Plays/dialogues/performances/videosAiken, George L., Uncle Tom's Cabin in Daniel C. Gerould, ed., American Melodrama: New York: Performing Arts Journal Publications, 1983
Albee, Edward, The American Dream, London: Samuel French, 1961
Anderson, Laurie, Home of the Brave (videorecording), produced by Paula Mazur, Burbank, Ca.: Warner Reprise Video, 1986
Anon. (“An Enquirer after Truth”) [John Checkley], Dialogues between a Minister and an Honest Country-Man Concerning Election and Predestination, Philadelphia: Andrew Bradford, 1741
Anon [Jacob Duchâe. The ode was written by Francis Hopkinson], An Exercise Containing a Dialogue and Ode On the Accession of His present gracious Majesty, George III, Philadelphia: W. Dunlap, 1762
Anon [Philip Morin Freneau and H. H. Brackenridge], A Poem on the Rising Glory of America; Being an Exercise Delivered at the Public Commencement at Nassau-Hall, September 25, 1771, Philadelphia: Joseph Crukshank, 1772
Anon [Thomas Hopkinson], An Exercise Containing a Dialogue and two Odes. Performed at the public Commencement in the College of Philadelphia, May 20th, 1766, Philadelphia: W. Dunlap, 1766
Anon [John Leacock], The Fall of British Tyranny in Norman Philbrick (ed.), Trumpets Sounding, New York: Benjamin Blom, Inc., 1972
Anon [Thomas Paine], Dialogue between General Wolfe and General Gage in a Wood Near Boston in Daniel Wheeler (ed.), Life and Writings of Thomas Paine, vol. II, New York: Vincent Parke and Co., 1908
Anon [Robert Rogers], Ponteach: Or, the Savages of America, London: J. Millan, 1766
Anon [Jonathan Sewall], Cure for the Spleen, or, Amusement for a Winter's Evening [later in 1775 published as The Americans Roused in a Cure for the Spleen, or, Amusement for a Winter's Evening. New York: James Rivington] Boston, 1775
Anon [William Smith], An Exercise, Consisting of a Dialogue and Ode, Sacred to the Memory of His late Gracious Majesty George II, Philadelphia: Andrew Steuart, 1761
Anon [William Smith], An Exercise; containing a Dialogue and Two Odes set to music for the Public Commencement in the College of Philadelphia, May 17th, 1775, Philadelphia: Joseph Crukshank, 1775
Anon (“Mary V. V.”), A Dialogue between a Southern Delegate and His Spouse on His Return from the Grand Continental Congress, Boston: Mills and Hicks, 1774
Anon (“Member of that community”), A Dialogue Containing Some Reflections on the late Declaration and Remonstrance of the Back-Inhabitants of the Province of Pennsylvania, Philadelphia: Andrew Steuart, 1764
Anon Debates at the Robin-Hood Society, in the City of New-York, On Monday Night 19th of July, 1774, New York: Printed by order of the Robin-Hood Society, 1774
Anon “A Dialogue between Christ, Youth, and the Devil” in The New England Primer Enlarged, Boston: Printed by S. Kneeland and T. Green, 1735
Anon An Exercise containing a Dialogue and Ode On Occasion of the Peace. Performed at the Public Commencement in the College of Philadelphia, 17 May 1763. In Nathaniel Evans, Poems on Several Occasions: With Some Other Compositions. Philadelphia: John Dunlap, 1772
Anon The Military Glory of Great-Britain, An Entertainment given by the late candidates for bachelor's degree, at the close of the anniversary commencement, held in Nassau-Hall, New Jersey, September 29th, 1762, Philadelphia: William Bradford, 1762
Anon The Paxton Boys. A Farce Translated from the original French, by a Native of Donegall, Philadelphia: Anthony Armbruster, 1764
Aoki, Brenda Wong, The Queen's Garden in Kathy A. Perkins and Roberta Uno (eds.), Contemporary Plays by Women of Color, London: Routledge, 1996
Aoki, Brenda Wong “Uncle Gunjiro's Girlfriend,” unpublished typescript, 2000
Arent, Arthur (ed.), One-Third of a Nation in Pierre du Rohan, Federal Theatre Plays: Prologue to Glory, New York: Random House, 1938
Aristophanes, Lysistrata and Other Plays, Harmondsworth, Middlesex: Penguin, 1973
At the Foot of the Mountain, Raped: A Woman's Look at Bertolt Brecht's The Exception and the Rule, 1976
Baraka, Amiri (LeRoi Jones), The Motion of History in The Motion of History and Other Plays, New York: William Morrow, 1978
Barker, James Nelson, Tears and Smiles in Paul Howard Musser, James Nelson Barker, 1784–1858; with a Reprint of his Comedy Tears and Smiles, Philadelphia: University of Pennsylvania Press, 1929
Basshe, Emanuel Jo, The Centuries; Portrait of a Tenement House, Freeport, NY.: Books for Libraries Press, 1971
Belmont, O. H. P. and Elsa Maxwell, Melinda and Her Sisters in Bettina Friedl (ed.), On to Victory: Propaganda Plays of the Woman Suffrage Movement, Boston: Northeastern University Press, 1987
Benmussa, Simone, The Singular Life of Albert Nobbs in Benmussa Directs: Portrait of Dora by Hélène Cixous; Tranlated from the French by Anita Barrows. The Singular Life of Albert Nobbs by Simone Benmussa; Adapted for the Stage from George Moore's Short Story “Albert Nobbs”; and Translated from the French by Barbara Wright, London: John Calder, 1979
Berrigan, Daniel, Trial of the Catonsville Nine, Boston: Beacon Press, 1970
Bird, Robert Montgomery, The Gladiator in Clement E. Foust, The Life and Dramatic Works of Robert Montgomery Bird, New York: B. Franklin, 1971
Boucicault, Dion, The Octoroon, Or Life in Louisiana in Arthur Hobson Quinn (ed.), Representative American Plays: From 1767 to the Present Day, seventh edn., New York: Appleton-Century-Crofts, 1953
Brougham, John, Metamora; Or, The Last of the Pollywogs in Don B. Wilmeth (ed.), Staging the Nation: Plays from the American Theater, 1787–1909, Boston: Bedford Books, 1998
Brown, William Wells, The Escape; or, a Leap for Freedom in James V. Hatch and Ted Shine (eds.), Black Theatre USA: Forty-Five Plays by African Americans, 1847–1974, New York: Free Press, 1974
Burk, John, Female Patriotism, or The Death of Joan D'Arc, New York: Printed by R. M. Hurtin, 1798
Burk, John Bunker-Hill; or, The Death of General Warren, New York: Publications of the Dunlap Society, no. 15, 1891
Caldwell, Ben, Prayer Meeting; or, The First Militant Preacher in James V. Hatch and Ted Shine (eds.), Black Theatre USA: Plays by African Americans: The Recent Period: 1935-Today, rev. edn., New York: Free Press, 1996
Childress, Alice, Wedding Band in Honor Moore (ed.), The New Women's Theatre: Ten Plays by Contemporary American Women, New York: Vintage Books, 1977
Churchill, Caryl, Cloud Nine, London: Pluto Press, 1979
Churchill, Caryl Top Girls, London: Methuen, 1982
Churchill, Caryl Vinegar Tom in Caryl Churchill, Plays: One, London: Methuen, 1985
Conrad, Robert T., Jack Cade, New York: E. P. Dutton, 1918
Coss, Clare, Sondra Segal, and Roberta Sklar, The Daughters Cycle (excerpts) in Clare Coss, Sondra Segal, and Roberta Sklar, “Separation and Survival: Mothers, Daughters, Sisters – The Women's Experimental Theater,” The Future of Difference edited by Hester Eisenstein and Alice Jardine, Boston: G. K. Hall, 1980, pp. 195–235
Crothers, Rachel, He and She in Arthur Hobson Quinn (ed.), Representative American Plays: From 1767 to the Present Day, seventh edn., New York: Appleton-Century-Crofts, 1953
Crothers, Rachel A Man's World in Judith E. Barlow (ed.), Plays by Women: The Early Years, New York: Avon Books, 1981
Daly, Augustin, Horizon in Augustin Daly, Plays, edited by Don B. Wilmeth and Rosemary Cullen, Cambridge: Cambridge University Press, 1984
Daniels, Sarah, Masterpieces, London: Methuen, 1984
Different Sons, a VVAW documentary directed by Jack Ofield, produced by Arthur Littman, Bowling Green Films, 1971
Du Bois, W. E. B., “The Star of Ethiopia. A Pageant,” in Herbert Apthecker (ed.), Pamphlets and Leaflets by W. E. B. Du Bois, White Plains, NY.: Kraus-Thomson, 1983
Dunlap, William, Darby's Return in Paul L. Ford (ed.), Washington and the Theatre, New York: Benjamin Blom, 1899
Dunlap, William André in Arthur Hobson Quinn (ed.), Representative American Plays: From 1767 to the Present Day, seventh edn., New York: Appleton-Century-Crofts, 1953
Dunlap, William The Glory of Columbia: Her Yeomanry in Richard Moody (ed.), Dramas from the American Theatre 1762–1909, Bloomington: Indiana University Press, 1966
Durivage, O. E., The Stage-Struck Yankee (also known as Our Jedidiah: or, Great Attraction), New York: Samuel French, n.d
Ensler, Eve, Necessary Targets: A Story of Women and War, New York: Villard, 2001
Ensler, Eve The Vagina Monologues, V-Day edition, New York: Villard, 2001
Fierstein, Harvey, Torch Song Trilogy in Harvey Fierstein, Torch Song Trilogy: Three Plays, New York: Villard, 1983
Fornes, Maria Irene, The Conduct of Life in Plays: Mud, The Danube, The Conduct of Life, Sarita, New York: PAJ Publications, 1986
Fuller, Charles, A Soldier's Play, New York: Hill and Wang, 1982
Glaspell, Susan, Trifles in Susan Glaspell, Trifles and Six Other Short Plays, London: E. Benn, 1926
Goldemberg, Rose Leiman, Letters Home in Julia Miles (ed.), The Women's Project, New York: Performing Arts Journal, 1980
Gómez-Peña, Guillermo, 1992 in Warrior for Gringostroika, St. Paul, Minn.: Graywolf Press, 1993
Gómez-Peña, Guillermo Border Brujo in Warrior for Gringostroika, St. Paul, Minn.: Graywolf Press, 1993
Hamilton, Cicely, How the Vote Was Won in Dale Spender (ed.), How the Vote Was Won and Other Suffragette Plays, London: Methuen, 1985
Hoffman, William M., As Is, New York: Vintage, 1985
Houston, Velina Hasu, Asa Ga Kimashita in Velina Hasu Houston (ed.), The Politics of Life, Philadelphia: Temple University Press, 1993
Houston, Velina Hasu Tea in Roberta Uno (ed.), Unbroken Thread, Amherst: University of Massachusetts Press, 1993
Hughes, Langston, Mulatto in Langston Hughes, Five Plays edited by Webster Smalley, Bloomington: Indiana University Press, 1963
Hughes, Langston Don't You Want to be Free? in James V. Hatch and Ted Shine (eds.), Black Theatre USA: Forty-Five Plays by African Americans, 1847–1974, New York: Free Press, 1974
Hughes, Langston The Collected Poems of Langston Hughes, edited by Arnold Ramersad and David Roessel, New York: Alfred A. Knopf, 1995
Hunter, Robert, Androboros, “Printed at Monoropolis since August, 1714,” New York: William Bradford, 1714
Ibsen, Henrik, Ghosts in Henrik Ibsen, Ghosts and Other Plays, Harmondsworth, Middlesex: Penguin, 1964
Ibsen, Henrik The Master Builder in Henrik Ibsen, The Master Builder: and Other Plays, Harmondsworth: Penguin Books, 1971
Ibsen, Henrik Hedda Gabler in Henrik Ibsen, Plays: Two, London: Eyre Methuen, 1980
Ibsen, Henrik Plays: Two, London: Eyre Methuen, 1980
Ibsen, Henrik A Doll's House in Henrik Ibsen, Plays: Two, London: Eyre Methuen, 1980
Ibsen, Henrik Peer Gynt in Henrik Ibsen, Plays: Six, London: Methuen, 1987
Jacker, Corinne, Bits and Pieces in Honor Moore (ed.), The New Women's Theatre: Ten Plays by Contemporary American Women, New York: Vintage Books, 1977
Johnson, Hester, On to Victory in Bettina Friedl (ed.), On to Victory: Propaganda Plays of the Woman Suffrage Movement, Boston: Northeastern University Press, 1987
Jones, LeRoi, Dutchman in LeRoi Jones, Dutchman and The Slave: Two Plays, New York, Morrow, 1964
Jones, LeRoi The Slave in LeRoi Jones, Dutchman and The Slave: Two Plays, New York, Morrow, 1964
Jones, LeRoi Arm Yourself, or Harm Yourself !, Newark: Jihad Publication, no date (1967?)
Jones, LeRoi Black Mass in LeRoi Jones, Four Black Revolutionary Plays, Indianapolis: Bobbs-Merrill Co., 1969
Jones, LeRoi Four Black Revolutionary Plays, Indianapolis: Bobbs-Merrill Co., 1969
Jones, LeRoi Slave Ship, Newark: Jihad Publication, 1969
Jones, LeRoi JELLO, Chicago: Third World Press, 1970
Kramer, Larry, The Normal Heart, London: Methuen, 1987
Kushner, Tony, Angels in America: A Gay Fantasia on National Themes Part One: Millennium Approaches, New York: Theatre Communications Group, 1993
Kushner, Tony Angels in America: A Gay Fantasia on National Themes Part Two: Perestroika, rev. edn., New York: Theatre Communications Group, 1996
Lindsley, A. B., Love and Friendship, or, Yankee Notions, New York: D. Longworth, at the Dramatic Repository, Shakespeare-Gallery, 1809
Logan, C. A., The Vermont Wool Dealer, New York: Samuel French, n.d
Maltz, Albert, Black Pit, New York: G. P. Putnam's Sons, 1935
Mann, Emily, Execution of Justice in Emily Mann, Testimonies: Four Plays, New York: Theatre Communications Group, 1997
McCloskey, James J., Across the Continent; Or, Scenes from New York Life and the Pacific Railroad in Isaac Goldberg and Hubert Heffner (eds.), Davy Crockett and Other Plays, Bloomington: Indiana University Press, 1963
Medina, Louisa, Nick of the Woods, Boston: Spenser's Boston Theatre, n.d
Miller, Arthur, Death of a Salesman in Arthur Miller, Plays: One, London: Methuen, 1988
Miller, Arthur The Crucible in Arthur Miller, Plays: One, London: Methuen, 1988
Miller, Tim, Glory Box, unpublished, 2000
Moore, Honor, Mourning Pictures in Honor Moore (ed.), The New Women's Theatre: Ten Plays by Contemporary American Women, New York: Vintage Books, 1977
Moraga, Cherríe, Giving up the Ghost in Cherríe Moraga, Heroes and Saints and Other Plays, Albuquerque: West End Press, 1994
Moraga, Cherríe Heroes and Saints in Cherríe Moraga, Heroes and Saints and Other Plays, Albuquerque: West End Press, 1994
Munford, Robert, A Collection of Plays and Poems by the late Colonel Robert Munford, of Mecklenberg County in the State of Virginia, Petersburg: William Prentiss, 1798
Murdock, Frank, Davy Crockett in Isaac Goldberg and Hubert Heffner (eds.), Davy Crockett and Other Plays, Bloomington: Indiana University Press, 1963
Norman, Marsha, Getting Out (1977) in Marsha Norman, Four Plays, New York: Theatre Communications Group, 1988
Odets, Clifford, Waiting for Lefty in Clifford Odets, Six Plays, London: Methuen, 1982
O'Neill, Eugene, The Hairy Ape in Eugene O'Neill, The Collected Plays of Eugene O'Neill, London: Jonathan Cape, 1988
Open Theatre, Mutation Show in Karen Malpede and Joseph Chaikin (eds.), Three Works by the Open Theatre, New York: Drama Book Specialists, 1974
Patterson, Charles, Black Ice, in LeRoi Jones and Larry Neal (eds.), Black Fire, New York: William Morrow & Co., 1968
Paulding, James Kirke, John Augustus Stone and William Bayle Bernard, The Lion of the West, edited by James N. Tidwell, Stanford: Stanford University Press, 1954
Peters, Paul and George Sklar, Stevedore, New York: Covici, Friede, 1934
Rabe, David, The Basic Training of Pavlo Hummel in David Rabe, The Vietnam Plays, New York: Grove Press, 1993
Rabe, David Sticks and Bones in David Rabe, The Vietnam Plays, New York: Grove Press, 1993
Rabe, David Streamers in David Rabe, The Vietnam Plays, New York: Grove Press, 1993
Red Ladder, Strike While the Iron is Hot in Michelene Wandor, Strike While the Iron is Hot: Three Plays on Sexual Politics, London: Journeyman Press, 1980
Robins, Elizabeth, Votes for Women in Dale Spender (ed.), How the Vote Was Won and Other Suffragette Plays, London: Methuen, 1985
Robins, Elizabeth and Florence Bell, Alan's Wife, London: William Heinemann, 1893
Rosler, Martha, Vital Statistics of a Citizen, Simply Obtained, Video Data Bank Preservation Program, Chicago: Video Data Bank, 1996
Schneeman, Carolee, Interior Scroll in Carolee Schneeman, More Than Meat Joy: Complete Performance Works and Selected Writings, edited by Bruce McPherson, New Paltz, NY: Documentext, 1979
Shange, Ntozake, for colored girls who have considered suicide/ when the rainbow is enuf: A Choreopoem, New York: Macmillan, 1977
Shaw, Mary, Impressionistic Sketch of the Anti-Suffragists in Bettina Friedl (ed.), On to Victory: Propaganda Plays of the Woman Suffrage Movement, Boston: Northeastern University Press, 1987
Shaw, Mary The Parrot's Cage in Bettina Friedl (ed.), On to Victory: Propaganda Plays of the Woman Suffrage Movement, Boston: Northeastern University Press, 1987
Sherman, Martin, Bent, New York: Avon Books, 1980
Sinclair, Upton, Singing Jailbirds, Long Beach, California: 1924
Smith, Anna Deavere, Fires in the Mirror: Crown Heights, Brooklyn and Other Identities, New York: Anchor Books, 1993
Smith, Anna Deavere Twilight: Los Angeles 1992, New York: Anchor Books, 1994
Smith, Anna Deavere Talk to Me: Listening Between the Lines [includes excerpts used in House Arrest], New York: Random House, 2000
Smith, John, “A Dialogue between an Englishman and an Indian,” 1779, manuscript held by Dartmouth College Special Collections
Spiderwoman, Power Pipes in Mimi d'Aponte (ed.), Seventh Generation: An Anthology of Native American Plays, New York: Theatre Communication Group, 1999
Spivak, Gayatri, The Post-Colonial Critic: Interviews, Strategies, Dialogues, edited by Sarah Harasym, London: Routledge, 1990
Split Britches, Beauty and the Beast in Sue-Ellen Case (ed.), Split Britches: Lesbian Practice/Feminist Performance, London: Routledge, 1996
Split Britches Belle Reprieve in Sue-Ellen Case (ed.), Split Britches: Lesbian Practice/Feminist Performance, London: Routledge, 1996
Steele, Wilbur Daniel, Contemporaries in Barbara Ozieblo (ed.), The Provincetown Players: A Choice of the Shorter Works, Sheffield: Sheffield Academic Press, 1994
Stone, Augustus, Metamora; Or, the Last of the Wampanoags in Eugene R. Page (ed.), Metamora and Other Plays, Princeton: Princeton University Press, 1941
Terry, Megan, Approaching Simone, Old Westbury, NY: Feminist Press, 1973
Tyler, Royall, The Contrast in Don B. Wilmeth (ed.), Staging the Nation: Plays from the American Theater, 1787–1909, Boston: Bedford Books, 1998
Uno, Roberta (ed.), Unbroken Thread, Amherst: University of Massachusetts Press, 1993
Valdez, Luis, “Mundo Mata,” 2001, unpublished
Valdez, Luis The Shrunken Head of Pancho Villa in Jorge Huerta (ed.), Necessary Theater: Six Plays about the Chicano Experience, Houston: Arte Publico Press, 1989
Valdez, Luis Los Vendidos, created and written by Luis Valdez, directed by George Paul, produced by Jose Luis Ruiz, 1971
Valdez, Luis Zoot Suit in Luis Valdez, Zoot Suit and Other Plays, Houston: Arte Publico Press, 1992
Valdez, Luis and El Teatro Campesino, “El Baile de los Gigantes,” unpublished, 1974
Valdez, Luis and El Teatro Campesino “El Fin del Mundo, 1976,” unpublished
Valdez, Luis and El Teatro Campesino Las Dos Caras del Patroncito in Luis Valdez and El Teatro Campesino, Luis Valdez – Early Works: Actos, Bernabé and Pensamiento Serpentino, Houston: Arte Publico Press, 1990
Valdez, Luis and El Teatro Campesino “La Carpa de los Rasquachis,” 2001, unpublished
Valdez, Luis and El Teatro Campesino La Quinta Temporada in Luis Valdez and El Teatro Campesino, Luis Valdez – Early Works: Actos, Bernabé and Pensamiento Serpentino, Houston: Arte Publico Press, 1990
Valdez, Luis and El Teatro Campesino Soldado Razo in Luis Valdez and El Teatro Campesino, Luis Valdez – Early Works: Actos, Bernabé and Pensamiento Serpentino, Houston: Arte Publico Press, 1990
Valdez, Luis and El Teatro Campesino Los Vendidos in Luis Valdez and El Teatro Campesino, Luis Valdez – Early Works: Actos, Bernabé and Pensamiento Serpentino, Houston: Arte Publico Press, 1990
Valdez, Luis and El Teatro Campesino Vietnam Campesino in Luis Valdez and El Teatro Campesino, Luis Valdez – Early Works: Actos, Bernabé and Pensamiento Serpentino, Houston: Arte Publico Press, 1990
Vogel, Paula, How I Learned to Drive in Paula Vogel, The Mammary Plays, New York: Theatre Communications Group, 1998
Warren, Mercy, The Adulateur, The Defeat and The Group in Benjamin Franklin (ed.), The Plays and Poems of Mercy Otis Warren, Scholars' Facsimiles and Reprints, New York: Delmar, 1980
Wasserstein, Wendy, The Heidi Chronicles in Wendy Wasserstein, The Heidi Chronicles and Other Plays, San Diego: Harcourt Brace Jovanovich, 1990
Wilder, Thornton, Our Town, Harmondsworth, Middlesex: Penguin, 1962
Williams, Tennessee, A Streetcar Named Desire London: Methuen, 1984
Yeats, W. B., The Countess Cathleen in W. B. Yeats, Collected Plays, second edn., London: Macmillan, 1952
Zangwill, Israel, The Melting Pot, New York: Macmillan, 1912
Manuscript collectionsJohn Reed Manuscripts, Houghton Library, Harvard University, bms Am 16555 (95)
ArticlesArrizon, Alicia, “Mythical Performativity: Relocating Aztlán in Chicana Feminist Cultural Productions,”Theatre Journal, 52, no.1 (March 2000), 23–49
Benston, Kimberly, “The Aesthetic of Modern Black Drama” in Errol Hill (ed.), The Theater of Black Americans, Englewood Cliffs, NJ: Prentice-Hall, 1980, vol. I, pp. 61–78
Blair, Karen, “Pageantry for Women's Rights: The Career of Hazel MacKaye, 1913–1923” in Theatre Survey, 31 (May 1990), 23–46
Butsch, Richard, “American Theatre Riots and Class Relations, 1754–1849,” in Theatre Annual, 48 (1995), 41–59
Canning, Charlotte, “The Most American Thing in America” in Jeffrey D. Mason and J. Ellen Gainor (eds.), Performing America: Cultural Nationalism in American Theater, Ann Arbor: University of Michigan Press, 1999, pp. 91–105
Carby, Hazel V., “The Multicultural Wars,”Radical History Review, 54 (Fall 1992), 7–18
Carlson, Marvin, “Nationalism and the Romantic Drama in Europe” in Gerald Gillespie (ed.), Romantic Drama, Amsterdam: John Benjamins Publishing Co., 1994, pp. 139–52
Carr, C., “Unspeakable Practices, Unnatural Acts: The Taboo Art of Karen Finlay” in Lynda Hart and Peggy Phelan (eds.), Acting Out: Feminist Performances, Ann Arbor: University of Michigan Press, 1993, pp. 141–51
Clapp, William W., “The Drama in Boston” in Justin Winsor (ed.), The Memorial History of Boston, Boston: J. R. Osgood and Company, 1881, vol. IV, pp. 357–82
Cotter, Holland, “Beyond Multiculturalism, A Way to a New Freedom,” New York Times, 29 July 2001, Section 2, p. 1
Crandell, William F., “They Moved the Town: Organizing Vietnam Veterans Against the War” in Melvin Small and William Hoover (eds.), Give Peace a Chance: Exploring the Anti-War Movement, Syracuse: Syracuse University Press, 1992, pp. 141–54
Cronin, Maura, “The Yankee and the Veteran: Vehicles of Nationalism,”Journal of American Drama and Theatre, 13, no. 2 (Spring, 2001), 51–70
Davis, Peter, “Determining the Date of Robert Hunter's Androboros,”Theatre Survey, 25, no. l (May 1984), 95–7
Lauretis, Teresa, “Sexual Indifference and Lesbian Representation” in Theatre Journal, 40, no. 2 (May 1988), 155–77
Du Bois, W. E. B., “Krigwa Players Little Negro Theatre: The Story of a Little Theatre Movement” in James Hatch and Leo Hamalian (eds.), Lost Plays of the Harlem Renaissance 1920–1940, Detroit: Wayne State University Press, 1996, pp. 446–8
Fish, Stanley, “Boutique Multiculturalism, or, Why Liberals are Incapable of Thinking about Hate Speech,”Critical Inquiry, 23, no. 2 (Winter 1997), 378–95
Fox, Claire, “The Portable Border: Site-Specificity, Art, and the US-Mexico Frontier,”Social Text, 41 (Winter 94), 61–82
Gómez-Peña, Guillermo, “A Binational Performance Pilgrimage,”The Drama Review, 35, no. 3 (Fall 1991), 22–45
Hall, Stuart, “New Ethnicities,” Black Film: British Cinema, edited by Kobena Mercer, ICA Documents 7, London: Institute of Contemporary Arts, 1988, pp. 27–31
Herrera, Albert, “The National Chicano Moratorium and the Death of Ruben Salazar” in Ed Ludwig and James Santibañez (eds.), The Chicanos: Mexican American Voices, Baltimore: Penguin Books, 1971, pp. 235–41
Higson, Andrew, “The Concept of National Cinema,”Screen, 30, no. 4 (Autumn 1989), 36–46
Hornborg, Anne-Christine, “Kluskap – As Local Culture Hero and Global Green Warrior: Different Narrative Contexts for the Canadian Mi'kmaq Culture-Hero,”Acta Americana, 9, no. 1 (2001), 17–38
Kaplan, Amy, “‘Left Alone with America’: The Absence of Empire in the Study of American Culture” in Amy Kaplan and Donald E. Pease (eds.), Cultures of United States Imperialism, Durham: Duke University Press, 1993, pp. 3–21
Karenga, Ron, “Ron Karenga and Black Cultural Nationalism,”Negro Digest, January, 1968, 5–9
Krasner, David, “The Pageant is the Thing” in Jeffrey Mason and J. Ellen Gainor (eds.), Performing America: Cultural Nationalism in American Theater, Ann Arbor: University of Michigan Press, 1999, pp. 106–22
Lears, Jackson, “A Matter of Taste: Corporate Cultural Hegemony in a Mass-Consumption Society” in Lary May (ed.), Recasting America: Culture and Politics in the Age of Cold War, Chicago: University of Chicago Press, 1989, pp. 38–57
Lincoln, Bruce, “A Lakota Sun-dance and the Problematics of Sociocosmic Reunion,”History of Religions, 34, no. 1 (1994), 1–14
Linton, Ralph, “The Comanche Sun Dance,”American Anthropologist, 37 (1935), 420–8
Logan, Brad, “The Ghost Dance among the Paiute,”Ethnohistory, 27, no. 3 (Summer 1980), 267–88
Lowie, Robert B., “Sun Dance of the Shoshone, Ute, and Hidastsa,”Anthropological Papers of the American Museum of Natural History, 16, no.1 (1919), 387–431
Lyons, Charles R. and Lyons, James C., “Anna Deavere Smith: Perspectives on her Performance within the Context of Critical Theory,”Journal of Dramatic Theory and Criticism (Fall 1994), 43–66
Martin, Carol, “Anna Deavere Smith: The Word Becomes You,”The Drama Review, 37, no. 4 (Winter 1993), 45–62
McConachie, Bruce, “The Theatre of Edwin Forrest and Jacksonian Hero Worship” in Judith L. Fisher and Stephen Watt (eds.), When They Weren't Doing Shakespeare: Essays on Nineteenth-Century British and American Theatre, Athens, Georgia: University of Georgia Press, 1989, pp. 3–18
McConachie, Bruce “American Theatre in Context, from the Beginnings to 1870” in Don B. Wilmeth and Christopher Bigsby (eds.), The Cambridge History of American Theatre, vol. I, Cambridge: Cambridge University Press, 1998, pp. 111–81
McNamara, Brooks (ed.), “Paterson Strike Pageant,” Drama Review, 51 (Summer 1971), 61–72
Moraga, Cherríe, “Art in América con Acento” in Diana Taylor and Juan Villegas (eds.), Negotiating Performance, Durham: Duke University Press, 1994, pp. 30–6
Mulvey, Laura, “Visual Pleasure and Narrative Cinema,”Screen, 16, no. 3 (1975), 6–18
Neal, Larry, “The Black Arts Movement,” in Henry Louis Gates, Jr. and Nellie Y. McKay (eds.), The Norton Anthology of African American Literature, New York: W. W. Norton & Co., 1997, pp. 1960–72
“New Grapes,”Newsweek, 31 July 1967, p. 79
Nochlin, Linda, “The Paterson Strike Pageant of 1913,”Art in America, 52 (May/June 1974), 64–8
Ostler, Jeffrey, “Conquest and the State – Wounded Knee,”Pacific Historical Review, 65 no. 2 (May 1996), 217–48
Patraka, Vivian, “Notes on Technique in Feminist Drama: Apple Pie and Signs of Life,”Women and Performance, 1, no. 2 (Winter 1984), 58–72
Pease, Donald E., “National Identities, Postmodern Artifacts, and Postnational Narratives” in Donald E. Pease (ed.), National Identities and Post-Americanist Narratives, Durham: Duke University Press, 1994, pp. 1–13
Platt, Tony, “Desegregating Multiculturalism: Problems in the Theory and Pedagogy of Diversity Education,” Notes for presentation at the annual conference of the Sociology of Education Association, Pacific Grove, California, 24 February 2001, unpublished
Quinn, Michael, “Celebrity and the Semiotics of Acting,”New Theatre Quarterly, 6, no. 22 (May 1990), 154–61
Rayner, Alice, “Improper Conjunctions: Metaphor, Performance, and Text,”Essays in Theatre/Etudes Théâtrales, 14, no. 1 (November 1995), 3–14
Reed, John, “Almost Thirty” in Groff Conklin (ed.), The New Republic Anthology: 1915–1935, New York: Dodge Publishing Company, 1936, pp. 57–73
Reinelt, Janelle, “Tracking Twilight: The Politics of Location,”Theatre Forum, 6 (Winter/Spring 1995), 52–7
Reinelt, Janelle “Performing Race: Anna Deavere Smith's Fires in the Mirror,”Modern Drama, 39, no. 4 (Winter 1996), 609–17
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