).
Shannon, Laurie, Sovereign Amity: Figures of Friendship in Shakespearean Contexts (Chicago: University of Chicago Press, 2002).
Shaw, George Bernard, Three Plays for Puritans (London: Faber and Faber, 1930).
Shklovsky, V., “‘Art as Technique’”, in Russian Formalist Criticism: Four Essays, edited by Lemon, Lee T. (Lincoln: University of Nebraska Press, 1965), pp. 3–98.
Shuger, Deborah Kuller, Habits of Thought in the English Renaissance: Religion, Politics, and the Dominant Culture (Toronto: University of Toronto Press, 1997).
Sinfield, Alan, “How to Read The Merchant of Venice without Being Heterosexist”, in Alternative Shakespeares 2, edited by Hawkes, Terence (London and New York: Routledge, 1996), pp. 122–39.
Singer, Irving, The Nature of Love 1: Plato to Luther, 2nd ed. (Chicago and London: Chicago University Press, 1984).
Singer, Irving, The Nature of Love 2: Courtly and Romantic, 2nd ed. (Chicago: Chicago University Press, 1984).
Singh, Jyotsna, “Renaissance Anti-Theatricality, Anti-Feminsim, and Shakespeare's Antony and Cleopatra”, Renaissance Drama 20 (1989), 99–119.
Skura, Meredith Anne, “Discourse and the Individual: The Case of Colonialism in The Tempest”, Shakespeare Quarterly 40 (1989), 42–69.
Skura, Meredith Anne, Shakespeare the Actor and the Purpose of Playing (Chicago and London: University of Chicago Press, 1993).
Smith, Bruce R., Homosexual Desire in Shakespeare's England: A Cultural Poetics (Chicago and London: University of Chicago Press, 1991).
Southern, R. W., The Making of the Middle Ages (London: Hutchinson, 1953).
Spivack, Bernard, Shakespeare and the Allegory of Evil (New York: Columbia University Press, 1958).
Starkey, David, The English Court: From the Wars of the Roses to the Civil War (London: Longman, 1987).
Stone, Lawrence, The Crisis of the Aristocracy 1558–1641 (Oxford: Clarendon Press, 1965).
Stone, Lawrence, The Family, Sex and Marriage in England, 1500–1800 (London: Weidenfeld and Nicolson, 1977).
Strachey, William, “A True Repertory of the Wreck and Redemption of Sir Thomas Gates, Knight, Upon and from the Islands of the Bermudas”, in Haklytus Posthumus or Purchas His Pilgrimes (1625) (Glasgow: James MacLehose and Sons, 1906), XIX pp. 5–72.
Strier, Richard, “Faithful Servants: Shakespeare's Praise of Disobedience”, in The Historical Renaissance: New Essays in Tudor Literature and Culture, edited by Dubrow, Heather and Strier, Richard (Chicago and London: University of Chicago Press, 1988), pp. 104–33.
Tacitus, , The Annals of Imperial Rome, translated by M. Grant (Harmondsworth: Penguin, 1964).
Tasso, Torquato, The Householders Philosophie (London: Thomas Hacket, 1588).
Thompson, E. P., The Poverty of Theory and Other Essays (London: Merlin, 1978).
Tillyard, E. M. W., The Elizabethan World Picture (London: Chatto and Windus, 1943).
Todorov, Tzvetan, The Imperfect Garden: The Legacy of Humanism, translated by Carol Cosman (Princeton and Oxford: Princeton University Press, 2002).
Traub, Valerie, “The Homoerotics of Shakespearean Comedy”, in Shakespeare: An Anthology of Criticism and Theory 1945–2000, edited by McDonald, Russ (Oxford: Blackwell, 2004), pp. 704–26.
Turner, Henry S., “The Problem of the More-Than-One: Friendship, Calculation, and Political Association in The Merchant of Venice”, Shakespeare Quarterly 57 (2006), 412–42.
Vendler, Helen, The Art of Shakespeare's Sonnets (Cambridge and London: Harvard University Press, 1997).
Vickers, Brian, Shakespeare, Co-Author (Oxford: Oxford University Press, 2002).
Vickers, Nancy, “Diana Described: Scattered Woman and Scattered Rhyme”, Critical Inquiry VIII (1981), 265–79.
Vitkus, Daniel, “‘Meaner Minsiters’: Mastery, Bondage, and Theatrical Labour in The Tempest”, in A Companion to Shakespeare's Works, Vol. 4: The Poems, Problem Comedies, Late Plays, edited by Dutten, Richard and Jean, E. Howard (Oxford: Blackwell, 2003), pp. 408–26.
Wall, Wendy, Staging Domesticity: Household Work and English Identity in Early Modern Drama (Cambridge: Cambridge University Press, 2002).
Webster, John, The Duchess of Malfi, in English Renaissance Drama: A Norton Anthology, edited by Engle, Lars, Bevington, David, and Maus, Katherine Eisamen (London and New York: W.W. Norton, 2002).
Weil, Judith, Service and Dependency in Shakespeare's Plays (Cambridge: Cambridge University Press, 2005).
Weimann, Robert, Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and Function, edited by Schwartz, Robert (Baltimore: Johns Hopkins University Press, 1987).
Weimann, Robert, “Bifold Authority in Shakespeare's Theater”, Shakespeare Quarterly 39 (1988), 401–17.
Weimann, Robert, “Shakespeare (De)Canonized: Conflicting Uses of ‘Authority’ and ‘Representation,’” New Literary History, 20 (1988), 65–81.
Weimann, Robert, “Textual Authority and Performative Agency: The Uses of Disguise in Shakespeare's Theater”, New Literary History 25 (1994), 789–808.
Weimann, Robert, “Performance-Game and Representation in Richard III”, in Textual and Theatrical Shakespeare: Questions of Evidence, edited by Pechter, Edward (Iowa City: University of Iowa Press, 1996).
Weimann, Robert, Author's Pen and Actor's Voice (Cambridge: Cambridge University Press, 2000).
Whittier, Gayle, “The Sonnet's Body and the Body Sonnetized in Romeo and Juliet”, Shakespeare Quarterly 40 (Spring 1989), 27–41.
Whythorne, Thomas, The Autobiography of Thomas Whythorne, edited by James, M. Osborne (Oxford: Oxford University Press, 1962).
Carroll, William, Fat King and Lean Beggar. The Representation of Poverty in Early Modern England (Ithaca: Cornell University Press, 1994).
Williams, Raymond, Marxism and Literature (Oxford: Oxford University Press, 1977).
Williams, Raymond, The Country and the City (London: Hogarth Press, 1985).
Wilson, Richard, “Like the Old Robin Hood; As You Like It and the Enclosure Riots”, in Will Power (Hemel Hempstead: Harverster Wheatsheaf, 1993), pp. 63–82.
Wilson, Richard, Will Power: Essays on Shakespearean Authority (Detroit: Wayne State University Press, 1993).
Wittgenstein, Ludwig, Philosophical Investigations, edited and translated by Anscombe, G. E. M. (Oxford: Blackwell, 1953).
Wittgenstein, Ludwig, Lectures and Conversation on Aesthetics, Psychology, and Religious Belief, edited by Barrett, C. (Oxford: Blackwell, 1966).
Wittgenstein, Ludwig, The Blue and Brown Books (Oxford: Blackwell, 1969).
Wittgenstein, Ludwig, On Certainty, edited by Anscombe, G. E. M. and Wright, G. H., translated by Denis Paul and G. E. M. Anscombe (Oxford: Blackwell, 1979).
Wittgenstein, Ludwig, Remarks on the Philosophy of Psychology Vol. 2, edited by Wright, G. H. and Nyman, H., translated by C. J. Luckhardt and M. A. E. Aue (Oxford: Blackwell, 1980).
Wofford, Susanne, “‘To You I Give Myself for I Am Yours’: Erotic Performance and Theatrical Performatives in As You Like It”, in Shakespeare Reread: The Texts in New Contexts, edited by McDonald, Russ (Ithaca: Cornell University Press, 1994), pp. 147–69.
Wright, Thomas, The Passions of the Minde in General (London, 1640).
Wrightson, Keith, “‘Sorts of People’ in Tudor and Stuart England”, in The Middling Sort of People: Culture, Society and Politics in England, 1550–1800, edited by Barry, Jonathan and Brooks, Christopher (London: Macmillan, 1994), pp. 28–51.
Wrightson, Keith, “The Politics of the Parish in Early Modern England,” in The Experience of Authority in Early Modern England, edited by Griffiths, Paul, Fox, Adam and Hindle, Steve (London: Macmillan, 1996), pp. 10–46.
Wrightson, Keith, Earthly Necessities: Economic Lives in Early Modern Britain, 1470–1750 (Harmondsworth: Penguin, 2002).
Wrightson, Keith, English Society 1580–1680 (London and New York: Routledge, 2003).
