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    • Publisher:
      Cambridge University Press
      Publication date:
      22 September 2009
      06 November 2003
      ISBN:
      9780511489426
      9780521830256
      9780521537247
      DOI:
      https://doi.org/10.1017/CBO9780511489426
      Dimensions:
      (228 x 152 mm)
      Weight & Pages:
      0.425kg, 192 Pages
      Dimensions:
      (228 x 152 mm)
      Weight & Pages:
      0.3kg, 196 Pages
      • Subjects:
      Music, Sociology: General Interest, Music: General Interest, Sociology
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    Subjects:
    Music, Sociology: General Interest, Music: General Interest, Sociology
    Information

    Book description

    Theodor W. Adorno placed music at the centre of his critique of modernity and broached some of the most important questions about the role of music in contemporary society. One of his central arguments was that music, through the manner of its composition, affected consciousness and was a means of social management and control. His work was primarily theoretical however, and because these issues were never explored empirically his work has become sidelined in current music sociology. This book argues that music sociology can be greatly enriched by a return to Adorno's concerns, in particular his focus on music as a dynamic medium of social life. Intended as a guide to 'how to do music sociology' this book deals with critical topics too often sidelined such as aesthetic ordering, cognition, the emotions and music as a management device and reworks Adorno's focus through a series of grounded examples.

    Reviews

    If Adorno paved the way for the disciplines of sociology and musicology to come together, DeNora has brought this interdisciplinary scholarship to a new level of sophistication, showing that the dialogue between musicology and sociology is still a two-way street." - William G. Roy

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    Contents

    Contents
    References
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