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  3. The Making of Racial Sentiment
  • Cited by 49
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    • Publisher:
      Cambridge University Press
      Publication date:
      22 September 2009
      20 July 2006
      ISBN:
      9780511485671
      9780521865395
      9780521073042
      DOI:
      https://doi.org/10.1017/CBO9780511485671
      Dimensions:
      (228 x 152 mm)
      Weight & Pages:
      0.556kg, 256 Pages
      Dimensions:
      (228 x 152 mm)
      Weight & Pages:
      0.35kg, 256 Pages
      • Series:
      Cambridge Studies in American Literature and Culture (151)
      Subjects:
      Literature, Area Studies, American Literature, American Studies, Literary Theory
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    • Selected: Digital
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    Series:
    Cambridge Studies in American Literature and Culture (151)
    Subjects:
    Literature, Area Studies, American Literature, American Studies, Literary Theory
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    Book description

    The frontier romance, an enormously popular genre of American fiction born in the 1820s, helped redefine 'race' for an emerging national culture. The novels of James Fenimore Cooper, Lydia Maria Child, Catharine Maria Sedgwick and others described the 'races' in terms of emotional rather than physical characteristics. By doing so they produced the idea of 'racial sentiment': the notion that different races feel different things, and feel things differently. Ezra Tawil argues that the novel of white-Indian conflict provided authors and readers with an apt analogy for the problem of slavery. By uncovering the sentimental aspects of the frontier romance, Tawil redraws the lines of influence between the 'Indian novel' of the 1820s and the sentimental novel of slavery, demonstrating how Harriet Beecher Stowe's Uncle Tom's Cabin ought to be reconsidered in this light. This study reveals how American literature of the 1820s helped form modern ideas about racial differences.

    Reviews

    '…I thoroughly applaud his broader theoretical claim…'

    Source: Journal of American Studies

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