Abbott, H. Porter. The Fiction of Samuel Beckett: Form and Effect. Berkeley: University of California Press, 1973
Abbott, H. Porter. “The Harpooned Notebook: Malone Dies and the Conventions of Intercalated Narrative,” in Samuel Beckett's Molloy, Malone Dies, The Unnamable, ed. Harold Bloom. New York: Chelsea House, 1988
Acheson, James. The American Heritage Dictionary of the English Language, 1953. 3rd ed. New York: Houghton Mifflin, 1992
Acheson, James. “The Art of Failure: Samuel Beckett's Molloy.” Southern Humanities Review 17.1 (1983): 1–18
Ames, Sanford S. “The Ruse of a Condemned Man: First Writing in A la recherche,” in Reading Proust Now, ed. Mary Ann Caws and Eugène Nicole. New York: Peter Lang, 1990
Austin, J. L. How to Do Things with Words. Cambridge: Harvard University Press, 1975
Bataille, Georges. “Molloy's Silence,” in Samuel Beckett's Molloy, Malone Dies, The Unnamable, ed. Harold Bloom. New York: Chelsea House, 1988. 13–21
Bataille, Georges. “Proust and Evil,” in Marcel Proust's Remembrance of Things Past, ed. Harold Bloom. New York: Chelsea House, 1987.51–61
Baudry, Jean-Louis. Proust, Freud et l'autre. Paris: Minuit, 1984
Beckett, Samuel. En attendant Godot. Paris: Minuit, 1952
Beckett, Samuel. Malone meurt. Paris: Minuit, 1951
Beckett, Samuel. Molloy. Paris: 10/18, 1963
Beckett, Samuel. Three Novels by Samuel Beckett: Molloy, Malone Dies, and The Unnamable. New York: Grove Press, 1958
Beckett, Samuel. Murphy. New York: Grove Press, 1970
Beckett, Samuel. Proust. New York: Grove Press, 1970
Beckett, Samuel. “Proust in Pieces,” in Disjecta: Miscellaneous Writings and a Dramatic Fragment, ed. Ruby Cohn. London: John Calder, 1983.63–65
Beckett, Samuel. “Three Dialogues,” in Samuel Beckett: A Collection of Critical Essays, ed. Martin Esslin. Englewood Cliffs: Prentice Hall, 1965. 16–22
Beckett, Samuel. Watt. New York: Grove Press, 1970
Begam, Richard. Samuel Beckett and the End of Modernity. Stanford: Stanford University Press, 1996
Benjamin, Walter. “The Image of Proust,” in Marcel Proust's Remembrance of Things Past, ed. Harold Bloom. New York: Chelsea House, 1987. 37–49
Benveniste, Emile. Problèmes de linguistique générale. Paris: Gallimard, 1966
Ben-Zvi, Linda. Samuel Beckett. Boston: Twayne, 1986
Ben-Zvi, Linda. “Samuel Beckett, Fritz Mauthner, and the Limits of Language,” in Samuel Beckett, ed. Harold Bloom. New York: Chelsea House, 1985. 193–218
Bernal, Olga. Langage et fiction dans le roman de Beckett. Paris: Gallimard, 1969
Bernheimer, Charles. “Watt's in The Castle: The Aporetic Quest in Kafka and Beckett,” in Critical Essays on Samuel Beckett, ed. Lance St. John Butler. Aldershot: Scolar Press, 1993. 278–81
Bersani, Leo. “Beckett and the End of Literature,” in Samuel Beckett's Molloy, Malone Dies, The Unnamable, ed. Harold Bloom. New York: Chelsea House, 1988.51–70
Bersani, Leo. “The Culture of Redemption: Marcel Proust and Melanie Klein.” Critical Inquiry 12 (1986): 399–421
Bersani, Leo. “Proust and the Art of Incompletion,” in Aspects of Narrative, ed. J. Hillis Miller. New York: Columbia University Press, 1971
Bessière, Jean. L'Ordre du descriptif. Paris: Presses Universitaires de France, 1988
Bhabha, Homi K. “Cultural Diversity and Cultural Differences,” in The Post-Colonial Studies Reader, ed. Bill Ashcroft, Gareth Griffiths and Helen Tiffin. New York: Routledge, 1995. 29–35
Bhabha, Homi K. “Signs Taken for Wonders: Questions of Ambivalence and Authority Under a Tree Outside Delhi, May 1817,” in Europe and Its Others, eds. Francis Barker et al. Vol. 1. Proceedings of the Essex Conference on the Sociology of Literature, July 1984. Colchester: University of Essex, 1985
Bishop, Lloyd. Romantic Irony in French Literature from Diderot to Beckett. Nashville: Vanderbilt University Press, 1989
Blanchot, Maurice. “The Narrative Voice or the Impersonal ‘He’,” in The Siren's Song: Selected Essays, ed. Gabriel Josipovici, trans. Sacha Rabinovitch. Bloomington: Indiana University Press, 1982. 213–21
Blanchot, Maurice. “Where Now? Who Now?” in Samuel Beckett's Molloy, Malone Dies, The Unnamable, ed. Harold Bloom. New York: Chelsea House, 1988
Bloom, Harold, ed. Marcel Proust's Remembrance of Things Past. New York: Chelsea House, 1987
Bloom, Harold, ed. Samuel Beckett. New York: Chelsea House, 1985
Bloom, Harold, ed. Samuel Beckett's Molloy, Malone Dies, The Unnamable. New York: Chelsea House, 1988
Boucquey, Eliane. “Les Trois Arbres d'Hudimesnil: Souvenir retrouvé,” in Bulletin de la Société des Amis de Marcel Proust et des Amis de Combray 38 (1988): 26
Bourdieu, Pierre. Les Règles de l'art. Paris: Seuil, 1992
Bové, Paul A. “Beckett's Dreadful Postmodern: The Deconstruction of Form in Molloy,” in De-structing the Novel, ed. Leonard Orr. Troy: Whitston, 1982
Bowie, Malcolm. Freud, Proust and Lacan: Theory as Fiction. Cambridge: Cambridge University Press, 1987
Brodsky, Claudia. “Remembering Swann: Memory and Representation in Proust.” MLN 102.5 (1987): 1014–42
Brun, Bernard. “Sur le Proust de Beckett,” in Beckett avant Beckett, ed. Jean-Michel Rabaté. Paris: P.E.N.S., 1984. 79–91
Burroughs, William. “Beckett and Proust.” The Review of Contemporary Fiction 7. 2 (1987): 28–31
Chambers, Ross. “Beckett's Brinkmanship,” in Samuel Beckett, ed. Martin Esslin. Englewood Cliffs: Prentice Hall, 1965. 16–22
Chambers, Ross. Mélancolie et opposition: Les débuts du modernisme. Paris: José Corti, 1987
Champigny, Robert. “Adventures of the First Person,” in Samuel Beckett Now, ed. Melvin J. Friedman. Chicago: Chicago University Press, 1970. 119–28
Champigny, Robert. “Proust, Bergson and Other Philosophers,” in Proust: A Collection of Critical Essays, ed. René Girard. Englewood Cliffs: Prentice Hall, 1962
Cohn, Ruby. Return to Beckett. Princeton: Princeton University Press, 1976
Combs, Eugene. “Impotency and Ignorance: A Parody of Prerogatives in Samuel Beckett,” in Critical Essays on Samuel Beckett, ed. Lance St. John Butler. Aldershot: Scolar Press, 1993. 171–78
Compagnon, Antoine. Proust Between Two Centuries, trans. Richard E. Goodkin. New York: Columbia University Press, 1992
Compagnon, Antoine. La Troisième République des lettres. Paris: Seuil, 1983
Connor, Steven. Samuel Beckett: Repetition, Theory, and Text. Oxford, New York: Basil Blackwell, 1988
Cornwell, Ethel F. “Samuel Beckett: The Flight from Self,” in Critical Essays on Samuel Beckett, ed. Lance St. John Butler. Aldershot: Scolar Press, 1993. 179–95
Davies, Paul. The Ideal Real: Beckett's Fiction and Imagination. Rutherford: Fairleigh Dickinson University Press, 1994
Deleuze, Gilles. Proust et les signes. Paris: Presses Universitaires de France, 1964
de Man, Paul. Allegories of Reading: Figural Language in Rousseau, Nietzsche, Rilke, and Proust. New Haven: Yale University Press, 1979
de Man, Paul. “Autobiography as De-Facement,” in The Rhetoric of Romanticism. New York: Columbia University Press, 1984.67–82
de Man, Paul. Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism. New York: Oxford, 1971
de Man, Paul. “The Concept of Irony,” in Aesthetic Ideology. Minneapolis: Minnesota University Press, 1996.163–84
de Man, Paul. “The Resistance to Theory,” in The Resistance to Theory. Minneapolis: University of Minnesota Press, 1986.3–20
de Man, Paul. “The Rhetoric of Temporality,” in Interpretations, ed. Charles Singleton. Baltimore: Johns Hopkins University Press, 1970. 173–209
Descombes, Vincent. Proust: Philosophie du roman. Paris: Minuit, 1987
Dettmar, Kevin J. H. “The Figure in Beckett's Carpet: Molloy,” in Rethinking Beckett: A Collection of Critical Essays. ed. Lance St. John Butler and Robin J. Davis. New York: St. Martin's Press, 1990. 68–88
Doubrovsky, Serge. Writing and Fantasy in Proust: La place de la madeleine, trans. Carol Mastrangelo Bové, with Paul Bové. Lincoln: University of Nebraska Press, 1986
Edelman, Lee. “Homographesis.” Yale Journal of Criticism 3. 1 (1989): 189–207
Ellison, David. “Beckett and the Ethics of Fabulation,” in Of Words and the World: Referential Anxiety in Contemporary French Fiction. Princeton: Princeton University Press, 1993. 132–54
Ellison, David. The Reading of Proust. Baltimore: Johns Hopkins University Press, 1984
Federman, Raymond. “Samuel Beckett: The Liar's Paradox,” in Samuel Beckett: The Art of Rhetoric, eds. Edouard Morot-Sir, Howard Harper, and Dougald McMillan III. Chapel Hill: University of North Carolina Department of Romance Languages, 1976.119–41
Federman, Raymond, and Angus Fletcher. Samuel Beckett: His Works and His Critics, An Essay in Bibliography. Berkeley: University of California Press, 1970
Fitch, Brian T. Dimensions, structures et textualité dans la trilogie romanesque de Beckett. Paris: Minard, 1977
Flam, Jack. “The New Painting.” New York Review of Books 41. 19 (1999)
Fletcher, John. “Beckett et Proust.” Caliban: Annales Publiées par la Faculté des Lettres de Toulouse 1 (1964): 89–100
Fletcher, John. The Novels of Samuel Beckett. New York: Barnes & Noble, 1964
Flieger, Jerry Aline. “Proust, Freud, and the Art of Forgetting.” Sub-Stance 29 (1981): 66–82
Foucault, Michel. Les Mots et les choses. Paris: Gallimard, 1966
Freud, Sigmund. Beyond the Pleasure Principle, trans. James Strachey. New York: W. W. Norton and Co., 1961. 8–11
Frye, Northrop. “The Nightmare Life in Death,” in Critical Essays on Samuel Beckett, ed. Lance St. John Butler. Aldershot: Scolar Press, 1993. 101–8
Gaubert, Serge. “Marcel Proust: Le vieil homme et la peinture,” in Melanges offerts à Georges Couton. Lyon: Presses Universitaires de Lyon, 1981. 577–81
Girard, René. Deceit, Desire, and the Novel, trans. Yvonne Freccero. Baltimore: Johns Hopkins University Press, 1965
Goethe, Johann Wolfgang von. Selected Verse. New York: Penguin, 1964
Gontarski, S. E. “The Intent of Undoing in Samuel Beckett's Art,” in Samuel Beckett, ed. Harold Bloom. New York: Chelsea House, 1985. 227–46
Goodkin, Richard. Around Proust. Princeton: Princeton University Press, 1991
Gray, Margaret E. “Beckett Backwards and Forwards: The Rhetoric of Retraction in Molloy.” French Forum (May 1994): 161–74
Gray, Margaret E. Postmodern Proust. Philadelphia: Pennsylvania University Press, 1992
Harvey, Lawrence. Samuel Beckett: Poet and Critic. Princeton: Princeton University Press, 1970
Hegel, G. W. F. Phenomenology of Spirit. Oxford: Clarendon Press, 1977
Heidegger, Martin. Being and Time, trans. John Macquarrie and Edward Robinson. New York: Harper and Row, 1962
Henry, Anne. “Quand une peinture métaphysique sert de propédeutique à l'écriture: Les Métaphores d'Elstir dans A la recherche du temps perdu,” in La Critique artistique: Un genre littéraire. Paris: Presses Universitaires de France, 1983. 205–26
Henry, Anne. Marcel Proust: Théories pour une esthétique. Paris: Klincksieck, 1981
Henry, Anne. Proust romancier: le tombeau égyptien. Paris: Flammarion, 1983
Hesla, David H. The Shape of Chaos: An Interpretation of the Art of Samuel Beckett. Minneapolis: University of Minnesota Press, 1971
Hildebrandt, Hans-Hager. Becketts Proust-Bilder: Erinnerung und Identität. Stuttgart: J. B. Metzlersche Verlags Buchhandlung, 1980
Hill, Leslie. “Fiction, Myth, and Identity in Samuel Beckett's Novel Trilogy,” in Samuel Beckett's Molloy, Malone Dies, The Unnamable, ed. Harold Bloom. New York: Chelsea House, 1988. 85–94
Hill, Leslie. Beckett's Fiction: In Different Words. Cambridge: Cambridge University Press, 1990
Hutcheon, Linda. A Poetics of Postmodernism: History, Theory, Fiction. New York: Routledge, 1988
Hutcheon, Linda. A Theory of Parody. New York: Methuen, 1985
Iser, Wolfgang. “The Pattern of Negativity in Beckett's Prose,” in Samuel Beckett, ed. Harold Bloom. New York: Chelsea House, 1985. 125–36
Iser, Wolfgang. “Subjectivity as the Autogenous Cancellation of Its Own Manifestations,” in Samuel Beckett's Molloy, Malone Dies, The Unnamable, ed. Harold Bloom. New York: Chelsea House, 1988. 71–83
Jacobs, Carol. “Allegories of Reading Paul de Man,” in Reading de Man Reading, eds. Lindsay Waters and Wlad Godzich. Minneapolis: Minnesota University Press, 1989. 105–20
Jameson, Fredric. Postmodernism: Or the Cultural Logic of Late Capitalism. Durham: Duke University Press, 1991
Jameson, Fredric. The Prison-house of Language: A Critical Account of Structuralism and Russian Formalism. Princeton: Princeton University Press, 1972
Katz, Daniel. Saying I No More: Subjectivity and Consciousness in the Prose of Samuel Beckett. Evanston: Northwestern University Press, 1999
Kawin, Bruce F. The Mind of the Novel: Reflexive Fiction and the Ineffable. Princeton: Princeton University Press, 1982
Kennedy, Andrew. Samuel Beckett. Cambridge: Cambridge University Press, 1989
Kenner, Hugh. Samuel Beckett: A Critical Study. New York: Grove Press, 1961
Kenner, Hugh. “The Trilogy,” in Samuel Beckett's Molloy, Malone Dies, The Unnamable. ed. Harold Bloom. New York: Chelsea House, 1988. 31–49
Kern, Edith. “Moran-Molloy: The Hero as Author,” in Samuel Beckett, ed. Harold Bloom. New York: Chelsea House, 1985
Kern, Edith. Existential Thought and Fictional Technique: Kierkegaard, Sartre, Beckett. New Haven: Yale University Press, 1970
Kierkegaard, S⊘ren. The Concept of Irony, trans. Lee M. Capel. Bloomington: Indiana University Press, 1965
Kierkegaard, S⊘ren. The Sickness Unto Death: A Christian Psychological Exposition for Upbuilding and Awakening, trans. Howards V. Hong and Edna H. Hong. Princeton: Princeton University Press, 1980
Klein, Melanie. “Mourning and its Relation to Manic-Depressive States,” in The Selected Melanie Klein, ed. Juliet Mitchell. New York: Free Press, 1987
Kofman, Sarah. Comment s'en sortir. Paris: Galilée, 1983
Kristeva, Julia. Proust: Questions d'identité. Oxford: Legenda, 1998
Kristeva, Julia. Le Temps sensible: Proust et l'expérience littéraire. Paris: Gallimard, 1994
Landa, José Angel García. Samuel Beckett y la narración reflexiva. Zaragoza: Prensas Universitarias, 1992
Leonard, Diane R. “Literary Evolution and the Principle of Perceptibility: The Case of Ruskin, Proust, and Modernism,” in Proceedings of the Xth Congress of the International Comparative Literature Association, eds. Anna Balakian and James J. Wilhelm. New York: Garland, 1985. 132–42
Lyotard, Jean-François. Le Différend. Paris: Minuit, 1983
Lyotard, Jean-François. The Postmodern Condition: A Report on Knowledge, trans. Geoff Bennington and Brian Massumi. Foreword Fredric Jameson. Minneapolis: Minnesota University Press, 1984
Macksey, Richard. “The Architecture of Time: Dialectics and Structure,” in Marcel Proust's Remembrance of Things Past, ed. Harold Bloom. New York: Chelsea House, 1987. 89–97
Mallarmé, Edouard. “Crise de vers.” in Mallarmé, ed. Anthony Hartley. Baltimore: Penguin, 1965. 159–75
McGinnis, Reginald. “L'Inconnaissable Gomorrhe: A propos d'Albertine disparue.” Romanic Review 81.1 (1990): 92–104
Mercier, Vivian. Beckett-Beckett. New York: Oxford University Press, 1977
Moorjani, Angela. “Beckett's Devious Deictics,” in Rethinking Beckett, ed. Lance St. John Butler and Robin J. Davis. New York: St. Martins Press, 1990. 20–30
Moorjani, Angela. “A Cryptanalysis of Beckett's Molloy,” in The World of Samuel Beckett, ed. Joseph H. Smith. Baltimore: Johns Hopkins University Press, 1991
Morot-Sir, Edouard. “Grammatical Insincerity in The Unnamable,” in Samuel Beckett's Molloy, Malone Dies, The Unnamable, ed. Harold Bloom. New York: Chelsea House, 1988. 131–44
Morot-Sir, Edouard. “The PARADOX of the LIAR and the WRITING I IN PROUST,” in Reading Proust Now, ed. Mary Ann Caws and Eugène Nicole. New York: Peter Lang, 1990. 23–46
Morot-Sir, Edouard. “Samuel Beckett and Cartesian Emblems,” in Samuel Beckett and the Art of Rhetoric, eds. Edouard Morot-Sir, Howard Harper, and Dougald McMillan III. Chapel Hill: University of North Carolina Department of Romance Languages, 1976. 25–104
Morse, J. Mitchell. “The Ideal Core of the Onion: Samuel Beckett's Criticism.” French Review 38 (1964): 23–29
Murphy, P. J. “Beckett and the Philosophers,” in The Cambridge Companion to Beckett, ed. John Pilling. Cambridge: Cambridge University Press, 1994. 222–40
Newmark, Kevin. Beyond Symbolism: Textual History and the Future of Reading. Ithaca: Cornell University Press, 1991
Nietzsche, Friedrich. “On the Uses and Disadvantages of History for Life,” in Untimely Meditations, trans. R. J. Hollingdale. Cambridge: Cambridge University Press, 1983. 59–123
Nietzsche, Friedrich. The Will to Power, trans. Walter Kaufmann and R. J. Hollingdale. New York: Vintage, 1968
O'Hara, J. D. “Jung and the Molloy Narrative,” in The Beckett Studies Reader, ed. S. E. Gontarski. Gainesville: University Press of Florida, 1993. 129– 45
Painter, George. Marcel Proust: A Biography. 2 vols. New York: Vintage, 1978
Pilling, John. “Beckett's Proust.” Journal of Beckett Studies 1 (1976): 8–29
Poulet, Georges. Etudes sur le temps humain. Paris: Plon, 1950
Poulet, Georges. Proustian Space, trans. Elliott Coleman. Baltimore: Johns Hopkins University Press, 1977
Proust, Marcel. A la recherche du temps perdu. Bibliothèque de la Pléiade.3 vols. Paris: Gallimard, 1954
Proust, Marcel. Albertine disparue. Paris: Grasset, 1987
Proust, Marcel. Contre Sainte-Beuve. Bibliothèque de la Pléiade. Paris: Gallimard, 1971
Reid, James. “Allegorizing Jameson's Postmodernist Space: Waiting for Godot.” Romanic Review 84.1 (1993): 84–88
Reid, James. Narration and Description in the French Realist Novel: The Temporality of Lying and Forgetting. Cambridge: Cambridge University Press, 1993
Renner, Charlotte. “The Self-Multiplying Narrators,” in Samuel Beckett's Molloy, Malone Dies, The Unnamable, ed. Harold Bloom. New York: Chelsea House, 1988. 95–114
Restrepo, Maria Cristina. El Olvido en la obra de Marcel Proust. Caracas: Universidad Pontificia Bolivariana, 1986
Ricks, Christopher. Beckett's Dying Words. Oxford: Oxford University Press, 1993
Ricoeur, Paul. Temps et récit. Vol. 2. Paris: Seuil, 1984
Rivers, J. E. Proust and the Art of Love: The Aesthetics of Sexuality in the Life, Times, and Art of Marcel Proust. New York: Columbia University Press, 1980
Robinson, Fred Miller. “Samuel Beckett: Watt,” in Samuel Beckett, ed. Harold Bloom. New York: Chelsea House, 1985. 147–92
Rosen, Steven J. Samuel Beckett and the Pessimistic Tradition. New Brunswick: Rutgers University Press, 1976
Schopenhauer, Arthur. The World as Will and Representation. 2 vols. New York: Dover, 1958
Shattuck, Roger. Proust's Binoculars. Princeton: Princeton University Press, 1962
Sidorsky, David. “Modernism and the Emancipation of Literature from Morality: Teleology and Vocation in Joyce, Ford, and Proust.” New Literary History 15.1 (1989): 137–53
Simpson, D. P. Cassell's Latin Dictionary. 5th ed. New York: Macmillan, 1966
Splitter, Randolph. Proust's Recherche: A Psychoanalytic Interpretation. Boston: Routledge, 1981
Sprinker, Michael. History and Ideology in Proust: A la recherche du temps perdu and the Third French Republic. Cambridge and New York: Cambridge University Press, 1994
Terdiman, Richard. “Deconstructing Memory: On Representing the Past and Theorizing Culture in France Since the Revolution.” Diacritics (Winter 1985): 13–36
Terdiman, Richard. The Dialectics of Isolation: Self and Society in the French Novel from the Realists to Proust. New Haven: Yale University Press, 1976
Terdiman, Richard. Present Past: Modernity and the Memory Crisis. Ithaca: Cornell University Press, 1993
Thiher, Allen. “Wittgenstein, Heidegger, the Unnamable, and Some Thoughts on the Status of Voice in Fiction,” in Samuel Beckett: Humanistic Perspectives, eds. Morris Beja, S. E. Gontarski, and Pierre Astier. Columbus: Ohio State University Press, 1983. 80–90
Trezise, Thomas. Into the Breach. Princeton: Princeton University Press, 1990
Trieloff, Barbara. “‘Babe of Silence’: Beckett's Post-Trilogy Prose Articulated,” in Rethinking Beckett, eds. Lance St. John Butler and Robin J. Davis. New York: St Martin's Press, 1990. 89–104
Uenishi, Taeko. Le Style de Proust et la peinture. Paris: Sèdes, 1988
Warning, Reiner. “Reading Irony in Flaubert.” Style 19 (1985): 304–16
Watson, David. Paradox and Desire in Samuel Beckett's Fiction. New York: St. Martin's, 1991
Weber, Samuel. “Le Madrépore.” Poétique 13 (1973): 28–54
Willis, Sharon, “‘Gilbertine’ Apparue,” Romanic Review 72.3 (1982): 331–45
Winton, Alison. Proust's Additions. 2 vols. Cambridge: Cambridge University Press, 1977
Zima, Pierre. L'Ambivalence romanesque. Frankfurt am Main: Peter Lang, 1988
Zizek, Slavoj. Enjoy your Symptom: Jacques Lacan in Hollywood and out. 2nd ed. New York: Routledge, 2001
Zizek, Slavoj. The Fragile Absolute. New York: Verso 2002
Zizek, Slavoj. The Ticklish Subject: The Absent Centre of Political Ontology. London: Verso, 1999
Zurbrugg, Nicholas. Beckett and Proust. Gerrards Cross: Colin Smythe, 1988
